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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AA1CD it is the complementary color #955E32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AA1CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AA1CD shade: #6FA1C8, #80B3DB, #91C5EE, #A2D7FF and #B3E9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AA1CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AA1CD shade: #6AA1CD, #598FBA, #487DA7, #376B94 and #265981

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AA1CD shade: #6AA1CD, #6A86CD, #6A6BCD, #836ACD and #9E6ACD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AA1CD shade: #6AA1CD, #6A86CD, #6A6BCD and #6A6ACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AA1CD shade matches the following richer shades: #6AA1CD, #5AA3DD, #4AA5ED and #3AA6FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AA1CD shade: #6AA1CD, #7A9FBD, #8A9DAD, #9A9C9D and #AA9A8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AA1CD shade: #6ACDC3, #6ABDCD, #6AA2CD, #6A88CD and #6A6DCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AA1CD shade: #3979AB, #4B8EC3, #6AA1CD, #89B5D8 and #A8C8E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AA1CD shade: #6AA1CD, #A96ACD and #CACD6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AA1CD shade: #6AA1CD, #CD6AA2 and #A2CD6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AA1CD shade: #6AA1CD, #A96ACD, #CD956A and #8ECD6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AA1CD shade: #6AA1CD, #C76ACD, #CD956A and #70CD6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 21 / 0 / 20

HEX #6AA1CD

RGB 106 161 205

HSL 206.67, 0.5%, 0.61%

LAB 64.13, -6.06, -28.11

 

Complementary color

CMYK 0 / 37 / 66 / 42

HEX #955E32

RGB 149 94 50

HSL 26.67, 0.5%, 0.39%

LAB 45.12, 18.13, 34.01

 

CMYK 45 / 20 / 0 / 22

HEX #6FA1C8

RGB 111 161 200

HSL 206.29, 0.45%, 0.61%

LAB 64.19, -6.27, -25.21

 

CMYK 42 / 18 / 0 / 14

HEX #80B3DB

RGB 128 179 219

HSL 206.37, 0.56%, 0.68%

LAB 70.83, -6.55, -25.43

 

CMYK 39 / 17 / 0 / 7

HEX #91C5EE

RGB 145 197 238

HSL 206.45, 0.73%, 0.75%

LAB 77.36, -6.79, -25.67

 

CMYK 36 / 16 / 0 / 0

HEX #A2D7FF

RGB 162 215 255

HSL 205.81, 1%, 0.82%

LAB 83.71, -7.5, -24.96

 

CMYK 30 / 9 / 0 / 0

HEX #B3E9FF

RGB 179 233 255

HSL 197.37, 1%, 0.85%

LAB 89.43, -12.18, -16.21

 

CMYK 48 / 21 / 0 / 20

HEX #6AA1CD

RGB 106 161 205

HSL 206.67, 0.5%, 0.61%

LAB 64.13, -6.06, -28.11

 

CMYK 52 / 23 / 0 / 27

HEX #598FBA

RGB 89 143 186

HSL 206.6, 0.41%, 0.54%

LAB 57.38, -5.6, -27.93

 

CMYK 57 / 25 / 0 / 35

HEX #487DA7

RGB 72 125 167

HSL 206.53, 0.4%, 0.47%

LAB 50.49, -5, -27.75

 

CMYK 63 / 28 / 0 / 42

HEX #376B94

RGB 55 107 148

HSL 206.45, 0.46%, 0.4%

LAB 43.46, -4.21, -27.59

 

CMYK 71 / 31 / 0 / 49

HEX #265981

RGB 38 89 129

HSL 206.37, 0.54%, 0.33%

LAB 36.26, -3.11, -27.43

 

CMYK 48 / 21 / 0 / 20

HEX #6AA1CD

RGB 106 161 205

HSL 206.67, 0.5%, 0.61%

LAB 64.13, -6.06, -28.11

 

CMYK 48 / 35 / 0 / 20

HEX #6A86CD

RGB 106 134 205

HSL 223.03, 0.5%, 0.61%

LAB 56.61, 9.47, -39.82

 

