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Color name
HEX #69C822

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69C822 it is the complementary color #9637DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69C822. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69C822 shade: #6EC81D, #7FDA30, #90EC43, #A1FE56 and #B2FF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69C822. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69C822 shade: #69C822, #58B60F, #47A400, #369200 and #258000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69C822 shade: #69C922, #96C922, #C3C922, #C9A122 and #C97422

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69C822 shade: #69C922, #3CC922, #22C935, #22C962 and #22C98E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69C822 shade matches the following richer shades: #69C922 and #67DC0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69C822 shade: #69C922, #6CB635, #6FA348, #71905B and #747D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69C822 shade: #C3C922, #97C922, #6AC922, #3EC922 and #22C933

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69C822 shade: #448216, #57A51C, #69C922, #7EDD37 and #95E35A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69C822 shade: #69C822, #22C9A2 and #C922AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69C822 shade: #69C822, #226AC9 and #C9226A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69C822 shade: #69C822, #22C9A2, #8022C9 and #C92249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69C822 shade: #69C822, #22BDC9, #8022C9 and #C92D22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 83 / 22

HEX #69C822

RGB 105 200 34

HSL 94.34, 0.71%, 0.46%

LAB 72.51, -53.78, 66.54

 

Complementary color

CMYK 32 / 75 / 0 / 13

HEX #9637DD

RGB 150 55 221

HSL 274.34, 0.71%, 0.54%

LAB 44.85, 66.37, -67.51

 

CMYK 45 / 0 / 86 / 22

HEX #6EC81D

RGB 110 200 29

HSL 91.58, 0.75%, 0.45%

LAB 72.7, -52.41, 67.95

 

CMYK 42 / 0 / 78 / 15

HEX #7FDA30

RGB 127 218 48

HSL 92.12, 0.7%, 0.52%

LAB 78.97, -53.16, 68.99

 

CMYK 39 / 0 / 72 / 7

HEX #90EC43

RGB 144 236 67

HSL 92.66, 0.82%, 0.59%

LAB 85.16, -53.67, 69.16

 

CMYK 37 / 0 / 66 / 0

HEX #A1FE56

RGB 161 254 86

HSL 93.21, 0.99%, 0.67%

LAB 91.29, -54.01, 68.8

 

CMYK 30 / 0 / 59 / 0

HEX #B2FF69

RGB 178 255 105

HSL 90.8, 1%, 0.71%

LAB 92.58, -47.17, 62.79

 

CMYK 48 / 0 / 83 / 22

HEX #69C822

RGB 105 200 34

HSL 94.34, 0.71%, 0.46%

LAB 72.51, -53.78, 66.54

 

CMYK 52 / 0 / 92 / 29

HEX #58B60F

RGB 88 182 15

HSL 93.77, 0.85%, 0.39%

LAB 66.19, -52.76, 64.68

 

CMYK 57 / 0 / 100 / 36

HEX #47A400

RGB 71 164 0

HSL 94.02, 1%, 0.32%

LAB 59.79, -51.33, 61.29

 

CMYK 63 / 0 / 100 / 43

HEX #369200

RGB 54 146 0

HSL 97.81, 1%, 0.29%

LAB 53.32, -49.37, 55.94

 

CMYK 71 / 0 / 100 / 50

HEX #258000

RGB 37 128 0

HSL 102.66, 1%, 0.25%

LAB 46.75, -47.05, 50.54

 

CMYK 48 / 0 / 83 / 21

HEX #69C922

RGB 105 201 34

HSL 94.49, 0.71%, 0.46%

LAB 72.82, -54.16, 66.81

 

CMYK 25 / 0 / 83 / 21

HEX #96C922

RGB 150 201 34

HSL 78.32, 0.71%, 0.46%

LAB 75.06, -38.42, 69.65

 

CMYK 3 / 0 / 83 / 21

HEX #C3C922

RGB 195 201 34

HSL 62.16, 0.71%, 0.46%

LAB 78.16, -20.03, 73.53

 

CMYK 0 / 20 / 83 / 21

HEX #C9A122

RGB 201 161 34

HSL 45.63, 0.71%, 0.46%

LAB 68.04, 3.25, 65.17

 

