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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AE48C it is the complementary color #951B73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AE48C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AE48C shade: #6FE487, #80F69A, #91FFAD, #A2FFC0 and #B3FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AE48C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AE48C shade: #6AE48C, #59D279, #48C066, #37AE53 and #269C40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AE48C shade: #68E38A, #68E369, #88E368, #A9E368 and #CBE368

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AE48C shade: #68E38A, #68E3AC, #68E3CD, #68D9E3 and #68B7E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AE48C shade matches the following richer shades: #68E38A and #5AF284

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AE48C shade: #68E38A, #77D591, #85C697, #93B89E and #A2AAA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AE48C shade: #89E368, #68E368, #68E389, #68E3AA and #68E3CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AE48C shade: #27D256, #45DD70, #68E38A, #8BEAA5 and #AEF0C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AE48C shade: #6AE48C, #68AAE3 and #E36879

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AE48C shade: #6AE48C, #8968E3 and #E38968

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AE48C shade: #6AE48C, #68AAE3, #E368C2 and #E3A268

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AE48C shade: #6AE48C, #6885E3, #E368C2 and #E3C768

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 39 / 11

HEX #6AE48C

RGB 106 228 140

HSL 136.72, 0.69%, 0.65%

LAB 82.08, -53.06, 32.82

 

Complementary color

CMYK 0 / 82 / 23 / 42

HEX #951B73

RGB 149 27 115

HSL 316.72, 0.69%, 0.35%

LAB 34.83, 56.32, -20.08

 

CMYK 51 / 0 / 41 / 11

HEX #6FE487

RGB 111 228 135

HSL 132.31, 0.68%, 0.66%

LAB 82.17, -52.65, 35.49

 

CMYK 48 / 0 / 37 / 4

HEX #80F69A

RGB 128 246 154

HSL 133.22, 0.87%, 0.73%

LAB 88.37, -52.55, 34.22

 

CMYK 43 / 0 / 32 / 0

HEX #91FFAD

RGB 145 255 173

HSL 135.27, 1%, 0.78%

LAB 91.93, -48.63, 29.58

 

CMYK 36 / 0 / 25 / 0

HEX #A2FFC0

RGB 162 255 192

HSL 139.35, 1%, 0.82%

LAB 93.02, -40.57, 21.55

 

CMYK 30 / 0 / 17 / 0

HEX #B3FFD3

RGB 179 255 211

HSL 145.26, 1%, 0.85%

LAB 94.23, -32.12, 13.65

 

CMYK 54 / 0 / 39 / 11

HEX #6AE48C

RGB 106 228 140

HSL 136.72, 0.69%, 0.65%

LAB 82.08, -53.06, 32.82

 

CMYK 58 / 0 / 42 / 18

HEX #59D279

RGB 89 210 121

HSL 135.87, 0.57%, 0.59%

LAB 75.82, -53.03, 34.16

 

CMYK 63 / 0 / 47 / 25

HEX #48C066

RGB 72 192 102

HSL 135, 0.49%, 0.52%

LAB 69.5, -52.83, 35.57

 

CMYK 68 / 0 / 52 / 32

HEX #37AE53

RGB 55 174 83

HSL 134.12, 0.52%, 0.45%

LAB 63.1, -52.38, 37.05

 

CMYK 76 / 0 / 59 / 39

HEX #269C40

RGB 38 156 64

HSL 133.22, 0.61%, 0.38%

LAB 56.64, -51.51, 38.54

 

CMYK 54 / 0 / 39 / 11

HEX #68E38A

RGB 104 227 138

HSL 136.59, 0.69%, 0.65%

LAB 81.68, -53.47, 33.29

 

CMYK 54 / 0 / 54 / 11

HEX #68E369

RGB 104 227 105

HSL 120.49, 0.69%, 0.65%

LAB 81.24, -58.28, 48.8

 