CMYK 48 / 48 / 0 / 20

HEX #6A6BCD

RGB 106 107 205

HSL 239.39, 0.5%, 0.61%

LAB 49.48, 25.78, -51.12

 

CMYK 36 / 48 / 0 / 20

HEX #836ACD

RGB 131 106 205

HSL 255.15, 0.5%, 0.61%

LAB 51.31, 32.47, -48.08

 

CMYK 23 / 48 / 0 / 20

HEX #9E6ACD

RGB 158 106 205

HSL 271.52, 0.5%, 0.61%

LAB 54.01, 39.69, -43.63

 

CMYK 48 / 21 / 0 / 20

HEX #6AA1CD

RGB 106 161 205

HSL 206.67, 0.5%, 0.61%

LAB 64.13, -6.06, -28.11

 

CMYK 48 / 35 / 0 / 20

HEX #6A86CD

RGB 106 134 205

HSL 223.03, 0.5%, 0.61%

LAB 56.61, 9.47, -39.82

 

CMYK 48 / 48 / 0 / 20

HEX #6A6BCD

RGB 106 107 205

HSL 239.39, 0.5%, 0.61%

LAB 49.48, 25.78, -51.12

 

CMYK 48 / 48 / 0 / 20

HEX #6A6ACD

RGB 106 106 205

HSL 240, 0.5%, 0.61%

LAB 49.23, 26.38, -51.53

 

CMYK 48 / 21 / 0 / 20

HEX #6AA1CD

RGB 106 161 205

HSL 206.67, 0.5%, 0.61%

LAB 64.13, -6.06, -28.11

 

CMYK 59 / 26 / 0 / 13

HEX #5AA3DD

RGB 90 163 221

HSL 206.56, 0.66%, 0.61%

LAB 64.63, -5.76, -36.25

 

CMYK 69 / 30 / 0 / 7

HEX #4AA5ED

RGB 74 165 237

HSL 206.5, 0.82%, 0.61%

LAB 65.34, -4.36, -43.99

 

CMYK 77 / 35 / 0 / 0

HEX #3AA6FE

RGB 58 166 254

HSL 206.94, 0.99%, 0.61%

LAB 66, -1.08, -52.26

 

CMYK 48 / 21 / 0 / 20

HEX #6AA1CD

RGB 106 161 205

HSL 206.67, 0.5%, 0.61%

LAB 64.13, -6.06, -28.11

 

CMYK 35 / 16 / 0 / 26

HEX #7A9FBD

RGB 122 159 189

HSL 206.87, 0.34%, 0.61%

LAB 63.84, -5.2, -19.55

 

CMYK 20 / 9 / 0 / 32

HEX #8A9DAD

RGB 138 157 173

HSL 207.43, 0.18%, 0.61%

LAB 63.78, -3.15, -10.56

 

CMYK 2 / 1 / 0 / 38

HEX #9A9C9D

RGB 154 156 157

HSL 200, 0.02%, 0.61%

LAB 64.23, -0.52, -0.78

 

CMYK 0 / 9 / 17 / 33

HEX #AA9A8D

RGB 170 154 141

HSL 26.9, 0.15%, 0.61%

LAB 64.63, 3.68, 8.95

 

CMYK 48 / 0 / 5 / 20

HEX #6ACDC3

RGB 106 205 195

HSL 173.94, 0.5%, 0.61%

LAB 76.48, -31.48, -4

 

CMYK 48 / 8 / 0 / 20

HEX #6ABDCD

RGB 106 189 205

HSL 189.7, 0.5%, 0.61%

LAB 72.14, -20.98, -15.89

 

CMYK 48 / 21 / 0 / 20

HEX #6AA2CD

RGB 106 162 205

HSL 206.06, 0.5%, 0.61%

LAB 64.41, -6.62, -27.67

 

CMYK 48 / 34 / 0 / 20

HEX #6A88CD

RGB 106 136 205

HSL 221.82, 0.5%, 0.61%

LAB 57.15, 8.29, -38.96

 

