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Color name
HEX #269C40

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #269C40 it is the complementary color #D963BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #269C40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #269C40 shade: #2B9C3B, #3CAE4E, #4DC061, #5ED274 and #6FE487

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #269C40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #269C40 shade: #269C40, #158A2D, #04781A, #006607 and #005400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #269C40 shade: #269C40, #2C9C26, #4C9C26, #6B9C26 and #8B9C26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #269C40 shade: #269C40, #269C60, #269C80, #26999C and #26799C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #269C40 shade matches the following richer shades: #269C40, #16AC37 and #06BB2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #269C40 shade: #269C40, #358C49, #457D51, #556D5A and #655D63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #269C40 shade: #4B9C26, #2C9C26, #269C3F, #269C5F and #269C7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #269C40 shade: #165A25, #1E7B32, #269C40, #2EBD4D and #43D162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #269C40 shade: #269C40, #266B9C and #9C263B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #269C40 shade: #269C40, #3F269C and #9C3F26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #269C40 shade: #269C40, #266B9C, #9C2682 and #9C5726

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #269C40 shade: #269C40, #26479C, #9C2682 and #9C7B26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 59 / 39

HEX #269C40

RGB 38 156 64

HSL 133.22, 0.61%, 0.38%

LAB 56.64, -51.51, 38.54

 

Complementary color

CMYK 0 / 54 / 12 / 15

HEX #D963BF

RGB 217 99 191

HSL 313.22, 0.61%, 0.62%

LAB 59.38, 57.39, -26.72

 

CMYK 72 / 0 / 62 / 39

HEX #2B9C3B

RGB 43 156 59

HSL 128.5, 0.57%, 0.39%

LAB 56.69, -51.32, 40.98

 

CMYK 66 / 0 / 55 / 32

HEX #3CAE4E

RGB 60 174 78

HSL 129.47, 0.49%, 0.46%

LAB 63.16, -52.11, 39.61

 

CMYK 60 / 0 / 49 / 25

HEX #4DC061

RGB 77 192 97

HSL 130.43, 0.48%, 0.53%

LAB 69.57, -52.51, 38.2

 

CMYK 55 / 0 / 45 / 18

HEX #5ED274

RGB 94 210 116

HSL 131.38, 0.56%, 0.6%

LAB 75.91, -52.66, 36.81

 

CMYK 51 / 0 / 41 / 11

HEX #6FE487

RGB 111 228 135

HSL 132.31, 0.68%, 0.66%

LAB 82.17, -52.65, 35.49

 

CMYK 76 / 0 / 59 / 39

HEX #269C40

RGB 38 156 64

HSL 133.22, 0.61%, 0.38%

LAB 56.64, -51.51, 38.54

 

CMYK 85 / 0 / 67 / 46

HEX #158A2D

RGB 21 138 45

HSL 132.31, 0.74%, 0.31%

LAB 50.13, -50.01, 39.91

 

CMYK 97 / 0 / 78 / 53

HEX #04781A

RGB 4 120 26

HSL 131.38, 0.94%, 0.24%

LAB 43.56, -47.59, 40.82

 

CMYK 100 / 0 / 93 / 60

HEX #006607

RGB 0 102 7

HSL 124.12, 1%, 0.2%

LAB 36.96, -43.61, 40.5

 

CMYK 100 / 0 / 100 / 67

HEX #005400

RGB 0 84 0

HSL 120, 1%, 0.16%

LAB 30.26, -38.43, 37.09

 

CMYK 76 / 0 / 59 / 39

HEX #269C40

RGB 38 156 64

HSL 133.22, 0.61%, 0.38%

LAB 56.64, -51.51, 38.54

 

CMYK 72 / 0 / 76 / 39

HEX #2C9C26

RGB 44 156 38

HSL 116.95, 0.61%, 0.38%

LAB 56.54, -53.23, 49.58

 

