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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6ADF42 it is the complementary color #9520BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6ADF42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6ADF42 shade: #6FDF3D, #80F150, #91FF63, #A2FF76 and #B3FF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6ADF42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6ADF42 shade: #6ADF42, #59CD2F, #48BB1C, #37A909 and #269700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6ADF42 shade: #6BDF43, #95DF43, #BFDF43, #DFD543 and #DFAB43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6ADF42 shade: #6BDF43, #43DF46, #43DF70, #43DF9A and #43DFC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6ADF42 shade matches the following richer shades: #6BDF43 and #62F132

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6ADF42 shade: #6BDF43, #74CD55, #7DBC67, #85AA79 and #8E988A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6ADF42 shade: #C0DF43, #97DF43, #6DDF43, #43DF43 and #43DF6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6ADF42 shade: #44B21E, #51D524, #6BDF43, #87E567 and #A3EB8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6ADF42 shade: #6ADF42, #43DFD5 and #DF43AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6ADF42 shade: #6ADF42, #436DDF and #DF436D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6ADF42 shade: #6ADF42, #43DFD5, #B643DF and #DF434E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6ADF42 shade: #6ADF42, #43BBDF, #B643DF and #DF6843

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 70 / 13

HEX #6ADF42

RGB 106 223 66

HSL 104.71, 0.71%, 0.57%

LAB 79.75, -60.16, 63.53

 

Complementary color

CMYK 21 / 83 / 0 / 26

HEX #9520BD

RGB 149 32 189

HSL 284.71, 0.71%, 0.43%

LAB 39.74, 67.17, -57.28

 

CMYK 50 / 0 / 73 / 13

HEX #6FDF3D

RGB 111 223 61

HSL 101.48, 0.72%, 0.56%

LAB 79.89, -59.14, 65.51

 

CMYK 47 / 0 / 67 / 5

HEX #80F150

RGB 128 241 80

HSL 102.11, 0.85%, 0.63%

LAB 86.05, -59.6, 65.12

 

CMYK 43 / 0 / 61 / 0

HEX #91FF63

RGB 145 255 99

HSL 102.31, 1%, 0.69%

LAB 90.98, -58.33, 63.09

 

CMYK 36 / 0 / 54 / 0

HEX #A2FF76

RGB 162 255 118

HSL 100.73, 1%, 0.73%

LAB 91.91, -51.2, 56.15

 

CMYK 30 / 0 / 46 / 0

HEX #B3FF89

RGB 179 255 137

HSL 98.64, 1%, 0.77%

LAB 92.97, -43.52, 48.87

 

CMYK 52 / 0 / 70 / 13

HEX #6ADF42

RGB 106 223 66

HSL 104.71, 0.71%, 0.57%

LAB 79.75, -60.16, 63.53

 

CMYK 57 / 0 / 77 / 20

HEX #59CD2F

RGB 89 205 47

HSL 104.05, 0.63%, 0.49%

LAB 73.54, -59.45, 63.63

 

CMYK 61 / 0 / 85 / 27

HEX #48BB1C

RGB 72 187 28

HSL 103.4, 0.74%, 0.42%

LAB 67.28, -58.37, 62.89

 

CMYK 67 / 0 / 95 / 34

HEX #37A909

RGB 55 169 9

HSL 102.75, 0.9%, 0.35%

LAB 60.96, -56.75, 60.78

 

CMYK 75 / 0 / 100 / 41

HEX #269700

RGB 38 151 0

HSL 104.9, 1%, 0.3%

LAB 54.6, -54.42, 56.79

 

CMYK 52 / 0 / 70 / 13

HEX #6BDF43

RGB 107 223 67

HSL 104.62, 0.71%, 0.57%

LAB 79.79, -59.82, 63.22

 

CMYK 33 / 0 / 70 / 13

HEX #95DF43

RGB 149 223 67

HSL 88.46, 0.71%, 0.57%

LAB 81.6, -46.65, 65.66

 

