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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69F115 it is the complementary color #960EEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69F115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #69F115: #6EF110, #7FFF23, #90FF36, #A1FF49 and #B2FF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69F115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #69F115: #69F115, #58DF02, #47CD00, #36BB00 and #25A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 91 / 5

HEX #69F115

RGB 105 241 21

HSL 97.09, 0.89%, 0.51%

LAB 84.98, -68.81, 79.65

 

Complementary color

CMYK 36 / 94 / 0 / 8

HEX #960EEA

RGB 150 14 234

HSL 277.09, 0.89%, 0.49%

LAB 42.37, 79.46, -78.97

 

CMYK 54 / 0 / 93 / 5

HEX #6EF110

RGB 110 241 16

HSL 94.93, 0.89%, 0.5%

LAB 85.13, -67.63, 80.43

 

CMYK 50 / 0 / 86 / 0

HEX #7FFF23

RGB 127 255 35

HSL 94.91, 1%, 0.57%

LAB 89.93, -67.43, 81.87

 

CMYK 44 / 0 / 79 / 0

HEX #90FF36

RGB 144 255 54

HSL 93.13, 1%, 0.61%

LAB 90.65, -61.73, 78.42

 

CMYK 37 / 0 / 71 / 0

HEX #A1FF49

RGB 161 255 73

HSL 90.99, 1%, 0.64%

LAB 91.5, -55.29, 73.69

 

CMYK 30 / 0 / 64 / 0

HEX #B2FF5C

RGB 178 255 92

HSL 88.34, 1%, 0.68%

LAB 92.47, -48.24, 67.99

 

CMYK 56 / 0 / 91 / 5

HEX #69F115

RGB 105 241 21

HSL 97.09, 0.89%, 0.51%

LAB 84.98, -68.81, 79.65

 

CMYK 61 / 0 / 99 / 13

HEX #58DF02

RGB 88 223 2

HSL 96.65, 0.98%, 0.44%

LAB 78.96, -67.27, 76.46

 

CMYK 65 / 0 / 100 / 20

HEX #47CD00

RGB 71 205 0

HSL 99.22, 1%, 0.4%

LAB 72.89, -65.26, 71.65

 

CMYK 71 / 0 / 100 / 27

HEX #36BB00

RGB 54 187 0

HSL 102.67, 1%, 0.37%

LAB 66.77, -62.91, 66.62

 

CMYK 78 / 0 / 100 / 34

HEX #25A900

RGB 37 169 0

HSL 106.86, 1%, 0.33%

LAB 60.58, -60.17, 61.55

 

CMYK 56 / 0 / 91 / 5

HEX #69F115

RGB 105 241 21

HSL 97.09, 0.89%, 0.51%

LAB 84.98, -68.81, 79.65

 

CMYK 72 / 0 / 93 / 5

HEX #43F112

RGB 67 241 18

HSL 106.82, 0.89%, 0.51%

LAB 84.04, -76.7, 78.87

 

CMYK 88 / 0 / 93 / 5

HEX #1DF112

RGB 29 241 18

HSL 117.04, 0.89%, 0.51%

LAB 83.56, -81.03, 78.26

 

CMYK 93 / 0 / 82 / 5

HEX #12F12C

RGB 18 241 44

HSL 127, 0.89%, 0.51%

LAB 83.56, -80.72, 73.45

 

CMYK 93 / 0 / 66 / 5

HEX #12F151

RGB 18 241 81

HSL 136.95, 0.89%, 0.51%

LAB 83.77, -77.97, 61.62

 

CMYK 56 / 0 / 91 / 5

HEX #69F115

RGB 105 241 21

HSL 97.09, 0.89%, 0.51%

LAB 84.98, -68.81, 79.65

 

CMYK 57 / 0 / 92 / 85

HEX #102503

RGB 16 37 3

HSL 97.06, 0.85%, 0.08%

LAB 12.22, -16.19, 16.53

 

CMYK 57 / 0 / 91 / 65

HEX #265808

RGB 38 88 8

HSL 97.5, 0.83%, 0.19%

LAB 32.72, -31.39, 36.8

 

CMYK 56 / 0 / 91 / 45

HEX #3D8B0C

RGB 61 139 12

HSL 96.85, 0.84%, 0.3%

LAB 51.25, -44.56, 52.25

 

CMYK 56 / 0 / 91 / 25

HEX #53BE11

RGB 83 190 17

HSL 97.11, 0.84%, 0.41%

LAB 68.54, -57.01, 66.26

 

CMYK 56 / 0 / 91 / 5

HEX #69F115

RGB 105 241 21

HSL 97.09, 0.89%, 0.51%

LAB 84.98, -68.81, 79.65

 

CMYK 93 / 0 / 17 / 5

HEX #12F1C8

RGB 18 241 200

HSL 168.97, 0.89%, 0.51%

LAB 85.61, -56.74, 6.45

 

CMYK 0 / 93 / 20 / 5

HEX #F112C1

RGB 241 18 193

HSL 312.91, 0.89%, 0.51%

LAB 55.06, 86.62, -34.28

 

CMYK 56 / 0 / 91 / 5

HEX #69F115

RGB 105 241 21

HSL 97.09, 0.89%, 0.51%

LAB 84.98, -68.81, 79.65

 

CMYK 93 / 57 / 0 / 5

HEX #1268F1

RGB 18 104 241

HSL 216.86, 0.89%, 0.51%

LAB 47.47, 29.07, -74.92

 

CMYK 0 / 93 / 57 / 5

HEX #F11268

RGB 241 18 104

HSL 336.86, 0.89%, 0.51%

LAB 51.99, 78.47, 14.09

 

CMYK 56 / 0 / 91 / 5

HEX #69F115

RGB 105 241 21

HSL 97.09, 0.89%, 0.51%

LAB 84.98, -68.81, 79.65

 

CMYK 93 / 0 / 17 / 5

HEX #12F1C8

RGB 18 241 200

HSL 168.97, 0.89%, 0.51%

LAB 85.61, -56.74, 6.45

 

CMYK 36 / 93 / 0 / 5

HEX #9B12F1

RGB 155 18 241

HSL 276.86, 0.89%, 0.51%

LAB 43.88, 80.87, -80.42

 

CMYK 0 / 93 / 76 / 5

HEX #F1123B

RGB 241 18 59

HSL 348.97, 0.89%, 0.51%

LAB 51.21, 76.31, 40.08

 

CMYK 56 / 0 / 91 / 5

HEX #69F115

RGB 105 241 21

HSL 97.09, 0.89%, 0.51%

LAB 84.98, -68.81, 79.65

 

CMYK 93 / 11 / 0 / 5

HEX #12D7F1

RGB 18 215 241

HSL 187, 0.89%, 0.51%

LAB 79.09, -33.84, -24.94

 

CMYK 36 / 93 / 0 / 5

HEX #9B12F1

RGB 155 18 241

HSL 276.86, 0.89%, 0.51%

LAB 43.88, 80.87, -80.42

 

CMYK 0 / 82 / 93 / 5

HEX #F12C12

RGB 241 44 18

HSL 7, 0.89%, 0.51%

LAB 52.45, 70.98, 60.62

 

Description

Color code: HEX #69F115 | qconv.com Color code: HEX #69F115 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 241 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 241 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 91 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 91% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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