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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A29CB it is the complementary color #95D634. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A29CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6A29CB: #6F29C6, #803BD9, #914DEC, #A25FFF and #B371FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A29CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6A29CB: #6A29CB, #5917B8, #4805A5, #370092 and #26007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 80 / 0 / 20

HEX #6A29CB

RGB 106 41 203

HSL 264.07, 0.66%, 0.48%

LAB 35.91, 60.78, -71.98

 

Complementary color

CMYK 30 / 0 / 76 / 16

HEX #95D634

RGB 149 214 52

HSL 84.07, 0.66%, 0.52%

LAB 78.89, -43.71, 68.08

 

CMYK 44 / 79 / 0 / 22

HEX #6F29C6

RGB 111 41 198

HSL 266.75, 0.66%, 0.47%

LAB 36.07, 60.25, -68.78

 

CMYK 41 / 73 / 0 / 15

HEX #803BD9

RGB 128 59 217

HSL 266.2, 0.68%, 0.54%

LAB 42.35, 60.03, -69.42

 

CMYK 39 / 67 / 0 / 7

HEX #914DEC

RGB 145 77 236

HSL 265.66, 0.81%, 0.61%

LAB 48.74, 59.37, -69.72

 

CMYK 36 / 63 / 0 / 0

HEX #A25FFF

RGB 162 95 255

HSL 265.13, 1%, 0.69%

LAB 55.16, 58.5, -69.83

 

CMYK 30 / 56 / 0 / 0

HEX #B371FF

RGB 179 113 255

HSL 267.89, 1%, 0.72%

LAB 60.44, 53, -61.24

 

CMYK 48 / 80 / 0 / 20

HEX #6A29CB

RGB 106 41 203

HSL 264.07, 0.66%, 0.48%

LAB 35.91, 60.78, -71.98

 

CMYK 52 / 88 / 0 / 28

HEX #5917B8

RGB 89 23 184

HSL 264.6, 0.78%, 0.41%

LAB 29.9, 60.26, -70.77

 

CMYK 56 / 97 / 0 / 35

HEX #4805A5

RGB 72 5 165

HSL 265.13, 0.94%, 0.33%

LAB 24.33, 58.35, -68.64

 

CMYK 62 / 100 / 0 / 43

HEX #370092

RGB 55 0 146

HSL 262.6, 1%, 0.29%

LAB 19.59, 53.8, -64.9

 

CMYK 70 / 100 / 0 / 50

HEX #26007F

RGB 38 0 127

HSL 257.95, 1%, 0.25%

LAB 15.19, 48.16, -60.31

 

CMYK 48 / 80 / 0 / 20

HEX #6A29CB

RGB 106 41 203

HSL 264.07, 0.66%, 0.48%

LAB 35.91, 60.78, -71.98

 

CMYK 34 / 80 / 0 / 20

HEX #8529CB

RGB 133 41 203

HSL 274.07, 0.66%, 0.48%

LAB 39.38, 64.72, -66.15

 

CMYK 21 / 80 / 0 / 20

HEX #A029CB

RGB 160 41 203

HSL 284.07, 0.66%, 0.48%

LAB 43.32, 69.19, -59.58

 

CMYK 8 / 80 / 0 / 20

HEX #BB29CB

RGB 187 41 203

HSL 294.07, 0.66%, 0.48%

LAB 47.58, 74.04, -52.5

 

CMYK 0 / 80 / 5 / 20

HEX #CB29C0

RGB 203 41 192

HSL 304.07, 0.66%, 0.48%

LAB 49.6, 75.39, -42.74

 

CMYK 48 / 80 / 0 / 20

HEX #6A29CB

RGB 106 41 203

HSL 264.07, 0.66%, 0.48%

LAB 35.91, 60.78, -71.98

 

CMYK 48 / 80 / 0 / 0

HEX #8533FE

RGB 133 51 254

HSL 264.24, 0.99%, 0.6%

LAB 44.96, 72.88, -86.05

 

CMYK 48 / 80 / 0 / 80

HEX #1A0A32

RGB 26 10 50

HSL 264, 0.67%, 0.12%

LAB 6.02, 18.51, -23.02

 

CMYK 48 / 80 / 0 / 60

HEX #351465

RGB 53 20 101

HSL 264.44, 0.67%, 0.24%

LAB 16.49, 34.85, -41.25

 

CMYK 48 / 80 / 0 / 40

HEX #4F1F98

RGB 79 31 152

HSL 263.8, 0.66%, 0.36%

LAB 26.47, 48, -57.14

 

CMYK 48 / 80 / 0 / 20

HEX #6A29CB

RGB 106 41 203

HSL 264.07, 0.66%, 0.48%

LAB 35.91, 60.78, -71.98

 

CMYK 0 / 80 / 48 / 20

HEX #CB296A

RGB 203 41 106

HSL 335.93, 0.66%, 0.48%

LAB 46.07, 65.23, 3.46

 

CMYK 80 / 0 / 80 / 20

HEX #29CB29

RGB 41 203 41

HSL 120, 0.66%, 0.48%

LAB 71.79, -68.31, 63.38

 

CMYK 48 / 80 / 0 / 20

HEX #6A29CB

RGB 106 41 203

HSL 264.07, 0.66%, 0.48%

LAB 35.91, 60.78, -71.98

 

CMYK 0 / 48 / 80 / 20

HEX #CB6A29

RGB 203 106 41

HSL 24.07, 0.66%, 0.48%

LAB 55.24, 34.05, 51.31

 

CMYK 80 / 0 / 48 / 20

HEX #29CB6A

RGB 41 203 106

HSL 144.07, 0.66%, 0.48%

LAB 72.38, -61.13, 37.08

 

CMYK 48 / 80 / 0 / 20

HEX #6A29CB

RGB 106 41 203

HSL 264.07, 0.66%, 0.48%

LAB 35.91, 60.78, -71.98

 

CMYK 0 / 80 / 48 / 20

HEX #CB296A

RGB 203 41 106

HSL 335.93, 0.66%, 0.48%

LAB 46.07, 65.23, 3.46

 

CMYK 32 / 0 / 80 / 20

HEX #8ACB29

RGB 138 203 41

HSL 84.07, 0.66%, 0.48%

LAB 75, -43.54, 67.52

 

CMYK 80 / 0 / 32 / 20

HEX #29CB8A

RGB 41 203 138

HSL 155.93, 0.66%, 0.48%

LAB 72.9, -55.1, 21.26

 

CMYK 48 / 80 / 0 / 20

HEX #6A29CB

RGB 106 41 203

HSL 264.07, 0.66%, 0.48%

LAB 35.91, 60.78, -71.98

 

CMYK 0 / 80 / 72 / 20

HEX #CB2939

RGB 203 41 57

HSL 354.07, 0.66%, 0.48%

LAB 45.05, 62.09, 32.21

 

CMYK 32 / 0 / 80 / 20

HEX #8ACB29

RGB 138 203 41

HSL 84.07, 0.66%, 0.48%

LAB 75, -43.54, 67.52

 

CMYK 80 / 0 / 8 / 20

HEX #29CBBB

RGB 41 203 187

HSL 174.07, 0.66%, 0.48%

LAB 74.04, -43.06, -3.45

 

Description

Color code: HEX #6A29CB | qconv.com Color code: HEX #6A29CB | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 41 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 41 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 80 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 80% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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