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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6ABD96 it is the complementary color #954269. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6ABD96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6ABD96: #6FBD91, #80CFA4, #91E1B7, #A2F3CA and #B3FFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6ABD96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6ABD96: #6ABD96, #59AB83, #489970, #37875D and #26754A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 21 / 26

HEX #6ABD96

RGB 106 189 150

HSL 151.81, 0.39%, 0.58%

LAB 70.64, -34.34, 11.94

 

Complementary color

CMYK 0 / 56 / 30 / 42

HEX #954269

RGB 149 66 105

HSL 331.81, 0.39%, 0.42%

LAB 40.09, 39.35, -5.79

 

CMYK 41 / 0 / 23 / 26

HEX #6FBD91

RGB 111 189 145

HSL 146.15, 0.37%, 0.59%

LAB 70.75, -33.99, 14.83

 

CMYK 38 / 0 / 21 / 19

HEX #80CFA4

RGB 128 207 164

HSL 147.34, 0.45%, 0.66%

LAB 77.22, -33.73, 13.83

 

CMYK 36 / 0 / 19 / 12

HEX #91E1B7

RGB 145 225 183

HSL 148.5, 0.57%, 0.73%

LAB 83.59, -33.48, 12.89

 

CMYK 33 / 0 / 17 / 5

HEX #A2F3CA

RGB 162 243 202

HSL 149.63, 0.77%, 0.79%

LAB 89.88, -33.23, 12

 

CMYK 30 / 0 / 13 / 0

HEX #B3FFDD

RGB 179 255 221

HSL 153.16, 1%, 0.85%

LAB 94.45, -30.21, 8.83

 

CMYK 44 / 0 / 21 / 26

HEX #6ABD96

RGB 106 189 150

HSL 151.81, 0.39%, 0.58%

LAB 70.64, -34.34, 11.94

 

CMYK 48 / 0 / 23 / 33

HEX #59AB83

RGB 89 171 131

HSL 150.73, 0.33%, 0.51%

LAB 64.07, -34.55, 12.99

 

CMYK 53 / 0 / 27 / 40

HEX #489970

RGB 72 153 112

HSL 149.63, 0.36%, 0.44%

LAB 57.4, -34.71, 14.15

 

CMYK 59 / 0 / 31 / 47

HEX #37875D

RGB 55 135 93

HSL 148.5, 0.42%, 0.37%

LAB 50.61, -34.77, 15.44

 

CMYK 68 / 0 / 37 / 54

HEX #26754A

RGB 38 117 74

HSL 147.34, 0.51%, 0.3%

LAB 43.7, -34.63, 16.89

 

CMYK 44 / 0 / 21 / 26

HEX #6ABD96

RGB 106 189 150

HSL 151.81, 0.39%, 0.58%

LAB 70.64, -34.34, 11.94

 

CMYK 44 / 0 / 14 / 26

HEX #6ABDA3

RGB 106 189 163

HSL 161.2, 0.39%, 0.58%

LAB 70.94, -31.5, 5.29

 

CMYK 44 / 0 / 6 / 26

HEX #6ABDB1

RGB 106 189 177

HSL 171.33, 0.39%, 0.58%

LAB 71.31, -28.2, -1.83

 

CMYK 44 / 1 / 0 / 26

HEX #6ABCBD

RGB 106 188 189

HSL 180.72, 0.39%, 0.58%

LAB 71.35, -24.71, -8.32

 

CMYK 44 / 8 / 0 / 26

HEX #6AAEBD

RGB 106 174 189

HSL 190.84, 0.39%, 0.58%

LAB 67.28, -17.55, -14.41

 

CMYK 44 / 0 / 21 / 26

HEX #6ABD96

RGB 106 189 150

HSL 151.81, 0.39%, 0.58%

LAB 70.64, -34.34, 11.94

 

CMYK 44 / 0 / 21 / 6

HEX #87F0BE

RGB 135 240 190

HSL 151.43, 0.78%, 0.74%

LAB 87.58, -41.63, 14.8

 

CMYK 44 / 0 / 19 / 86

HEX #14241D

RGB 20 36 29

HSL 153.75, 0.29%, 0.11%

LAB 12.6, -8.8, 2.55

 

CMYK 44 / 0 / 21 / 66

HEX #315745

RGB 49 87 69

HSL 151.58, 0.28%, 0.27%

LAB 33.77, -18.26, 6.26

 

CMYK 44 / 0 / 20 / 46

HEX #4D8A6E

RGB 77 138 110

HSL 152.46, 0.28%, 0.42%

LAB 52.82, -26.65, 8.9

 

CMYK 44 / 0 / 21 / 26

HEX #6ABD96

RGB 106 189 150

HSL 151.81, 0.39%, 0.58%

LAB 70.64, -34.34, 11.94

 

CMYK 44 / 32 / 0 / 26

HEX #6A81BD

RGB 106 129 189

HSL 223.37, 0.39%, 0.58%

LAB 54.49, 7.65, -34.06

 

CMYK 0 / 39 / 44 / 26

HEX #BD736A

RGB 189 115 106

HSL 6.51, 0.39%, 0.58%

LAB 56.21, 28.12, 17.39

 

CMYK 44 / 0 / 21 / 26

HEX #6ABD96

RGB 106 189 150

HSL 151.81, 0.39%, 0.58%

LAB 70.64, -34.34, 11.94

 

CMYK 21 / 44 / 0 / 26

HEX #956ABD

RGB 149 106 189

HSL 271.08, 0.39%, 0.58%

LAB 52.25, 33.4, -37.3

 

CMYK 0 / 21 / 44 / 26

HEX #BD956A

RGB 189 149 106

HSL 31.08, 0.39%, 0.58%

LAB 64.45, 9.35, 28.4

 

CMYK 44 / 0 / 21 / 26

HEX #6ABD96

RGB 106 189 150

HSL 151.81, 0.39%, 0.58%

LAB 70.64, -34.34, 11.94

 

CMYK 44 / 32 / 0 / 26

HEX #6A81BD

RGB 106 129 189

HSL 223.37, 0.39%, 0.58%

LAB 54.49, 7.65, -34.06

 

CMYK 0 / 44 / 23 / 26

HEX #BD6A92

RGB 189 106 146

HSL 331.08, 0.39%, 0.58%

LAB 55.28, 38.14, -7.28

 

CMYK 0 / 13 / 44 / 26

HEX #BDA56A

RGB 189 165 106

HSL 42.65, 0.39%, 0.58%

LAB 68.58, 0.64, 33.75

 

CMYK 44 / 0 / 21 / 26

HEX #6ABD96

RGB 106 189 150

HSL 151.81, 0.39%, 0.58%

LAB 70.64, -34.34, 11.94

 

CMYK 43 / 44 / 0 / 26

HEX #6B6ABD

RGB 107 106 189

HSL 240.72, 0.39%, 0.58%

LAB 48.4, 21.81, -43.65

 

CMYK 0 / 44 / 23 / 26

HEX #BD6A92

RGB 189 106 146

HSL 331.08, 0.39%, 0.58%

LAB 55.28, 38.14, -7.28

 

CMYK 1 / 0 / 44 / 26

HEX #BCBD6A

RGB 188 189 106

HSL 60.72, 0.39%, 0.58%

LAB 74.91, -12.4, 41.67

 

Description

Color code: HEX #6ABD96 | qconv.com Color code: HEX #6ABD96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 189 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 189 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 21 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 21% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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