CMYK 40 / 0 / 54 / 11

HEX #88E368

RGB 136 227 104

HSL 104.39, 0.69%, 0.65%

LAB 82.47, -49.37, 51.03

 

CMYK 26 / 0 / 54 / 11

HEX #A9E368

RGB 169 227 104

HSL 88.29, 0.69%, 0.65%

LAB 84.16, -38.22, 53.44

 

CMYK 11 / 0 / 54 / 11

HEX #CBE368

RGB 203 227 104

HSL 71.71, 0.69%, 0.65%

LAB 86.32, -25.41, 56.51

 

CMYK 54 / 0 / 39 / 11

HEX #68E38A

RGB 104 227 138

HSL 136.59, 0.69%, 0.65%

LAB 81.68, -53.47, 33.29

 

CMYK 54 / 0 / 24 / 11

HEX #68E3AC

RGB 104 227 172

HSL 153.17, 0.69%, 0.65%

LAB 82.3, -47.09, 16.6

 

CMYK 54 / 0 / 10 / 11

HEX #68E3CD

RGB 104 227 205

HSL 169.27, 0.69%, 0.65%

LAB 83.07, -39.65, 0.31

 

CMYK 54 / 4 / 0 / 11

HEX #68D9E3

RGB 104 217 227

HSL 184.88, 0.69%, 0.65%

LAB 80.8, -29.33, -14.73

 

CMYK 54 / 19 / 0 / 11

HEX #68B7E3

RGB 104 183 227

HSL 201.46, 0.69%, 0.65%

LAB 71.12, -12.04, -29.46

 

CMYK 54 / 0 / 39 / 11

HEX #68E38A

RGB 104 227 138

HSL 136.59, 0.69%, 0.65%

LAB 81.68, -53.47, 33.29

 

CMYK 63 / 0 / 45 / 5

HEX #5AF284

RGB 90 242 132

HSL 136.58, 0.85%, 0.65%

LAB 85.68, -63.15, 41.35

 

CMYK 54 / 0 / 39 / 11

HEX #68E38A

RGB 104 227 138

HSL 136.59, 0.69%, 0.65%

LAB 81.68, -53.47, 33.29

 

CMYK 44 / 0 / 32 / 16

HEX #77D591

RGB 119 213 145

HSL 136.6, 0.53%, 0.65%

LAB 78.2, -42.57, 25.15

 

CMYK 33 / 0 / 24 / 22

HEX #85C697

RGB 133 198 151

HSL 136.62, 0.36%, 0.65%

LAB 74.58, -30.5, 17.11

 

CMYK 20 / 0 / 14 / 28

HEX #93B89E

RGB 147 184 158

HSL 137.84, 0.21%, 0.65%

LAB 71.52, -17.7, 9.14

 

CMYK 5 / 0 / 4 / 33

HEX #A2AAA4

RGB 162 170 164

HSL 135, 0.04%, 0.65%

LAB 68.83, -3.97, 2.1

 

CMYK 40 / 0 / 54 / 11

HEX #89E368

RGB 137 227 104

HSL 103.9, 0.69%, 0.65%

LAB 82.52, -49.06, 51.1

 

CMYK 54 / 0 / 54 / 11

HEX #68E368

RGB 104 227 104

HSL 120, 0.69%, 0.65%

LAB 81.23, -58.4, 49.25

 

CMYK 54 / 0 / 40 / 11

HEX #68E389

RGB 104 227 137

HSL 136.1, 0.69%, 0.65%

LAB 81.67, -53.63, 33.78

 

CMYK 54 / 0 / 25 / 11

HEX #68E3AA

RGB 104 227 170

HSL 152.2, 0.69%, 0.65%

LAB 82.26, -47.5, 17.59

 

CMYK 54 / 0 / 11 / 11

HEX #68E3CB

RGB 104 227 203

HSL 168.29, 0.69%, 0.65%

LAB 83.02, -40.13, 1.3

 

