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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AA4F5 it is the complementary color #955B0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AA4F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6AA4F5: #6FA4F0, #80B6FF, #91C8FF, #A2DAFF and #B3ECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AA4F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6AA4F5: #6AA4F5, #5992E2, #4880CF, #376EBC and #265CA9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 33 / 0 / 4

HEX #6AA4F5

RGB 106 164 245

HSL 214.96, 0.87%, 0.69%

LAB 66.68, 4.39, -46.18

 

Complementary color

CMYK 0 / 39 / 93 / 42

HEX #955B0A

RGB 149 91 10

HSL 34.96, 0.87%, 0.31%

LAB 44.08, 18.2, 49.82

 

CMYK 54 / 32 / 0 / 6

HEX #6FA4F0

RGB 111 164 240

HSL 215.35, 0.81%, 0.69%

LAB 66.69, 3.86, -43.41

 

CMYK 50 / 29 / 0 / 0

HEX #80B6FF

RGB 128 182 255

HSL 214.49, 1%, 0.75%

LAB 73.07, 1.94, -41.52

 

CMYK 43 / 22 / 0 / 0

HEX #91C8FF

RGB 145 200 255

HSL 210, 1%, 0.78%

LAB 78.78, -3.89, -32.59

 

CMYK 36 / 15 / 0 / 0

HEX #A2DAFF

RGB 162 218 255

HSL 203.87, 1%, 0.82%

LAB 84.51, -9.07, -23.74

 

CMYK 30 / 7 / 0 / 0

HEX #B3ECFF

RGB 179 236 255

HSL 195, 1%, 0.85%

LAB 90.23, -13.69, -15.02

 

CMYK 57 / 33 / 0 / 4

HEX #6AA4F5

RGB 106 164 245

HSL 214.96, 0.87%, 0.69%

LAB 66.68, 4.39, -46.18

 

CMYK 61 / 35 / 0 / 11

HEX #5992E2

RGB 89 146 226

HSL 215.04, 0.7%, 0.62%

LAB 60.04, 5.41, -46.23

 

CMYK 65 / 38 / 0 / 19

HEX #4880CF

RGB 72 128 207

HSL 215.11, 0.58%, 0.55%

LAB 53.3, 6.67, -46.29

 

CMYK 71 / 41 / 0 / 26

HEX #376EBC

RGB 55 110 188

HSL 215.19, 0.55%, 0.48%

LAB 46.44, 8.25, -46.37

 

CMYK 78 / 46 / 0 / 34

HEX #265CA9

RGB 38 92 169

HSL 215.27, 0.63%, 0.41%

LAB 39.46, 10.28, -46.44

 

CMYK 57 / 33 / 0 / 4

HEX #6AA4F5

RGB 106 164 245

HSL 214.96, 0.87%, 0.69%

LAB 66.68, 4.39, -46.18

 

CMYK 56 / 41 / 0 / 4

HEX #6B8FF4

RGB 107 143 244

HSL 224.23, 0.86%, 0.69%

LAB 61.05, 16.51, -54.54

 

CMYK 56 / 51 / 0 / 4

HEX #6B78F4

RGB 107 120 244

HSL 234.31, 0.86%, 0.69%

LAB 55.17, 30.28, -63.96

 

CMYK 52 / 56 / 0 / 4

HEX #746BF4

RGB 116 107 244

HSL 243.94, 0.86%, 0.69%

LAB 52.69, 39.73, -67.93

 

CMYK 43 / 56 / 0 / 4

HEX #8B6BF4

RGB 139 107 244

HSL 254.01, 0.86%, 0.69%

LAB 54.59, 44.41, -64.76

 

CMYK 57 / 33 / 0 / 4

HEX #6AA4F5

RGB 106 164 245

HSL 214.96, 0.87%, 0.69%

LAB 66.68, 4.39, -46.18

 

CMYK 56 / 34 / 0 / 84

HEX #121B29

RGB 18 27 41

HSL 216.52, 0.39%, 0.12%

LAB 9.58, 0.79, -10.78

 

CMYK 57 / 33 / 0 / 64

HEX #283E5C

RGB 40 62 92

HSL 214.62, 0.39%, 0.26%

LAB 25.77, 1.23, -20.53

 

CMYK 57 / 33 / 0 / 44

HEX #3E608F

RGB 62 96 143

HSL 214.81, 0.4%, 0.4%

LAB 40.2, 2.35, -29.67

 

CMYK 57 / 33 / 0 / 24

HEX #5482C2

RGB 84 130 194

HSL 214.91, 0.47%, 0.55%

LAB 53.76, 3.4, -38.15

 

CMYK 57 / 33 / 0 / 4

HEX #6AA4F5

RGB 106 164 245

HSL 214.96, 0.87%, 0.69%

LAB 66.68, 4.39, -46.18

 

CMYK 13 / 56 / 0 / 4

HEX #D46BF4

RGB 212 107 244

HSL 285.99, 0.86%, 0.69%

LAB 62.54, 61.65, -51.59

 

CMYK 9 / 0 / 56 / 4

HEX #DDF46B

RGB 221 244 107

HSL 70.07, 0.86%, 0.69%

LAB 92.19, -26.23, 62.21

 

CMYK 57 / 33 / 0 / 4

HEX #6AA4F5

RGB 106 164 245

HSL 214.96, 0.87%, 0.69%

LAB 66.68, 4.39, -46.18

 

CMYK 0 / 56 / 32 / 4

HEX #F46BA6

RGB 244 107 166

HSL 334.16, 0.86%, 0.69%

LAB 63.76, 58.37, -5.42

 

CMYK 32 / 0 / 56 / 4

HEX #A6F46B

RGB 166 244 107

HSL 94.16, 0.86%, 0.69%

LAB 88.86, -46.4, 57.52

 

CMYK 57 / 33 / 0 / 4

HEX #6AA4F5

RGB 106 164 245

HSL 214.96, 0.87%, 0.69%

LAB 66.68, 4.39, -46.18

 

CMYK 13 / 56 / 0 / 4

HEX #D46BF4

RGB 212 107 244

HSL 285.99, 0.86%, 0.69%

LAB 62.54, 61.65, -51.59

 

CMYK 0 / 24 / 56 / 4

HEX #F4B96B

RGB 244 185 107

HSL 34.16, 0.86%, 0.69%

LAB 79.04, 12.77, 47.39

 

CMYK 43 / 0 / 56 / 4

HEX #8BF46B

RGB 139 244 107

HSL 105.99, 0.86%, 0.69%

LAB 87.61, -55.01, 55.75

 

CMYK 57 / 33 / 0 / 4

HEX #6AA4F5

RGB 106 164 245

HSL 214.96, 0.87%, 0.69%

LAB 66.68, 4.39, -46.18

 

CMYK 0 / 56 / 4 / 4

HEX #F46BEB

RGB 244 107 235

HSL 303.94, 0.86%, 0.69%

LAB 66.33, 68.17, -40.36

 

CMYK 0 / 24 / 56 / 4

HEX #F4B96B

RGB 244 185 107

HSL 34.16, 0.86%, 0.69%

LAB 79.04, 12.77, 47.39

 

CMYK 56 / 0 / 52 / 4

HEX #6BF474

RGB 107 244 116

HSL 123.94, 0.86%, 0.69%

LAB 86.55, -62.49, 50.13

 

Description

Color code: HEX #6AA4F5 | qconv.com Color code: HEX #6AA4F5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 164 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 164 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 33 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 33% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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