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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #43DF9A it is the complementary color #BC2065. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #43DF9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #43DF9A shade: #48DF95, #59F1A8, #6AFFBB, #7BFFCE and #8CFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #43DF9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #43DF9A shade: #43DF9A, #32CD87, #21BB74, #10A961 and #00974E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #43DF9A shade: #43DF9A, #43DF70, #43DF46, #6ADF43 and #94DF43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #43DF9A shade: #43DF9A, #43DFC4, #43D0DF, #43A6DF and #437CDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #43DF9A shade matches the following richer shades: #43DF9A and #31F09C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #43DF9A shade: #43DF9A, #55CD98, #66BB96, #78A994 and #8A9892

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #43DF9A shade: #43DF46, #43DF6F, #43DF99, #43DFC2 and #43D2DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #43DF9A shade: #1EB170, #24D586, #43DF9A, #66E5AD and #8AEBC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #43DF9A shade: #43DF9A, #436ADF and #DF5A43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #43DF9A shade: #43DF9A, #9943DF and #DF9943

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #43DF9A shade: #43DF9A, #436ADF, #DF4389 and #DFB843

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #43DF9A shade: #43DF9A, #4B43DF, #DF4389 and #D7DF43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 31 / 13

HEX #43DF9A

RGB 67 223 154

HSL 153.46, 0.71%, 0.57%

LAB 79.79, -56.08, 22.36

 

Complementary color

CMYK 0 / 83 / 46 / 26

HEX #BC2065

RGB 188 32 101

HSL 333.46, 0.71%, 0.43%

LAB 42.25, 63.2, 0.68

 

CMYK 68 / 0 / 33 / 13

HEX #48DF95

RGB 72 223 149

HSL 150.6, 0.7%, 0.58%

LAB 79.8, -56.3, 24.99

 

CMYK 63 / 0 / 30 / 5

HEX #59F1A8

RGB 89 241 168

HSL 151.18, 0.84%, 0.65%

LAB 85.94, -56.61, 23.65

 

CMYK 58 / 0 / 27 / 0

HEX #6AFFBB

RGB 106 255 187

HSL 152.62, 1%, 0.71%

LAB 90.86, -55.16, 20.79

 

CMYK 52 / 0 / 19 / 0

HEX #7BFFCE

RGB 123 255 206

HSL 157.73, 1%, 0.74%

LAB 91.77, -47.69, 12.4

 

CMYK 45 / 0 / 12 / 0

HEX #8CFFE1

RGB 140 255 225

HSL 164.35, 1%, 0.77%

LAB 92.81, -39.69, 4.18

 

CMYK 70 / 0 / 31 / 13

HEX #43DF9A

RGB 67 223 154

HSL 153.46, 0.71%, 0.57%

LAB 79.79, -56.08, 22.36

 

CMYK 76 / 0 / 34 / 20

HEX #32CD87

RGB 50 205 135

HSL 152.9, 0.61%, 0.5%

LAB 73.6, -55.44, 23.82

 

CMYK 82 / 0 / 38 / 27

HEX #21BB74

RGB 33 187 116

HSL 152.34, 0.7%, 0.43%

LAB 67.37, -54.47, 25.41

 

CMYK 91 / 0 / 43 / 34

HEX #10A961

RGB 16 169 97

HSL 151.76, 0.83%, 0.36%

LAB 61.09, -53.02, 27.15

 

CMYK 100 / 0 / 48 / 41

HEX #00974E

RGB 0 151 78

HSL 150.99, 1%, 0.3%

LAB 54.74, -51.06, 29.02

 

CMYK 70 / 0 / 31 / 13

HEX #43DF9A

RGB 67 223 154

HSL 153.46, 0.71%, 0.57%

LAB 79.79, -56.08, 22.36

 

CMYK 70 / 0 / 50 / 13

HEX #43DF70

RGB 67 223 112

HSL 137.31, 0.71%, 0.57%

LAB 79.12, -63.53, 42.68

 