CMYK 51 / 0 / 76 / 39

HEX #4C9C26

RGB 76 156 38

HSL 100.68, 0.61%, 0.38%

LAB 57.51, -45.36, 50.88

 

CMYK 31 / 0 / 76 / 39

HEX #6B9C26

RGB 107 156 38

HSL 84.92, 0.61%, 0.38%

LAB 59.01, -34.61, 52.85

 

CMYK 11 / 0 / 76 / 39

HEX #8B9C26

RGB 139 156 38

HSL 68.64, 0.61%, 0.38%

LAB 61.14, -21.43, 55.63

 

CMYK 76 / 0 / 59 / 39

HEX #269C40

RGB 38 156 64

HSL 133.22, 0.61%, 0.38%

LAB 56.64, -51.51, 38.54

 

CMYK 76 / 0 / 38 / 39

HEX #269C60

RGB 38 156 96

HSL 149.49, 0.61%, 0.38%

LAB 57.11, -46.13, 22.48

 

CMYK 76 / 0 / 18 / 39

HEX #269C80

RGB 38 156 128

HSL 165.76, 0.61%, 0.38%

LAB 57.8, -38.69, 5.56

 

CMYK 76 / 2 / 0 / 39

HEX #26999C

RGB 38 153 156

HSL 181.53, 0.61%, 0.38%

LAB 57.65, -29.31, -10.58

 

CMYK 76 / 22 / 0 / 39

HEX #26799C

RGB 38 121 156

HSL 197.8, 0.61%, 0.38%

LAB 47.61, -12.41, -25.91

 

CMYK 76 / 0 / 59 / 39

HEX #269C40

RGB 38 156 64

HSL 133.22, 0.61%, 0.38%

LAB 56.64, -51.51, 38.54

 

CMYK 87 / 0 / 68 / 33

HEX #16AC37

RGB 22 172 55

HSL 133.2, 0.77%, 0.38%

LAB 61.61, -59.77, 48.12

 

CMYK 97 / 0 / 75 / 27

HEX #06BB2E

RGB 6 187 46

HSL 133.26, 0.94%, 0.38%

LAB 66.35, -66.03, 56.42

 

CMYK 76 / 0 / 59 / 39

HEX #269C40

RGB 38 156 64

HSL 133.22, 0.61%, 0.38%

LAB 56.64, -51.51, 38.54

 

CMYK 62 / 0 / 48 / 45

HEX #358C49

RGB 53 140 73

HSL 133.79, 0.45%, 0.38%

LAB 51.83, -41.2, 28.16

 

CMYK 45 / 0 / 35 / 51

HEX #457D51

RGB 69 125 81

HSL 132.86, 0.29%, 0.38%

LAB 47.66, -28.73, 18.39

 

CMYK 22 / 0 / 17 / 57

HEX #556D5A

RGB 85 109 90

HSL 132.5, 0.12%, 0.38%

LAB 43.66, -13.06, 7.74

 

CMYK 0 / 8 / 2 / 60

HEX #655D63

RGB 101 93 99

HSL 315, 0.04%, 0.38%

LAB 40.4, 4.42, -2.27

 

CMYK 52 / 0 / 76 / 39

HEX #4B9C26

RGB 75 156 38

HSL 101.19, 0.61%, 0.38%

LAB 57.48, -45.66, 50.82

 

CMYK 72 / 0 / 76 / 39

HEX #2C9C26

RGB 44 156 38

HSL 116.95, 0.61%, 0.38%

LAB 56.54, -53.23, 49.58

 

CMYK 76 / 0 / 60 / 39

HEX #269C3F

RGB 38 156 63

HSL 132.71, 0.61%, 0.38%

LAB 56.63, -51.65, 39

 

CMYK 76 / 0 / 39 / 39

HEX #269C5F

RGB 38 156 95

HSL 148.98, 0.61%, 0.38%

LAB 57.09, -46.33, 23.01

 

CMYK 76 / 0 / 19 / 39

HEX #269C7E

RGB 38 156 126

HSL 164.75, 0.61%, 0.38%

LAB 57.75, -39.21, 6.62

 

