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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6ADE2B it is the complementary color #9521D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6ADE2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6ADE2B shade: #6FDE26, #80F039, #91FF4C, #A2FF5F and #B3FF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6ADE2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6ADE2B shade: #6ADE2B, #59CC18, #48BA05, #37A800 and #269600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6ADE2B shade: #6ADE2B, #9ADE2B, #CBDE2B, #DEC12B and #DE912B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6ADE2B shade: #6ADE2B, #3ADE2B, #2BDE4D, #2BDE7D and #2BDEAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6ADE2B shade matches the following richer shades: #6ADE2B and #64F217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6ADE2B shade: #6ADE2B, #70CA3F, #76B653, #7CA367 and #828F7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6ADE2B shade: #CCDE2B, #9CDE2B, #6DDE2B, #3DDE2B and #2BDE49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6ADE2B shade: #489E19, #58C21E, #6ADE2B, #83E44F and #9CE973

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6ADE2B shade: #6ADE2B, #2BDEC0 and #DE2BB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6ADE2B shade: #6ADE2B, #2B6DDE and #DE2B6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6ADE2B shade: #6ADE2B, #2BDEC0, #9C2BDE and #DE2B49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6ADE2B shade: #6ADE2B, #2BC6DE, #9C2BDE and #DE432B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 81 / 13

HEX #6ADE2B

RGB 106 222 43

HSL 98.88, 0.73%, 0.52%

LAB 79.32, -61.21, 70.4

 

Complementary color

CMYK 30 / 84 / 0 / 17

HEX #9521D4

RGB 149 33 212

HSL 278.88, 0.73%, 0.48%

LAB 41.58, 71.4, -67.68

 

CMYK 50 / 0 / 83 / 13

HEX #6FDE26

RGB 111 222 38

HSL 96.2, 0.74%, 0.51%

LAB 79.48, -60.03, 71.88

 

CMYK 47 / 0 / 76 / 6

HEX #80F039

RGB 128 240 57

HSL 96.72, 0.86%, 0.58%

LAB 85.61, -60.78, 72.6

 

CMYK 43 / 0 / 70 / 0

HEX #91FF4C

RGB 145 255 76

HSL 96.87, 1%, 0.65%

LAB 90.81, -60.17, 71.73

 

CMYK 36 / 0 / 63 / 0

HEX #A2FF5F

RGB 162 255 95

HSL 94.88, 1%, 0.69%

LAB 91.7, -53.38, 65.73

 

CMYK 30 / 0 / 55 / 0

HEX #B3FF72

RGB 179 255 114

HSL 92.34, 1%, 0.72%

LAB 92.72, -46, 59.08

 

CMYK 52 / 0 / 81 / 13

HEX #6ADE2B

RGB 106 222 43

HSL 98.88, 0.73%, 0.52%

LAB 79.32, -61.21, 70.4

 

CMYK 56 / 0 / 88 / 20

HEX #59CC18

RGB 89 204 24

HSL 98.33, 0.79%, 0.45%

LAB 73.14, -60.15, 69.03

 

CMYK 61 / 0 / 97 / 27

HEX #48BA05

RGB 72 186 5

HSL 97.79, 0.95%, 0.37%

LAB 66.91, -58.68, 66.32

 

CMYK 67 / 0 / 100 / 34

HEX #37A800

RGB 55 168 0

HSL 100.36, 1%, 0.33%

LAB 60.62, -56.63, 61.74

 

CMYK 75 / 0 / 100 / 41

HEX #269600

RGB 38 150 0

HSL 104.8, 1%, 0.29%

LAB 54.26, -54.1, 56.52

 

CMYK 52 / 0 / 81 / 13

HEX #6ADE2B

RGB 106 222 43

HSL 98.88, 0.73%, 0.52%

LAB 79.32, -61.21, 70.4

 

CMYK 31 / 0 / 81 / 13

HEX #9ADE2B

RGB 154 222 43

HSL 82.79, 0.73%, 0.52%

LAB 81.45, -45.71, 73.13

 