CMYK 70 / 0 / 69 / 13

HEX #43DF46

RGB 67 223 70

HSL 121.15, 0.71%, 0.57%

LAB 78.7, -68.49, 60.62

 

CMYK 52 / 0 / 70 / 13

HEX #6ADF43

RGB 106 223 67

HSL 105, 0.71%, 0.57%

LAB 79.75, -60.09, 63.17

 

CMYK 34 / 0 / 70 / 13

HEX #94DF43

RGB 148 223 67

HSL 88.85, 0.71%, 0.57%

LAB 81.55, -47, 65.59

 

CMYK 70 / 0 / 31 / 13

HEX #43DF9A

RGB 67 223 154

HSL 153.46, 0.71%, 0.57%

LAB 79.79, -56.08, 22.36

 

CMYK 70 / 0 / 12 / 13

HEX #43DFC4

RGB 67 223 196

HSL 169.62, 0.71%, 0.57%

LAB 80.71, -46.39, 1.54

 

CMYK 70 / 7 / 0 / 13

HEX #43D0DF

RGB 67 208 223

HSL 185.77, 0.71%, 0.57%

LAB 77.06, -32.17, -18.32

 

CMYK 70 / 26 / 0 / 13

HEX #43A6DF

RGB 67 166 223

HSL 201.92, 0.71%, 0.57%

LAB 64.8, -10.62, -37.16

 

CMYK 70 / 44 / 0 / 13

HEX #437CDF

RGB 67 124 223

HSL 218.08, 0.71%, 0.57%

LAB 52.88, 13.97, -56.01

 

CMYK 70 / 0 / 31 / 13

HEX #43DF9A

RGB 67 223 154

HSL 153.46, 0.71%, 0.57%

LAB 79.79, -56.08, 22.36

 

CMYK 80 / 0 / 35 / 6

HEX #31F09C

RGB 49 240 156

HSL 153.61, 0.86%, 0.57%

LAB 84.68, -64.23, 27.94

 

CMYK 70 / 0 / 31 / 13

HEX #43DF9A

RGB 67 223 154

HSL 153.46, 0.71%, 0.57%

LAB 79.79, -56.08, 22.36

 

CMYK 59 / 0 / 26 / 20

HEX #55CD98

RGB 85 205 152

HSL 153.5, 0.55%, 0.57%

LAB 74.74, -46.03, 16.51

 

CMYK 45 / 0 / 20 / 27

HEX #66BB96

RGB 102 187 150

HSL 153.88, 0.38%, 0.57%

LAB 69.87, -34.48, 10.83

 

CMYK 29 / 0 / 12 / 34

HEX #78A994

RGB 120 169 148

HSL 154.29, 0.22%, 0.57%

LAB 65.36, -20.89, 5.61

 

CMYK 9 / 0 / 4 / 40

HEX #8A9892

RGB 138 152 146

HSL 154.29, 0.06%, 0.57%

LAB 61.6, -6.21, 1.44

 

CMYK 70 / 0 / 69 / 13

HEX #43DF46

RGB 67 223 70

HSL 121.15, 0.71%, 0.57%

LAB 78.7, -68.49, 60.62

 

CMYK 70 / 0 / 50 / 13

HEX #43DF6F

RGB 67 223 111

HSL 136.92, 0.71%, 0.57%

LAB 79.11, -63.67, 43.14

 

CMYK 70 / 0 / 31 / 13

HEX #43DF99

RGB 67 223 153

HSL 153.08, 0.71%, 0.57%

LAB 79.77, -56.28, 22.86

 

CMYK 70 / 0 / 13 / 13

HEX #43DFC2

RGB 67 223 194

HSL 168.85, 0.71%, 0.57%

LAB 80.66, -46.89, 2.53

 

CMYK 70 / 6 / 0 / 13

HEX #43D2DF

RGB 67 210 223

HSL 185, 0.71%, 0.57%

LAB 77.65, -33.12, -17.44

 

