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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A0A37 it is the complementary color #95F5C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A0A37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6A0A37: #6F0A32, #801C45, #912E58, #A2406B and #B3527E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A0A37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6A0A37: #6A0A37, #590024, #480011, #370000 and #260000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 48 / 58

HEX #6A0A37

RGB 106 10 55

HSL 331.88, 0.83%, 0.23%

LAB 22.15, 42.54, -0.41

 

Complementary color

CMYK 39 / 0 / 18 / 4

HEX #95F5C8

RGB 149 245 200

HSL 151.88, 0.83%, 0.77%

LAB 89.8, -38.17, 12.84

 

CMYK 0 / 91 / 55 / 56

HEX #6F0A32

RGB 111 10 50

HSL 336.24, 0.83%, 0.24%

LAB 23.09, 43.46, 4.57

 

CMYK 0 / 78 / 46 / 50

HEX #801C45

RGB 128 28 69

HSL 335.4, 0.64%, 0.31%

LAB 29.03, 44.99, 0.64

 

CMYK 0 / 68 / 39 / 43

HEX #912E58

RGB 145 46 88

HSL 334.55, 0.52%, 0.37%

LAB 35.36, 45.28, -2.13

 

CMYK 0 / 60 / 34 / 36

HEX #A2406B

RGB 162 64 107

HSL 333.67, 0.43%, 0.44%

LAB 41.86, 44.93, -4.18

 

CMYK 0 / 54 / 30 / 30

HEX #B3527E

RGB 179 82 126

HSL 332.78, 0.39%, 0.51%

LAB 48.42, 44.29, -5.77

 

CMYK 0 / 91 / 48 / 58

HEX #6A0A37

RGB 106 10 55

HSL 331.88, 0.83%, 0.23%

LAB 22.15, 42.54, -0.41

 

CMYK 0 / 100 / 60 / 65

HEX #590024

RGB 89 0 36

HSL 335.73, 1%, 0.17%

LAB 16.75, 38.87, 4.87

 

CMYK 0 / 100 / 76 / 72

HEX #480011

RGB 72 0 17

HSL 345.83, 1%, 0.14%

LAB 12.08, 32.91, 11.41

 

CMYK 0 / 100 / 100 / 78

HEX #370000

RGB 55 0 0

HSL 0, 1%, 0.11%

LAB 7.34, 26.9, 11.59

 

CMYK 0 / 100 / 100 / 85

HEX #260000

RGB 38 0 0

HSL 0, 1%, 0.07%

LAB 3.72, 16.7, 5.88

 

CMYK 0 / 91 / 48 / 58

HEX #6A0A37

RGB 106 10 55

HSL 331.88, 0.83%, 0.23%

LAB 22.15, 42.54, -0.41

 

CMYK 0 / 92 / 63 / 58

HEX #6B0928

RGB 107 9 40

HSL 341.02, 0.84%, 0.23%

LAB 21.85, 41.78, 9.71

 

CMYK 0 / 92 / 78 / 58

HEX #6B0918

RGB 107 9 24

HSL 350.82, 0.84%, 0.23%

LAB 21.53, 40.85, 20.39

 

CMYK 0 / 90 / 92 / 58

HEX #6B0B09

RGB 107 11 9

HSL 1.22, 0.84%, 0.23%

LAB 21.52, 39.88, 28.77

 

CMYK 0 / 75 / 92 / 58

HEX #6B1B09

RGB 107 27 9

HSL 11.02, 0.84%, 0.23%

LAB 23.44, 34.53, 30.77

 

CMYK 0 / 91 / 48 / 58

HEX #6A0A37

RGB 106 10 55

HSL 331.88, 0.83%, 0.23%

LAB 22.15, 42.54, -0.41

 

CMYK 0 / 90 / 48 / 38

HEX #9D0F51

RGB 157 15 81

HSL 332.11, 0.83%, 0.34%

LAB 34.2, 57.16, 0.98

 

CMYK 0 / 90 / 48 / 18

HEX #D0146C

RGB 208 20 108

HSL 331.91, 0.82%, 0.45%

LAB 45.62, 70.87, 1.7

 

CMYK 0 / 100 / 50 / 98

HEX #040002

RGB 4 0 2

HSL 330, 1%, 0.01%

LAB 0.27, 1.32, -0.39

 

CMYK 0 / 91 / 47 / 78

HEX #37051D

RGB 55 5 29

HSL 331.2, 0.83%, 0.12%

LAB 9.07, 26.48, -2.01

 

CMYK 0 / 91 / 48 / 58

HEX #6A0A37

RGB 106 10 55

HSL 331.88, 0.83%, 0.23%

LAB 22.15, 42.54, -0.41

 

CMYK 0 / 26 / 92 / 58

HEX #6B4F09

RGB 107 79 9

HSL 42.86, 0.84%, 0.23%

LAB 35.47, 5.25, 41.07

 

CMYK 92 / 11 / 0 / 58

HEX #095F6B

RGB 9 95 107

HSL 187.35, 0.84%, 0.23%

LAB 36.56, -18.4, -13.45

 

CMYK 0 / 91 / 48 / 58

HEX #6A0A37

RGB 106 10 55

HSL 331.88, 0.83%, 0.23%

LAB 22.15, 42.54, -0.41

 

CMYK 47 / 0 / 92 / 58

HEX #396B09

RGB 57 107 9

HSL 90.61, 0.84%, 0.23%

LAB 40.25, -32.95, 43.43

 

CMYK 92 / 47 / 0 / 58

HEX #09396B

RGB 9 57 107

HSL 210.61, 0.84%, 0.23%

LAB 23.82, 5.54, -33.4

 

CMYK 0 / 91 / 48 / 58

HEX #6A0A37

RGB 106 10 55

HSL 331.88, 0.83%, 0.23%

LAB 22.15, 42.54, -0.41

 

CMYK 0 / 26 / 92 / 58

HEX #6B4F09

RGB 107 79 9

HSL 42.86, 0.84%, 0.23%

LAB 35.47, 5.25, 41.07

 

CMYK 92 / 0 / 44 / 58

HEX #096B3C

RGB 9 107 60

HSL 151.22, 0.84%, 0.23%

LAB 39.41, -37.72, 19.21

 

CMYK 92 / 65 / 0 / 58

HEX #09256B

RGB 9 37 107

HSL 222.86, 0.84%, 0.23%

LAB 17.66, 20.12, -43.39

 

CMYK 0 / 91 / 48 / 58

HEX #6A0A37

RGB 106 10 55

HSL 331.88, 0.83%, 0.23%

LAB 22.15, 42.54, -0.41

 

CMYK 2 / 0 / 92 / 58

HEX #696B09

RGB 105 107 9

HSL 61.22, 0.84%, 0.23%

LAB 43.56, -12.1, 47.53

 

CMYK 92 / 0 / 44 / 58

HEX #096B3C

RGB 9 107 60

HSL 151.22, 0.84%, 0.23%

LAB 39.41, -37.72, 19.21

 

CMYK 90 / 92 / 0 / 58

HEX #0B096B

RGB 11 9 107

HSL 241.22, 0.84%, 0.23%

LAB 11.47, 37.64, -53.62

 

Description

Color code: HEX #6A0A37 | qconv.com Color code: HEX #6A0A37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 10 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 10 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 48 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 48% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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