CMYK 48 / 47 / 0 / 20

HEX #6A6DCD

RGB 106 109 205

HSL 238.18, 0.5%, 0.61%

LAB 49.99, 24.56, -50.31

 

CMYK 67 / 29 / 0 / 33

HEX #3979AB

RGB 57 121 171

HSL 206.32, 0.5%, 0.45%

LAB 48.87, -4.23, -32.66

 

CMYK 62 / 27 / 0 / 24

HEX #4B8EC3

RGB 75 142 195

HSL 206.5, 0.5%, 0.53%

LAB 56.86, -5.1, -33.88

 

CMYK 48 / 21 / 0 / 20

HEX #6AA1CD

RGB 106 161 205

HSL 206.67, 0.5%, 0.61%

LAB 64.13, -6.06, -28.11

 

CMYK 37 / 16 / 0 / 15

HEX #89B5D8

RGB 137 181 216

HSL 206.58, 0.5%, 0.69%

LAB 71.77, -6.05, -22.31

 

CMYK 26 / 12 / 0 / 11

HEX #A8C8E2

RGB 168 200 226

HSL 206.9, 0.5%, 0.77%

LAB 79.11, -4.92, -16.43

 

CMYK 48 / 21 / 0 / 20

HEX #6AA1CD

RGB 106 161 205

HSL 206.67, 0.5%, 0.61%

LAB 64.13, -6.06, -28.11

 

CMYK 18 / 48 / 0 / 20

HEX #A96ACD

RGB 169 106 205

HSL 278.18, 0.5%, 0.61%

LAB 55.23, 42.75, -41.63

 

CMYK 1 / 0 / 48 / 20

HEX #CACD6A

RGB 202 205 106

HSL 61.82, 0.5%, 0.61%

LAB 80.33, -14.85, 48.51

 

CMYK 48 / 21 / 0 / 20

HEX #6AA1CD

RGB 106 161 205

HSL 206.67, 0.5%, 0.61%

LAB 64.13, -6.06, -28.11

 

CMYK 0 / 48 / 21 / 20

HEX #CD6AA2

RGB 205 106 162

HSL 326.06, 0.5%, 0.61%

LAB 57.94, 45.9, -12.39

 

CMYK 21 / 0 / 48 / 20

HEX #A2CD6A

RGB 162 205 106

HSL 86.06, 0.5%, 0.61%

LAB 77.51, -30.46, 44.45

 

CMYK 48 / 21 / 0 / 20

HEX #6AA1CD

RGB 106 161 205

HSL 206.67, 0.5%, 0.61%

LAB 64.13, -6.06, -28.11

 

CMYK 18 / 48 / 0 / 20

HEX #A96ACD

RGB 169 106 205

HSL 278.18, 0.5%, 0.61%

LAB 55.23, 42.75, -41.63

 

CMYK 0 / 27 / 48 / 20

HEX #CD956A

RGB 205 149 106

HSL 26.06, 0.5%, 0.61%

LAB 66.15, 15.95, 30.94

 

CMYK 31 / 0 / 48 / 20

HEX #8ECD6A

RGB 142 205 106

HSL 98.18, 0.5%, 0.61%

LAB 76.35, -37.67, 42.76

 

CMYK 48 / 21 / 0 / 20

HEX #6AA1CD

RGB 106 161 205

HSL 206.67, 0.5%, 0.61%

LAB 64.13, -6.06, -28.11

 

CMYK 3 / 48 / 0 / 20

HEX #C76ACD

RGB 199 106 205

HSL 296.36, 0.5%, 0.61%

LAB 58.84, 51.24, -35.7

 

CMYK 0 / 27 / 48 / 20

HEX #CD956A

RGB 205 149 106

HSL 26.06, 0.5%, 0.61%

LAB 66.15, 15.95, 30.94

 

CMYK 45 / 0 / 48 / 20

HEX #70CD6A

RGB 112 205 106

HSL 116.36, 0.5%, 0.61%

LAB 74.92, -47.29, 40.67

 

Description

Color code: HEX #6AA1CD | qconv.com Color code: HEX #6AA1CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 161 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 161 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 21 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 21% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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