CMYK 83 / 0 / 37 / 31

HEX #1EB170

RGB 30 177 112

HSL 153.47, 0.71%, 0.41%

LAB 64.07, -51.85, 23.12

 

CMYK 83 / 0 / 37 / 16

HEX #24D586

RGB 36 213 134

HSL 153.22, 0.71%, 0.49%

LAB 75.88, -60.09, 27.37

 

CMYK 70 / 0 / 31 / 13

HEX #43DF9A

RGB 67 223 154

HSL 153.46, 0.71%, 0.57%

LAB 79.79, -56.08, 22.36

 

CMYK 55 / 0 / 24 / 10

HEX #66E5AD

RGB 102 229 173

HSL 153.54, 0.71%, 0.65%

LAB 82.85, -48.16, 16.84

 

CMYK 41 / 0 / 18 / 8

HEX #8AEBC0

RGB 138 235 192

HSL 153.4, 0.71%, 0.73%

LAB 86.32, -38.2, 11.99

 

CMYK 70 / 0 / 31 / 13

HEX #43DF9A

RGB 67 223 154

HSL 153.46, 0.71%, 0.57%

LAB 79.79, -56.08, 22.36

 

CMYK 70 / 52 / 0 / 13

HEX #436ADF

RGB 67 106 223

HSL 225, 0.71%, 0.57%

LAB 48.04, 25.2, -63.79

 

CMYK 0 / 60 / 70 / 13

HEX #DF5A43

RGB 223 90 67

HSL 8.85, 0.71%, 0.57%

LAB 55.49, 50.59, 39.56

 

CMYK 70 / 0 / 31 / 13

HEX #43DF9A

RGB 67 223 154

HSL 153.46, 0.71%, 0.57%

LAB 79.79, -56.08, 22.36

 

CMYK 31 / 70 / 0 / 13

HEX #9943DF

RGB 153 67 223

HSL 273.08, 0.71%, 0.57%

LAB 47.12, 62.43, -64.94

 

CMYK 0 / 31 / 70 / 13

HEX #DF9943

RGB 223 153 67

HSL 33.08, 0.71%, 0.57%

LAB 68.66, 18.43, 54.09

 

CMYK 70 / 0 / 31 / 13

HEX #43DF9A

RGB 67 223 154

HSL 153.46, 0.71%, 0.57%

LAB 79.79, -56.08, 22.36

 

CMYK 70 / 52 / 0 / 13

HEX #436ADF

RGB 67 106 223

HSL 225, 0.71%, 0.57%

LAB 48.04, 25.2, -63.79

 

CMYK 0 / 70 / 39 / 13

HEX #DF4389

RGB 223 67 137

HSL 333.08, 0.71%, 0.57%

LAB 53.5, 65.36, -4.04

 

CMYK 0 / 17 / 70 / 13

HEX #DFB843

RGB 223 184 67

HSL 45, 0.71%, 0.57%

LAB 76.3, 1.95, 62

 

CMYK 70 / 0 / 31 / 13

HEX #43DF9A

RGB 67 223 154

HSL 153.46, 0.71%, 0.57%

LAB 79.79, -56.08, 22.36

 

CMYK 66 / 70 / 0 / 13

HEX #4B43DF

RGB 75 67 223

HSL 243.08, 0.71%, 0.57%

LAB 39.31, 49.95, -78.03

 

CMYK 0 / 70 / 39 / 13

HEX #DF4389

RGB 223 67 137

HSL 333.08, 0.71%, 0.57%

LAB 53.5, 65.36, -4.04

 

CMYK 4 / 0 / 70 / 13

HEX #D7DF43

RGB 215 223 67

HSL 63.08, 0.71%, 0.57%

LAB 85.82, -21.15, 71.25

 

Description

Color code: HEX #43DF9A | qconv.com Color code: HEX #43DF9A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 223 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 223 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 31 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 31% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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