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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A4147 it is the complementary color #95BEB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A4147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6A4147: #6F4142, #805355, #916568, #A2777B and #B3898E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A4147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6A4147: #6A4147, #592F34, #481D21, #370B0E and #260000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 33 / 58

HEX #6A4147

RGB 106 65 71

HSL 351.22, 0.24%, 0.34%

LAB 32.48, 18.69, 3.86

 

Complementary color

CMYK 22 / 0 / 3 / 25

HEX #95BEB8

RGB 149 190 184

HSL 171.22, 0.24%, 0.66%

LAB 73.98, -14.86, -1.47

 

CMYK 0 / 41 / 41 / 56

HEX #6F4142

RGB 111 65 66

HSL 358.7, 0.26%, 0.35%

LAB 33.04, 20.11, 7.95

 

CMYK 0 / 35 / 34 / 50

HEX #805355

RGB 128 83 85

HSL 357.33, 0.21%, 0.41%

LAB 40.3, 19.08, 6.58

 

CMYK 0 / 30 / 28 / 43

HEX #916568

RGB 145 101 104

HSL 355.91, 0.18%, 0.48%

LAB 47.4, 18.2, 5.43

 

CMYK 0 / 27 / 24 / 36

HEX #A2777B

RGB 162 119 123

HSL 354.42, 0.19%, 0.55%

LAB 54.35, 17.44, 4.43

 

CMYK 0 / 23 / 21 / 30

HEX #B3898E

RGB 179 137 142

HSL 352.86, 0.22%, 0.62%

LAB 61.16, 16.77, 3.52

 

CMYK 0 / 39 / 33 / 58

HEX #6A4147

RGB 106 65 71

HSL 351.22, 0.24%, 0.34%

LAB 32.48, 18.69, 3.86

 

CMYK 0 / 47 / 42 / 65

HEX #592F34

RGB 89 47 52

HSL 352.86, 0.31%, 0.27%

LAB 24.97, 19.77, 5.3

 

CMYK 0 / 60 / 54 / 72

HEX #481D21

RGB 72 29 33

HSL 354.42, 0.43%, 0.2%

LAB 17.3, 20.98, 7.26

 

CMYK 0 / 80 / 75 / 78

HEX #370B0E

RGB 55 11 14

HSL 355.91, 0.67%, 0.13%

LAB 9.67, 22.01, 9.07

 

CMYK 0 / 100 / 100 / 85

HEX #260000

RGB 38 0 0

HSL 0, 1%, 0.07%

LAB 3.72, 16.7, 5.88

 

CMYK 0 / 39 / 33 / 58

HEX #6A4147

RGB 106 65 71

HSL 351.22, 0.24%, 0.34%

LAB 32.48, 18.69, 3.86

 

CMYK 0 / 38 / 39 / 58

HEX #6B4241

RGB 107 66 65

HSL 1.43, 0.24%, 0.34%

LAB 32.71, 17.65, 8.05

 

CMYK 0 / 32 / 39 / 58

HEX #6B4941

RGB 107 73 65

HSL 11.43, 0.24%, 0.34%

LAB 34.54, 13.36, 10.61

 

CMYK 0 / 25 / 39 / 58

HEX #6B5041

RGB 107 80 65

HSL 21.43, 0.24%, 0.34%

LAB 36.45, 9.06, 13.22

 

CMYK 0 / 19 / 39 / 58

HEX #6B5741

RGB 107 87 65

HSL 31.43, 0.24%, 0.34%

LAB 38.42, 4.79, 15.88

 

CMYK 0 / 39 / 33 / 58

HEX #6A4147

RGB 106 65 71

HSL 351.22, 0.24%, 0.34%

LAB 32.48, 18.69, 3.86

 

CMYK 0 / 39 / 33 / 38

HEX #9D6069

RGB 157 96 105

HSL 351.15, 0.24%, 0.5%

LAB 47.69, 25.98, 5.45

 

CMYK 0 / 38 / 33 / 18

HEX #D0808B

RGB 208 128 139

HSL 351.75, 0.46%, 0.66%

LAB 62.26, 32.26, 7.26

 

CMYK 0 / 50 / 25 / 98

HEX #040203

RGB 4 2 3

HSL 330, 0.33%, 0.01%

LAB 0.68, 0.66, -0.19

 

CMYK 0 / 38 / 33 / 78

HEX #372225

RGB 55 34 37

HSL 351.43, 0.24%, 0.17%

LAB 15.95, 10.61, 2.12

 

CMYK 0 / 39 / 33 / 58

HEX #6A4147

RGB 106 65 71

HSL 351.22, 0.24%, 0.34%

LAB 32.48, 18.69, 3.86

 

CMYK 2 / 0 / 39 / 58

HEX #696B41

RGB 105 107 65

HSL 62.86, 0.24%, 0.34%

LAB 44.09, -7.91, 23.29

 

CMYK 39 / 18 / 0 / 58

HEX #41586B

RGB 65 88 107

HSL 207.14, 0.24%, 0.34%

LAB 36.3, -3.39, -13.67

 

CMYK 0 / 39 / 33 / 58

HEX #6A4147

RGB 106 65 71

HSL 351.22, 0.24%, 0.34%

LAB 32.48, 18.69, 3.86

 

CMYK 33 / 0 / 39 / 58

HEX #486B41

RGB 72 107 65

HSL 110, 0.24%, 0.34%

LAB 41.65, -21.57, 19.65

 

CMYK 39 / 33 / 0 / 58

HEX #41486B

RGB 65 72 107

HSL 230, 0.24%, 0.34%

LAB 31.39, 6.8, -21.23

 

CMYK 0 / 39 / 33 / 58

HEX #6A4147

RGB 106 65 71

HSL 351.22, 0.24%, 0.34%

LAB 32.48, 18.69, 3.86

 

CMYK 2 / 0 / 39 / 58

HEX #696B41

RGB 105 107 65

HSL 62.86, 0.24%, 0.34%

LAB 44.09, -7.91, 23.29

 

CMYK 39 / 0 / 6 / 58

HEX #416B65

RGB 65 107 101

HSL 171.43, 0.24%, 0.34%

LAB 42.12, -16.17, -1.27

 

CMYK 37 / 39 / 0 / 58

HEX #43416B

RGB 67 65 107

HSL 242.86, 0.24%, 0.34%

LAB 29.5, 12.04, -24.18

 

CMYK 0 / 39 / 33 / 58

HEX #6A4147

RGB 106 65 71

HSL 351.22, 0.24%, 0.34%

LAB 32.48, 18.69, 3.86

 

CMYK 14 / 0 / 39 / 58

HEX #5C6B41

RGB 92 107 65

HSL 81.43, 0.24%, 0.34%

LAB 43.02, -13.54, 21.7

 

CMYK 39 / 0 / 6 / 58

HEX #416B65

RGB 65 107 101

HSL 171.43, 0.24%, 0.34%

LAB 42.12, -16.17, -1.27

 

CMYK 25 / 39 / 0 / 58

HEX #50416B

RGB 80 65 107

HSL 261.43, 0.24%, 0.34%

LAB 30.75, 16.24, -22.13

 

Description

Color code: HEX #6A4147 | qconv.com Color code: HEX #6A4147 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 65 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 65 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 33 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 33% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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