CMYK 14 / 0 / 70 / 13

HEX #BFDF43

RGB 191 223 67

HSL 72.31, 0.71%, 0.57%

LAB 84.1, -30.85, 68.98

 

CMYK 0 / 4 / 70 / 13

HEX #DFD543

RGB 223 213 67

HSL 56.15, 0.71%, 0.57%

LAB 83.8, -12.91, 69.49

 

CMYK 0 / 23 / 70 / 13

HEX #DFAB43

RGB 223 171 67

HSL 40, 0.71%, 0.57%

LAB 73.04, 8.81, 58.66

 

CMYK 52 / 0 / 70 / 13

HEX #6BDF43

RGB 107 223 67

HSL 104.62, 0.71%, 0.57%

LAB 79.79, -59.82, 63.22

 

CMYK 70 / 0 / 69 / 13

HEX #43DF46

RGB 67 223 70

HSL 121.15, 0.71%, 0.57%

LAB 78.7, -68.49, 60.62

 

CMYK 70 / 0 / 50 / 13

HEX #43DF70

RGB 67 223 112

HSL 137.31, 0.71%, 0.57%

LAB 79.12, -63.53, 42.68

 

CMYK 70 / 0 / 31 / 13

HEX #43DF9A

RGB 67 223 154

HSL 153.46, 0.71%, 0.57%

LAB 79.79, -56.08, 22.36

 

CMYK 70 / 0 / 12 / 13

HEX #43DFC4

RGB 67 223 196

HSL 169.62, 0.71%, 0.57%

LAB 80.71, -46.39, 1.54

 

CMYK 52 / 0 / 70 / 13

HEX #6BDF43

RGB 107 223 67

HSL 104.62, 0.71%, 0.57%

LAB 79.79, -59.82, 63.22

 

CMYK 59 / 0 / 79 / 5

HEX #62F132

RGB 98 241 50

HSL 104.92, 0.87%, 0.57%

LAB 84.86, -69.45, 73.55

 

CMYK 52 / 0 / 70 / 13

HEX #6BDF43

RGB 107 223 67

HSL 104.62, 0.71%, 0.57%

LAB 79.79, -59.82, 63.22

 

CMYK 43 / 0 / 59 / 20

HEX #74CD55

RGB 116 205 85

HSL 104.5, 0.55%, 0.57%

LAB 74.84, -48.61, 50.55

 

CMYK 34 / 0 / 45 / 26

HEX #7DBC67

RGB 125 188 103

HSL 104.47, 0.39%, 0.57%

LAB 70.39, -36.19, 36.63

 

CMYK 22 / 0 / 29 / 33

HEX #85AA79

RGB 133 170 121

HSL 105.31, 0.22%, 0.57%

LAB 65.84, -22.06, 21.27

 

CMYK 7 / 0 / 9 / 40

HEX #8E988A

RGB 142 152 138

HSL 102.86, 0.06%, 0.57%

LAB 61.69, -6.31, 6.13

 

CMYK 14 / 0 / 70 / 13

HEX #C0DF43

RGB 192 223 67

HSL 71.92, 0.71%, 0.57%

LAB 84.17, -30.46, 69.07

 

CMYK 32 / 0 / 70 / 13

HEX #97DF43

RGB 151 223 67

HSL 87.69, 0.71%, 0.57%

LAB 81.71, -45.95, 65.8

 

CMYK 51 / 0 / 70 / 13

HEX #6DDF43

RGB 109 223 67

HSL 103.85, 0.71%, 0.57%

LAB 79.86, -59.27, 63.31

 

CMYK 70 / 0 / 70 / 13

HEX #43DF43

RGB 67 223 67

HSL 120, 0.71%, 0.57%

LAB 78.68, -68.75, 61.72

 

CMYK 70 / 0 / 51 / 13

HEX #43DF6D

RGB 67 223 109

HSL 136.15, 0.71%, 0.57%

LAB 79.08, -63.96, 44.07

 

