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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ADE2B it is the complementary color #C521D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ADE2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ADE2B shade: #3FDE26, #50F039, #61FF4C, #72FF5F and #83FF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ADE2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ADE2B shade: #3ADE2B, #29CC18, #18BA05, #07A800 and #009600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ADE2B shade: #3ADD2B, #6ADD2B, #9ADD2B, #CADD2B and #DDC02B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ADE2B shade: #3ADD2B, #2BDD4C, #2BDD7C, #2BDDAC and #2BDDDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ADE2B shade matches the following richer shades: #3ADD2B and #29F117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ADE2B shade: #3ADD2B, #4ACA3F, #5BB652, #6BA266 and #7C8E7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ADE2B shade: #9CDD2B, #6CDD2B, #3DDD2B, #2BDD49 and #2BDD78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ADE2B shade: #239E18, #2BC11E, #3ADD2B, #5BE34E and #7CE972

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ADE2B shade: #3ADE2B, #2BCCDD and #DD2B84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ADE2B shade: #3ADE2B, #2B3DDD and #DD2B3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ADE2B shade: #3ADE2B, #2BCCDD, #CC2BDD and #DD3D2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ADE2B shade: #3ADE2B, #2B96DD, #CC2BDD and #DD722B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 81 / 13

HEX #3ADE2B

RGB 58 222 43

HSL 114.97, 0.73%, 0.52%

LAB 78.06, -71.55, 68.79

 

Complementary color

CMYK 7 / 84 / 0 / 17

HEX #C521D4

RGB 197 33 212

HSL 294.97, 0.73%, 0.48%

LAB 49.14, 79.13, -55.07

 

CMYK 72 / 0 / 83 / 13

HEX #3FDE26

RGB 63 222 38

HSL 111.85, 0.74%, 0.51%

LAB 78.13, -71, 70.16

 

CMYK 67 / 0 / 76 / 6

HEX #50F039

RGB 80 240 57

HSL 112.46, 0.86%, 0.58%

LAB 84.13, -72.52, 70.67

 

CMYK 62 / 0 / 70 / 0

HEX #61FF4C

RGB 97 255 76

HSL 112.96, 1%, 0.65%

LAB 89.2, -72.62, 69.57

 

CMYK 55 / 0 / 63 / 0

HEX #72FF5F

RGB 114 255 95

HSL 112.88, 1%, 0.69%

LAB 89.82, -67.12, 63.13

 

CMYK 49 / 0 / 55 / 0

HEX #83FF72

RGB 131 255 114

HSL 112.77, 1%, 0.72%

LAB 90.58, -60.78, 56.04

 

CMYK 74 / 0 / 81 / 13

HEX #3ADE2B

RGB 58 222 43

HSL 114.97, 0.73%, 0.52%

LAB 78.06, -71.55, 68.79

 

CMYK 80 / 0 / 88 / 20

HEX #29CC18

RGB 41 204 24

HSL 114.33, 0.79%, 0.45%

LAB 72.04, -69.41, 67.65

 

CMYK 87 / 0 / 97 / 27

HEX #18BA05

RGB 24 186 5

HSL 113.7, 0.95%, 0.37%

LAB 66, -66.51, 65.21

 

CMYK 96 / 0 / 100 / 34

HEX #07A800

RGB 7 168 0

HSL 117.5, 1%, 0.33%

LAB 59.93, -62.68, 60.9

 

CMYK 100 / 0 / 100 / 41

HEX #009600

RGB 0 150 0

HSL 120, 1%, 0.29%

LAB 53.83, -58.01, 55.99

 

CMYK 74 / 0 / 81 / 13

HEX #3ADD2B

RGB 58 221 43

HSL 114.94, 0.72%, 0.52%

LAB 77.75, -71.25, 68.5

 

CMYK 52 / 0 / 81 / 13

HEX #6ADD2B

RGB 106 221 43

HSL 98.76, 0.72%, 0.52%

LAB 79.01, -60.85, 70.13

 