CMYK 9 / 0 / 81 / 13

HEX #CBDE2B

RGB 203 222 43

HSL 66.37, 0.73%, 0.52%

LAB 84.54, -26.58, 77.05

 

CMYK 0 / 13 / 81 / 13

HEX #DEC12B

RGB 222 193 43

HSL 50.28, 0.73%, 0.52%

LAB 78.37, -4.14, 72.28

 

CMYK 0 / 35 / 81 / 13

HEX #DE912B

RGB 222 145 43

HSL 34.19, 0.73%, 0.52%

LAB 66.49, 21.28, 61.79

 

CMYK 52 / 0 / 81 / 13

HEX #6ADE2B

RGB 106 222 43

HSL 98.88, 0.73%, 0.52%

LAB 79.32, -61.21, 70.4

 

CMYK 74 / 0 / 81 / 13

HEX #3ADE2B

RGB 58 222 43

HSL 114.97, 0.73%, 0.52%

LAB 78.06, -71.55, 68.79

 

CMYK 81 / 0 / 65 / 13

HEX #2BDE4D

RGB 43 222 77

HSL 131.4, 0.73%, 0.52%

LAB 78.05, -70.88, 57.03

 

CMYK 81 / 0 / 44 / 13

HEX #2BDE7D

RGB 43 222 125

HSL 147.49, 0.73%, 0.52%

LAB 78.6, -64.25, 35.55

 

CMYK 81 / 0 / 22 / 13

HEX #2BDEAD

RGB 43 222 173

HSL 163.58, 0.73%, 0.52%

LAB 79.48, -54.35, 11.91

 

CMYK 52 / 0 / 81 / 13

HEX #6ADE2B

RGB 106 222 43

HSL 98.88, 0.73%, 0.52%

LAB 79.32, -61.21, 70.4

 

CMYK 59 / 0 / 90 / 5

HEX #64F217

RGB 100 242 23

HSL 98.9, 0.89%, 0.52%

LAB 85.14, -70.32, 79.44

 

CMYK 52 / 0 / 81 / 13

HEX #6ADE2B

RGB 106 222 43

HSL 98.88, 0.73%, 0.52%

LAB 79.32, -61.21, 70.4

 

CMYK 45 / 0 / 69 / 21

HEX #70CA3F

RGB 112 202 63

HSL 98.85, 0.57%, 0.52%

LAB 73.57, -50.66, 58.34

 

CMYK 35 / 0 / 54 / 29

HEX #76B653

RGB 118 182 83

HSL 98.79, 0.4%, 0.52%

LAB 67.97, -38.37, 43.48

 

CMYK 24 / 0 / 37 / 36

HEX #7CA367

RGB 124 163 103

HSL 99, 0.25%, 0.52%

LAB 62.89, -24.65, 26.98

 

CMYK 9 / 0 / 15 / 44

HEX #828F7A

RGB 130 143 122

HSL 97.14, 0.09%, 0.52%

LAB 57.84, -8.8, 9.6

 

CMYK 8 / 0 / 81 / 13

HEX #CCDE2B

RGB 204 222 43

HSL 66.03, 0.73%, 0.52%

LAB 84.61, -26.17, 77.14

 

CMYK 30 / 0 / 81 / 13

HEX #9CDE2B

RGB 156 222 43

HSL 82.12, 0.73%, 0.52%

LAB 81.56, -44.98, 73.27

 

CMYK 51 / 0 / 81 / 13

HEX #6DDE2B

RGB 109 222 43

HSL 97.88, 0.73%, 0.52%

LAB 79.42, -60.37, 70.54

 

CMYK 73 / 0 / 81 / 13

HEX #3DDE2B

RGB 61 222 43

HSL 113.97, 0.73%, 0.52%

LAB 78.12, -71.08, 68.86

 

CMYK 81 / 0 / 67 / 13

HEX #2BDE49

RGB 43 222 73

HSL 130.06, 0.73%, 0.52%

LAB 78.01, -71.28, 58.6

 