CMYK 76 / 0 / 59 / 65

HEX #165A25

RGB 22 90 37

HSL 133.24, 0.61%, 0.22%

LAB 33.17, -33.49, 24.42

 

CMYK 76 / 0 / 59 / 52

HEX #1E7B32

RGB 30 123 50

HSL 132.9, 0.61%, 0.3%

LAB 45.18, -42.83, 31.92

 

CMYK 76 / 0 / 59 / 39

HEX #269C40

RGB 38 156 64

HSL 133.22, 0.61%, 0.38%

LAB 56.64, -51.51, 38.54

 

CMYK 76 / 0 / 59 / 26

HEX #2EBD4D

RGB 46 189 77

HSL 133.01, 0.61%, 0.46%

LAB 67.66, -59.95, 45.32

 

CMYK 68 / 0 / 53 / 18

HEX #43D162

RGB 67 209 98

HSL 133.1, 0.61%, 0.54%

LAB 74.62, -60.63, 43.86

 

CMYK 76 / 0 / 59 / 39

HEX #269C40

RGB 38 156 64

HSL 133.22, 0.61%, 0.38%

LAB 56.64, -51.51, 38.54

 

CMYK 76 / 31 / 0 / 39

HEX #266B9C

RGB 38 107 156

HSL 204.92, 0.61%, 0.38%

LAB 43.25, -4.17, -32.71

 

CMYK 0 / 76 / 62 / 39

HEX #9C263B

RGB 156 38 59

HSL 349.32, 0.61%, 0.38%

LAB 35.54, 49.21, 17.1

 

CMYK 76 / 0 / 59 / 39

HEX #269C40

RGB 38 156 64

HSL 133.22, 0.61%, 0.38%

LAB 56.64, -51.51, 38.54

 

CMYK 60 / 76 / 0 / 39

HEX #3F269C

RGB 63 38 156

HSL 252.71, 0.61%, 0.38%

LAB 26.28, 43.46, -59.97

 

CMYK 0 / 60 / 76 / 39

HEX #9C3F26

RGB 156 63 38

HSL 12.71, 0.61%, 0.38%

LAB 39.18, 37.3, 34.22

 

CMYK 76 / 0 / 59 / 39

HEX #269C40

RGB 38 156 64

HSL 133.22, 0.61%, 0.38%

LAB 56.64, -51.51, 38.54

 

CMYK 76 / 31 / 0 / 39

HEX #266B9C

RGB 38 107 156

HSL 204.92, 0.61%, 0.38%

LAB 43.25, -4.17, -32.71

 

CMYK 0 / 76 / 17 / 39

HEX #9C2682

RGB 156 38 130

HSL 313.22, 0.61%, 0.38%

LAB 37.96, 56.83, -24.48

 

CMYK 0 / 44 / 76 / 39

HEX #9C5726

RGB 156 87 38

HSL 24.92, 0.61%, 0.38%

LAB 44.27, 24.5, 39.6

 

CMYK 76 / 0 / 59 / 39

HEX #269C40

RGB 38 156 64

HSL 133.22, 0.61%, 0.38%

LAB 56.64, -51.51, 38.54

 

CMYK 76 / 54 / 0 / 39

HEX #26479C

RGB 38 71 156

HSL 223.22, 0.61%, 0.38%

LAB 32.52, 19.2, -49.85

 

CMYK 0 / 76 / 17 / 39

HEX #9C2682

RGB 156 38 130

HSL 313.22, 0.61%, 0.38%

LAB 37.96, 56.83, -24.48

 

CMYK 0 / 21 / 76 / 39

HEX #9C7B26

RGB 156 123 38

HSL 43.22, 0.61%, 0.38%

LAB 53.36, 4.01, 48.71

 

Description

Color code: HEX #269C40 | qconv.com Color code: HEX #269C40 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 156 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 156 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 59 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 59% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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