CMYK 30 / 0 / 81 / 13

HEX #9ADD2B

RGB 154 221 43

HSL 82.58, 0.72%, 0.52%

LAB 81.16, -45.28, 72.87

 

CMYK 9 / 0 / 81 / 13

HEX #CADD2B

RGB 202 221 43

HSL 66.4, 0.72%, 0.52%

LAB 84.2, -26.51, 76.72

 

CMYK 0 / 13 / 81 / 13

HEX #DDC02B

RGB 221 192 43

HSL 50.22, 0.72%, 0.52%

LAB 78.02, -4.06, 71.94

 

CMYK 74 / 0 / 81 / 13

HEX #3ADD2B

RGB 58 221 43

HSL 114.94, 0.72%, 0.52%

LAB 77.75, -71.25, 68.5

 

CMYK 81 / 0 / 66 / 13

HEX #2BDD4C

RGB 43 221 76

HSL 131.12, 0.72%, 0.52%

LAB 77.73, -70.68, 57.09

 

CMYK 81 / 0 / 44 / 13

HEX #2BDD7C

RGB 43 221 124

HSL 147.3, 0.72%, 0.52%

LAB 78.28, -64.08, 35.63

 

CMYK 81 / 0 / 22 / 13

HEX #2BDDAC

RGB 43 221 172

HSL 163.48, 0.72%, 0.52%

LAB 79.16, -54.2, 11.98

 

CMYK 81 / 0 / 0 / 13

HEX #2BDDDD

RGB 43 221 221

HSL 180, 0.72%, 0.52%

LAB 80.43, -41.25, -12.23

 

CMYK 74 / 0 / 81 / 13

HEX #3ADD2B

RGB 58 221 43

HSL 114.94, 0.72%, 0.52%

LAB 77.75, -71.25, 68.5

 

CMYK 83 / 0 / 90 / 5

HEX #29F117

RGB 41 241 23

HSL 115.05, 0.89%, 0.52%

LAB 83.68, -79.91, 77.75

 

CMYK 74 / 0 / 81 / 13

HEX #3ADD2B

RGB 58 221 43

HSL 114.94, 0.72%, 0.52%

LAB 77.75, -71.25, 68.5

 

CMYK 63 / 0 / 69 / 21

HEX #4ACA3F

RGB 74 202 63

HSL 115.25, 0.57%, 0.52%

LAB 72.27, -60.77, 56.57

 

CMYK 50 / 0 / 55 / 29

HEX #5BB652

RGB 91 182 82

HSL 114.6, 0.41%, 0.52%

LAB 66.74, -47.04, 42.2

 

CMYK 34 / 0 / 37 / 36

HEX #6BA266

RGB 107 162 102

HSL 115, 0.24%, 0.52%

LAB 61.59, -30.35, 25.62

 

CMYK 13 / 0 / 14 / 44

HEX #7C8E7A

RGB 124 142 122

HSL 114, 0.08%, 0.52%

LAB 57.11, -10.49, 8.5

 

CMYK 29 / 0 / 81 / 13

HEX #9CDD2B

RGB 156 221 43

HSL 81.91, 0.72%, 0.52%

LAB 81.27, -44.55, 73.01

 

CMYK 51 / 0 / 81 / 13

HEX #6CDD2B

RGB 108 221 43

HSL 98.09, 0.72%, 0.52%

LAB 79.08, -60.29, 70.22

 

CMYK 72 / 0 / 81 / 13

HEX #3DDD2B

RGB 61 221 43

HSL 113.93, 0.72%, 0.52%

LAB 77.8, -70.78, 68.57

 

CMYK 81 / 0 / 67 / 13

HEX #2BDD49

RGB 43 221 73

HSL 130.11, 0.72%, 0.52%

LAB 77.7, -70.98, 58.27

 

CMYK 81 / 0 / 46 / 13

HEX #2BDD78

RGB 43 221 120

HSL 145.96, 0.72%, 0.52%

LAB 78.22, -64.76, 37.55

 