CMYK 62 / 0 / 83 / 30

HEX #44B21E

RGB 68 178 30

HSL 104.59, 0.71%, 0.41%

LAB 64.29, -56.12, 59.66

 

CMYK 62 / 0 / 83 / 16

HEX #51D524

RGB 81 213 36

HSL 104.75, 0.71%, 0.49%

LAB 75.74, -64.71, 68.64

 

CMYK 52 / 0 / 70 / 13

HEX #6BDF43

RGB 107 223 67

HSL 104.62, 0.71%, 0.57%

LAB 79.79, -59.82, 63.22

 

CMYK 41 / 0 / 55 / 10

HEX #87E567

RGB 135 229 103

HSL 104.76, 0.71%, 0.65%

LAB 83, -50.61, 52.11

 

CMYK 31 / 0 / 41 / 8

HEX #A3EB8A

RGB 163 235 138

HSL 104.54, 0.71%, 0.73%

LAB 86.52, -39.9, 40.06

 

CMYK 52 / 0 / 70 / 13

HEX #6ADF42

RGB 106 223 66

HSL 104.71, 0.71%, 0.57%

LAB 79.75, -60.16, 63.53

 

CMYK 70 / 0 / 4 / 13

HEX #43DFD5

RGB 67 223 213

HSL 176.15, 0.71%, 0.57%

LAB 81.17, -41.91, -6.83

 

CMYK 0 / 70 / 23 / 13

HEX #DF43AB

RGB 223 67 171

HSL 320, 0.71%, 0.57%

LAB 54.7, 69.28, -22.29

 

CMYK 52 / 0 / 70 / 13

HEX #6ADF42

RGB 106 223 66

HSL 104.71, 0.71%, 0.57%

LAB 79.75, -60.16, 63.53

 

CMYK 70 / 51 / 0 / 13

HEX #436DDF

RGB 67 109 223

HSL 223.85, 0.71%, 0.57%

LAB 48.83, 23.31, -62.52

 

CMYK 0 / 70 / 51 / 13

HEX #DF436D

RGB 223 67 109

HSL 343.85, 0.71%, 0.57%

LAB 52.74, 62.78, 11.61

 

CMYK 52 / 0 / 70 / 13

HEX #6ADF42

RGB 106 223 66

HSL 104.71, 0.71%, 0.57%

LAB 79.75, -60.16, 63.53

 

CMYK 70 / 0 / 4 / 13

HEX #43DFD5

RGB 67 223 213

HSL 176.15, 0.71%, 0.57%

LAB 81.17, -41.91, -6.83

 

CMYK 18 / 70 / 0 / 13

HEX #B643DF

RGB 182 67 223

HSL 284.23, 0.71%, 0.57%

LAB 51.02, 68.19, -58.45

 

CMYK 0 / 70 / 65 / 13

HEX #DF434E

RGB 223 67 78

HSL 355.77, 0.71%, 0.57%

LAB 52.12, 60.66, 29.26

 

CMYK 52 / 0 / 70 / 13

HEX #6ADF42

RGB 106 223 66

HSL 104.71, 0.71%, 0.57%

LAB 79.75, -60.16, 63.53

 

CMYK 70 / 16 / 0 / 13

HEX #43BBDF

RGB 67 187 223

HSL 193.85, 0.71%, 0.57%

LAB 70.91, -21.78, -27.69

 

CMYK 18 / 70 / 0 / 13

HEX #B643DF

RGB 182 67 223

HSL 284.23, 0.71%, 0.57%

LAB 51.02, 68.19, -58.45

 

CMYK 0 / 53 / 70 / 13

HEX #DF6843

RGB 223 104 67

HSL 14.23, 0.71%, 0.57%

LAB 58.03, 43.98, 42.47

 

Description

Color code: HEX #6ADF42 | qconv.com Color code: HEX #6ADF42 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 223 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 223 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 70 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 70% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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