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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A82D6 it is the complementary color #957D29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A82D6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6A82D6: #6F82D1, #8094E4, #91A6F7, #A2B8FF and #B3CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A82D6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6A82D6: #6A82D6, #5970C3, #485EB0, #374C9D and #263A8A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 39 / 0 / 16

HEX #6A82D6

RGB 106 130 214

HSL 226.67, 0.57%, 0.63%

LAB 55.97, 14.62, -45.9

 

Complementary color

CMYK 0 / 16 / 72 / 42

HEX #957D29

RGB 149 125 41

HSL 46.67, 0.57%, 0.37%

LAB 53.19, -0.19, 47.04

 

CMYK 47 / 38 / 0 / 18

HEX #6F82D1

RGB 111 130 209

HSL 228.37, 0.52%, 0.63%

LAB 56.04, 14.27, -42.96

 

CMYK 44 / 35 / 0 / 11

HEX #8094E4

RGB 128 148 228

HSL 228, 0.65%, 0.7%

LAB 62.82, 13.43, -42.82

 

CMYK 41 / 33 / 0 / 3

HEX #91A6F7

RGB 145 166 247

HSL 227.65, 0.86%, 0.77%

LAB 69.47, 12.72, -42.73

 

CMYK 36 / 28 / 0 / 0

HEX #A2B8FF

RGB 162 184 255

HSL 225.81, 1%, 0.82%

LAB 75.56, 9.2, -37.48

 

CMYK 30 / 21 / 0 / 0

HEX #B3CAFF

RGB 179 202 255

HSL 221.84, 1%, 0.85%

LAB 81.32, 4.05, -28.52

 

CMYK 50 / 39 / 0 / 16

HEX #6A82D6

RGB 106 130 214

HSL 226.67, 0.57%, 0.63%

LAB 55.97, 14.62, -45.9

 

CMYK 54 / 43 / 0 / 24

HEX #5970C3

RGB 89 112 195

HSL 226.98, 0.47%, 0.56%

LAB 49.07, 15.74, -46.11

 

CMYK 59 / 47 / 0 / 31

HEX #485EB0

RGB 72 94 176

HSL 227.31, 0.42%, 0.49%

LAB 42.03, 17.12, -46.37

 

CMYK 65 / 52 / 0 / 38

HEX #374C9D

RGB 55 76 157

HSL 227.65, 0.48%, 0.42%

LAB 34.83, 18.85, -46.68

 

CMYK 72 / 58 / 0 / 46

HEX #263A8A

RGB 38 58 138

HSL 228, 0.57%, 0.35%

LAB 27.5, 21.08, -46.98

 

CMYK 50 / 39 / 0 / 16

HEX #6A82D6

RGB 106 130 214

HSL 226.67, 0.57%, 0.63%

LAB 55.97, 14.62, -45.9

 

CMYK 50 / 47 / 0 / 16

HEX #6A72D6

RGB 106 114 214

HSL 235.56, 0.57%, 0.63%

LAB 51.78, 24.29, -52.56

 

CMYK 45 / 50 / 0 / 16

HEX #756AD6

RGB 117 106 214

HSL 246.11, 0.57%, 0.63%

LAB 50.62, 31.59, -54.37

 

CMYK 37 / 50 / 0 / 16

HEX #876AD6

RGB 135 106 214

HSL 256.11, 0.57%, 0.63%

LAB 52.19, 35.91, -51.78

 

CMYK 29 / 50 / 0 / 16

HEX #996AD6

RGB 153 106 214

HSL 266.11, 0.57%, 0.63%

LAB 53.96, 40.5, -48.86

 

CMYK 50 / 39 / 0 / 16

HEX #6A82D6

RGB 106 130 214

HSL 226.67, 0.57%, 0.63%

LAB 55.97, 14.62, -45.9

 

CMYK 50 / 40 / 0 / 96

HEX #05060A

RGB 5 6 10

HSL 228, 0.33%, 0.03%

LAB 1.67, 0.3, -1.61

 

CMYK 51 / 39 / 0 / 76

HEX #1E253D

RGB 30 37 61

HSL 226.45, 0.34%, 0.18%

LAB 15.15, 4.68, -16.36

 

CMYK 51 / 39 / 0 / 56

HEX #374470

RGB 55 68 112

HSL 226.32, 0.34%, 0.33%

LAB 29.7, 8.17, -27.1

 

CMYK 50 / 39 / 0 / 36

HEX #5163A3

RGB 81 99 163

HSL 226.83, 0.34%, 0.48%

LAB 43.24, 11.62, -36.75

 

CMYK 50 / 39 / 0 / 16

HEX #6A82D6

RGB 106 130 214

HSL 226.67, 0.57%, 0.63%

LAB 55.97, 14.62, -45.9

 

CMYK 2 / 50 / 0 / 16

HEX #D26AD6

RGB 210 106 214

HSL 297.78, 0.57%, 0.63%

LAB 60.66, 55.97, -37.83

 

CMYK 19 / 0 / 50 / 16

HEX #AED66A

RGB 174 214 106

HSL 82.22, 0.57%, 0.63%

LAB 80.81, -30.2, 48.62

 

CMYK 50 / 39 / 0 / 16

HEX #6A82D6

RGB 106 130 214

HSL 226.67, 0.57%, 0.63%

LAB 55.97, 14.62, -45.9

 

CMYK 0 / 50 / 39 / 16

HEX #D66A83

RGB 214 106 131

HSL 346.11, 0.57%, 0.63%

LAB 58.27, 44.91, 6.25

 

CMYK 39 / 0 / 50 / 16

HEX #83D66A

RGB 131 214 106

HSL 106.11, 0.57%, 0.63%

LAB 78.44, -45.27, 45.19

 

CMYK 50 / 39 / 0 / 16

HEX #6A82D6

RGB 106 130 214

HSL 226.67, 0.57%, 0.63%

LAB 55.97, 14.62, -45.9

 

CMYK 2 / 50 / 0 / 16

HEX #D26AD6

RGB 210 106 214

HSL 297.78, 0.57%, 0.63%

LAB 60.66, 55.97, -37.83

 

CMYK 0 / 12 / 50 / 16

HEX #D6BD6A

RGB 214 189 106

HSL 46.11, 0.57%, 0.63%

LAB 77.12, -1.75, 44.88

 

CMYK 49 / 0 / 50 / 16

HEX #6ED66A

RGB 110 214 106

HSL 117.78, 0.57%, 0.63%

LAB 77.55, -51.53, 43.9

 

CMYK 50 / 39 / 0 / 16

HEX #6A82D6

RGB 106 130 214

HSL 226.67, 0.57%, 0.63%

LAB 55.97, 14.62, -45.9

 

CMYK 0 / 50 / 14 / 16

HEX #D66AB9

RGB 214 106 185

HSL 316.11, 0.57%, 0.63%

LAB 59.99, 52.23, -22.39

 

CMYK 0 / 12 / 50 / 16

HEX #D6BD6A

RGB 214 189 106

HSL 46.11, 0.57%, 0.63%

LAB 77.12, -1.75, 44.88

 

CMYK 50 / 0 / 37 / 16

HEX #6AD687

RGB 106 214 135

HSL 136.11, 0.57%, 0.63%

LAB 77.82, -48.2, 29.73

 

Description

Color code: HEX #6A82D6 | qconv.com Color code: HEX #6A82D6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 130 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 130 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 39 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 39% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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