CMYK 78 / 0 / 85 / 38

HEX #239E18

RGB 35 158 24

HSL 115.07, 0.74%, 0.36%

LAB 56.96, -56.29, 54.28

 

CMYK 78 / 0 / 84 / 24

HEX #2BC11E

RGB 43 193 30

HSL 115.21, 0.73%, 0.44%

LAB 68.57, -65.64, 63.32

 

CMYK 74 / 0 / 81 / 13

HEX #3ADD2B

RGB 58 221 43

HSL 114.94, 0.72%, 0.52%

LAB 77.75, -71.25, 68.5

 

CMYK 60 / 0 / 66 / 11

HEX #5BE34E

RGB 91 227 78

HSL 114.77, 0.73%, 0.6%

LAB 80.58, -64.3, 59.67

 

CMYK 47 / 0 / 51 / 9

HEX #7CE972

RGB 124 233 114

HSL 114.96, 0.73%, 0.68%

LAB 83.85, -54.17, 47.92

 

CMYK 74 / 0 / 81 / 13

HEX #3ADE2B

RGB 58 222 43

HSL 114.97, 0.73%, 0.52%

LAB 78.06, -71.55, 68.79

 

CMYK 81 / 8 / 0 / 13

HEX #2BCCDD

RGB 43 204 221

HSL 185.73, 0.72%, 0.52%

LAB 75.4, -33.42, -19.8

 

CMYK 0 / 81 / 40 / 13

HEX #DD2B84

RGB 221 43 132

HSL 330, 0.72%, 0.52%

LAB 50.41, 71.6, -5.66

 

CMYK 74 / 0 / 81 / 13

HEX #3ADE2B

RGB 58 222 43

HSL 114.97, 0.73%, 0.52%

LAB 78.06, -71.55, 68.79

 

CMYK 81 / 72 / 0 / 13

HEX #2B3DDD

RGB 43 61 221

HSL 233.93, 0.72%, 0.52%

LAB 36.12, 49.77, -82.2

 

CMYK 0 / 81 / 72 / 13

HEX #DD2B3D

RGB 221 43 61

HSL 353.93, 0.72%, 0.52%

LAB 48.81, 66.77, 35.13

 

CMYK 74 / 0 / 81 / 13

HEX #3ADE2B

RGB 58 222 43

HSL 114.97, 0.73%, 0.52%

LAB 78.06, -71.55, 68.79

 

CMYK 81 / 8 / 0 / 13

HEX #2BCCDD

RGB 43 204 221

HSL 185.73, 0.72%, 0.52%

LAB 75.4, -33.42, -19.8

 

CMYK 8 / 81 / 0 / 13

HEX #CC2BDD

RGB 204 43 221

HSL 294.27, 0.72%, 0.52%

LAB 51.59, 79.61, -56.22

 

CMYK 0 / 72 / 81 / 13

HEX #DD3D2B

RGB 221 61 43

HSL 6.07, 0.72%, 0.52%

LAB 50.55, 60.7, 46.91

 

CMYK 74 / 0 / 81 / 13

HEX #3ADE2B

RGB 58 222 43

HSL 114.97, 0.73%, 0.52%

LAB 78.06, -71.55, 68.79

 

CMYK 81 / 32 / 0 / 13

HEX #2B96DD

RGB 43 150 221

HSL 203.93, 0.72%, 0.52%

LAB 59.48, -5.17, -44.44

 

CMYK 8 / 81 / 0 / 13

HEX #CC2BDD

RGB 204 43 221

HSL 294.27, 0.72%, 0.52%

LAB 51.59, 79.61, -56.22

 

CMYK 0 / 48 / 81 / 13

HEX #DD722B

RGB 221 114 43

HSL 23.93, 0.72%, 0.52%

LAB 59.51, 37.21, 55.38

 

Description

Color code: HEX #3ADE2B | qconv.com Color code: HEX #3ADE2B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 222 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 222 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 81 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 81% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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