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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69D330 it is the complementary color #962CCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69D330. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #69D330: #6ED32B, #7FE53E, #90F751, #A1FF64 and #B2FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69D330. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #69D330: #69D330, #58C11D, #47AF0A, #369D00 and #258B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 77 / 17

HEX #69D330

RGB 105 211 48

HSL 99.02, 0.65%, 0.51%

LAB 75.95, -57.22, 65.82

 

Complementary color

CMYK 28 / 79 / 0 / 19

HEX #962CCF

RGB 150 44 207

HSL 279.02, 0.65%, 0.49%

LAB 42.45, 67.33, -63.38

 

CMYK 48 / 0 / 80 / 17

HEX #6ED32B

RGB 110 211 43

HSL 96.07, 0.66%, 0.5%

LAB 76.12, -56.02, 67.51

 

CMYK 45 / 0 / 73 / 10

HEX #7FE53E

RGB 127 229 62

HSL 96.65, 0.76%, 0.57%

LAB 82.32, -56.63, 67.8

 

CMYK 42 / 0 / 67 / 3

HEX #90F751

RGB 144 247 81

HSL 97.23, 0.91%, 0.64%

LAB 88.47, -57.03, 67.49

 

CMYK 37 / 0 / 61 / 0

HEX #A1FF64

RGB 161 255 100

HSL 96.39, 1%, 0.7%

LAB 91.69, -53.28, 63.67

 

CMYK 30 / 0 / 53 / 0

HEX #B2FF77

RGB 178 255 119

HSL 93.97, 1%, 0.73%

LAB 92.71, -45.84, 56.85

 

CMYK 50 / 0 / 77 / 17

HEX #69D330

RGB 105 211 48

HSL 99.02, 0.65%, 0.51%

LAB 75.95, -57.22, 65.82

 

CMYK 54 / 0 / 85 / 24

HEX #58C11D

RGB 88 193 29

HSL 98.41, 0.74%, 0.44%

LAB 69.69, -56.33, 64.98

 

CMYK 59 / 0 / 94 / 31

HEX #47AF0A

RGB 71 175 10

HSL 97.82, 0.89%, 0.36%

LAB 63.36, -55.03, 62.81

 

CMYK 66 / 0 / 100 / 38

HEX #369D00

RGB 54 157 0

HSL 99.36, 1%, 0.31%

LAB 56.98, -53.17, 58.84

 

CMYK 73 / 0 / 100 / 45

HEX #258B00

RGB 37 139 0

HSL 104.03, 1%, 0.27%

LAB 50.52, -50.72, 53.53

 

CMYK 50 / 0 / 77 / 17

HEX #69D330

RGB 105 211 48

HSL 99.02, 0.65%, 0.51%

LAB 75.95, -57.22, 65.82

 

CMYK 63 / 0 / 77 / 17

HEX #4ED330

RGB 78 211 48

HSL 108.96, 0.65%, 0.51%

LAB 75.09, -64.07, 64.7

 

CMYK 76 / 0 / 77 / 17

HEX #33D330

RGB 51 211 48

HSL 118.9, 0.65%, 0.51%

LAB 74.51, -68.96, 63.94

 

CMYK 77 / 0 / 65 / 17

HEX #30D349

RGB 48 211 73

HSL 129.2, 0.65%, 0.51%

LAB 74.63, -67.28, 54.95

 

CMYK 77 / 0 / 53 / 17

HEX #30D364

RGB 48 211 100

HSL 139.14, 0.65%, 0.51%

LAB 74.91, -63.93, 43.18

 

CMYK 50 / 0 / 77 / 17

HEX #69D330

RGB 105 211 48

HSL 99.02, 0.65%, 0.51%

LAB 75.95, -57.22, 65.82

 

CMYK 57 / 0 / 71 / 97

HEX #030702

RGB 3 7 2

HSL 108, 0.56%, 0.02%

LAB 1.59, -1.74, 1.52

 

CMYK 50 / 0 / 78 / 77

HEX #1D3A0D

RGB 29 58 13

HSL 98.67, 0.63%, 0.14%

LAB 21.27, -20.51, 23.65

 

CMYK 50 / 0 / 77 / 57

HEX #366D19

RGB 54 109 25

HSL 99.29, 0.63%, 0.26%

LAB 40.88, -33.96, 38.91

 

CMYK 50 / 0 / 78 / 37

HEX #50A024

RGB 80 160 36

HSL 98.71, 0.63%, 0.38%

LAB 58.95, -45.85, 53.03

 

CMYK 50 / 0 / 77 / 17

HEX #69D330

RGB 105 211 48

HSL 99.02, 0.65%, 0.51%

LAB 75.95, -57.22, 65.82

 

CMYK 77 / 0 / 12 / 17

HEX #30D3BA

RGB 48 211 186

HSL 170.8, 0.65%, 0.51%

LAB 76.53, -46.1, 0.75

 

CMYK 0 / 77 / 19 / 17

HEX #D330AA

RGB 211 48 170

HSL 315.09, 0.65%, 0.51%

LAB 50.53, 72.22, -28.32

 

CMYK 50 / 0 / 77 / 17

HEX #69D330

RGB 105 211 48

HSL 99.02, 0.65%, 0.51%

LAB 75.95, -57.22, 65.82

 

CMYK 77 / 50 / 0 / 17

HEX #3069D3

RGB 48 105 211

HSL 219.02, 0.65%, 0.51%

LAB 46.22, 19.08, -59.95

 

CMYK 0 / 77 / 50 / 17

HEX #D33069

RGB 211 48 105

HSL 339.02, 0.65%, 0.51%

LAB 48.24, 65.31, 7.38

 

CMYK 50 / 0 / 77 / 17

HEX #69D330

RGB 105 211 48

HSL 99.02, 0.65%, 0.51%

LAB 75.95, -57.22, 65.82

 

CMYK 77 / 0 / 12 / 17

HEX #30D3BA

RGB 48 211 186

HSL 170.8, 0.65%, 0.51%

LAB 76.53, -46.1, 0.75

 

CMYK 27 / 77 / 0 / 17

HEX #9A30D3

RGB 154 48 211

HSL 279.02, 0.65%, 0.51%

LAB 43.78, 67.49, -63.49

 

CMYK 0 / 77 / 65 / 17

HEX #D33049

RGB 211 48 73

HSL 350.8, 0.65%, 0.51%

LAB 47.55, 63.16, 26.01

 

CMYK 50 / 0 / 77 / 17

HEX #69D330

RGB 105 211 48

HSL 99.02, 0.65%, 0.51%

LAB 75.95, -57.22, 65.82

 

CMYK 77 / 12 / 0 / 17

HEX #30BAD3

RGB 48 186 211

HSL 189.2, 0.65%, 0.51%

LAB 69.79, -27.33, -22.9

 

CMYK 27 / 77 / 0 / 17

HEX #9A30D3

RGB 154 48 211

HSL 279.02, 0.65%, 0.51%

LAB 43.78, 67.49, -63.49

 

CMYK 0 / 65 / 77 / 17

HEX #D34930

RGB 211 73 48

HSL 9.2, 0.65%, 0.51%

LAB 50.48, 53.03, 43.68

 

Description

Color code: HEX #69D330 | qconv.com Color code: HEX #69D330 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 211 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 211 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 77 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 77% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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