CMYK 54 / 0 / 84 / 38

HEX #489E19

RGB 72 158 25

HSL 98.8, 0.73%, 0.36%

LAB 57.94, -48.07, 55.28

 

CMYK 55 / 0 / 85 / 24

HEX #58C21E

RGB 88 194 30

HSL 98.78, 0.73%, 0.44%

LAB 70, -56.65, 65.03

 

CMYK 52 / 0 / 81 / 13

HEX #6ADE2B

RGB 106 222 43

HSL 98.88, 0.73%, 0.52%

LAB 79.32, -61.21, 70.4

 

CMYK 43 / 0 / 65 / 11

HEX #83E44F

RGB 131 228 79

HSL 99.06, 0.73%, 0.6%

LAB 82.31, -53.76, 61.56

 

CMYK 33 / 0 / 51 / 9

HEX #9CE973

RGB 156 233 115

HSL 99.15, 0.73%, 0.68%

LAB 85.29, -44.21, 49.54

 

CMYK 52 / 0 / 81 / 13

HEX #6ADE2B

RGB 106 222 43

HSL 98.88, 0.73%, 0.52%

LAB 79.32, -61.21, 70.4

 

CMYK 81 / 0 / 14 / 13

HEX #2BDEC0

RGB 43 222 192

HSL 169.94, 0.73%, 0.52%

LAB 79.93, -49.63, 2.48

 

CMYK 0 / 81 / 19 / 13

HEX #DE2BB4

RGB 222 43 180

HSL 314.08, 0.73%, 0.52%

LAB 52.46, 77.19, -31.03

 

CMYK 52 / 0 / 81 / 13

HEX #6ADE2B

RGB 106 222 43

HSL 98.88, 0.73%, 0.52%

LAB 79.32, -61.21, 70.4

 

CMYK 81 / 51 / 0 / 13

HEX #2B6DDE

RGB 43 109 222

HSL 217.88, 0.73%, 0.52%

LAB 47.91, 20.17, -63.48

 

CMYK 0 / 81 / 51 / 13

HEX #DE2B6D

RGB 222 43 109

HSL 337.88, 0.73%, 0.52%

LAB 49.93, 69.87, 7.62

 

CMYK 52 / 0 / 81 / 13

HEX #6ADE2B

RGB 106 222 43

HSL 98.88, 0.73%, 0.52%

LAB 79.32, -61.21, 70.4

 

CMYK 81 / 0 / 14 / 13

HEX #2BDEC0

RGB 43 222 192

HSL 169.94, 0.73%, 0.52%

LAB 79.93, -49.63, 2.48

 

CMYK 30 / 81 / 0 / 13

HEX #9C2BDE

RGB 156 43 222

HSL 277.88, 0.73%, 0.52%

LAB 44.33, 71.68, -68.89

 

CMYK 0 / 81 / 67 / 13

HEX #DE2B49

RGB 222 43 73

HSL 349.94, 0.73%, 0.52%

LAB 49.18, 67.59, 28.5

 

CMYK 52 / 0 / 81 / 13

HEX #6ADE2B

RGB 106 222 43

HSL 98.88, 0.73%, 0.52%

LAB 79.32, -61.21, 70.4

 

CMYK 81 / 11 / 0 / 13

HEX #2BC6DE

RGB 43 198 222

HSL 188.04, 0.73%, 0.52%

LAB 73.66, -30.23, -22.99

 

CMYK 30 / 81 / 0 / 13

HEX #9C2BDE

RGB 156 43 222

HSL 277.88, 0.73%, 0.52%

LAB 44.33, 71.68, -68.89

 

CMYK 0 / 70 / 81 / 13

HEX #DE432B

RGB 222 67 43

HSL 8.04, 0.73%, 0.52%

LAB 51.52, 58.86, 47.91

 

Description

Color code: HEX #6ADE2B | qconv.com Color code: HEX #6ADE2B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 222 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 222 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 81 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 81% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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