CMYK 81 / 0 / 59 / 18

HEX #27D256

RGB 39 210 86

HSL 136.49, 0.69%, 0.49%

LAB 74.32, -66.54, 48.94

 

CMYK 69 / 0 / 49 / 13

HEX #45DD70

RGB 69 221 112

HSL 136.97, 0.69%, 0.57%

LAB 78.55, -62.49, 41.98

 

CMYK 54 / 0 / 39 / 11

HEX #68E38A

RGB 104 227 138

HSL 136.59, 0.69%, 0.65%

LAB 81.68, -53.47, 33.29

 

CMYK 41 / 0 / 29 / 8

HEX #8BEAA5

RGB 139 234 165

HSL 136.42, 0.69%, 0.73%

LAB 85.53, -42.63, 24.91

 

CMYK 28 / 0 / 20 / 6

HEX #AEF0C0

RGB 174 240 192

HSL 136.36, 0.69%, 0.81%

LAB 89.45, -30.12, 16.66

 

CMYK 54 / 0 / 39 / 11

HEX #6AE48C

RGB 106 228 140

HSL 136.72, 0.69%, 0.65%

LAB 82.08, -53.06, 32.82

 

CMYK 54 / 25 / 0 / 11

HEX #68AAE3

RGB 104 170 227

HSL 207.8, 0.69%, 0.65%

LAB 67.46, -4.96, -35.12

 

CMYK 0 / 54 / 47 / 11

HEX #E36879

RGB 227 104 121

HSL 351.71, 0.69%, 0.65%

LAB 59.54, 49.36, 14.12

 

CMYK 54 / 0 / 39 / 11

HEX #6AE48C

RGB 106 228 140

HSL 136.72, 0.69%, 0.65%

LAB 82.08, -53.06, 32.82

 

CMYK 40 / 54 / 0 / 11

HEX #8968E3

RGB 137 104 227

HSL 256.1, 0.69%, 0.65%

LAB 52.69, 41.03, -58.31

 

CMYK 0 / 40 / 54 / 11

HEX #E38968

RGB 227 137 104

HSL 16.1, 0.69%, 0.65%

LAB 65.92, 31.09, 32.25

 

CMYK 54 / 0 / 39 / 11

HEX #6AE48C

RGB 106 228 140

HSL 136.72, 0.69%, 0.65%

LAB 82.08, -53.06, 32.82

 

CMYK 54 / 25 / 0 / 11

HEX #68AAE3

RGB 104 170 227

HSL 207.8, 0.69%, 0.65%

LAB 67.46, -4.96, -35.12

 

CMYK 0 / 54 / 15 / 11

HEX #E368C2

RGB 227 104 194

HSL 316.1, 0.69%, 0.65%

LAB 61.76, 58.42, -24.64

 

CMYK 0 / 29 / 54 / 11

HEX #E3A268

RGB 227 162 104

HSL 28.29, 0.69%, 0.65%

LAB 71.67, 17.77, 39.5

 

CMYK 54 / 0 / 39 / 11

HEX #6AE48C

RGB 106 228 140

HSL 136.72, 0.69%, 0.65%

LAB 82.08, -53.06, 32.82

 

CMYK 54 / 41 / 0 / 11

HEX #6885E3

RGB 104 133 227

HSL 225.85, 0.69%, 0.65%

LAB 57.33, 16.45, -51.04

 

CMYK 0 / 54 / 15 / 11

HEX #E368C2

RGB 227 104 194

HSL 316.1, 0.69%, 0.65%

LAB 61.76, 58.42, -24.64

 

CMYK 0 / 12 / 54 / 11

HEX #E3C768

RGB 227 199 104

HSL 46.34, 0.69%, 0.65%

LAB 80.84, -1.76, 50.59

 

Description

Color code: HEX #6AE48C | qconv.com Color code: HEX #6AE48C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 228 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 228 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 39 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 39% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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