CMYK 0 / 42 / 83 / 21

HEX #C97422

RGB 201 116 34

HSL 29.46, 0.71%, 0.46%

LAB 57.1, 27.69, 55.73

 

CMYK 48 / 0 / 83 / 21

HEX #69C922

RGB 105 201 34

HSL 94.49, 0.71%, 0.46%

LAB 72.82, -54.16, 66.81

 

CMYK 70 / 0 / 83 / 21

HEX #3CC922

RGB 60 201 34

HSL 110.66, 0.71%, 0.46%

LAB 71.45, -65.2, 65.07

 

CMYK 83 / 0 / 74 / 21

HEX #22C935

RGB 34 201 53

HSL 126.83, 0.71%, 0.46%

LAB 71.13, -67.67, 58.86

 

CMYK 83 / 0 / 51 / 21

HEX #22C962

RGB 34 201 98

HSL 142.99, 0.71%, 0.46%

LAB 71.55, -62.45, 39.97

 

CMYK 83 / 0 / 29 / 21

HEX #22C98E

RGB 34 201 142

HSL 158.8, 0.71%, 0.46%

LAB 72.27, -54.14, 18.25

 

CMYK 48 / 0 / 83 / 21

HEX #69C922

RGB 105 201 34

HSL 94.49, 0.71%, 0.46%

LAB 72.82, -54.16, 66.81

 

CMYK 53 / 0 / 93 / 14

HEX #67DC0F

RGB 103 220 15

HSL 94.24, 0.87%, 0.46%

LAB 78.52, -62.24, 75.06

 

CMYK 48 / 0 / 83 / 21

HEX #69C922

RGB 105 201 34

HSL 94.49, 0.71%, 0.46%

LAB 72.82, -54.16, 66.81

 

CMYK 41 / 0 / 71 / 29

HEX #6CB635

RGB 108 182 53

HSL 94.42, 0.55%, 0.46%

LAB 67.2, -44.57, 55.53

 

CMYK 32 / 0 / 56 / 36

HEX #6FA348

RGB 111 163 72

HSL 94.29, 0.39%, 0.46%

LAB 61.69, -33.45, 41.28

 

CMYK 22 / 0 / 37 / 44

HEX #71905B

RGB 113 144 91

HSL 95.09, 0.23%, 0.46%

LAB 56.3, -20.98, 24.71

 

CMYK 7 / 0 / 12 / 51

HEX #747D6E

RGB 116 125 110

HSL 96, 0.06%, 0.46%

LAB 51.27, -6.34, 7.04

 

CMYK 3 / 0 / 83 / 21

HEX #C3C922

RGB 195 201 34

HSL 62.16, 0.71%, 0.46%

LAB 78.16, -20.03, 73.53

 

CMYK 25 / 0 / 83 / 21

HEX #97C922

RGB 151 201 34

HSL 77.96, 0.71%, 0.46%

LAB 75.12, -38.04, 69.72

 

CMYK 47 / 0 / 83 / 21

HEX #6AC922

RGB 106 201 34

HSL 94.13, 0.71%, 0.46%

LAB 72.86, -53.85, 66.87

 

CMYK 69 / 0 / 83 / 21

HEX #3EC922

RGB 62 201 34

HSL 109.94, 0.71%, 0.46%

LAB 71.5, -64.83, 65.13

 

CMYK 83 / 0 / 75 / 21

HEX #22C933

RGB 34 201 51

HSL 126.11, 0.71%, 0.46%

LAB 71.11, -67.83, 59.54

 

CMYK 48 / 0 / 83 / 49

HEX #448216

RGB 68 130 22

HSL 94.44, 0.71%, 0.3%

LAB 48.58, -38.35, 47.54

 

CMYK 47 / 0 / 83 / 35

HEX #57A51C

RGB 87 165 28

HSL 94.16, 0.71%, 0.38%

LAB 60.8, -46.07, 57.28

 

CMYK 48 / 0 / 83 / 21

HEX #69C922

RGB 105 201 34

HSL 94.49, 0.71%, 0.46%

LAB 72.82, -54.16, 66.81

 

CMYK 43 / 0 / 75 / 13

HEX #7EDD37

RGB 126 221 55

HSL 94.34, 0.71%, 0.54%

LAB 79.85, -54.27, 67.67

 

CMYK 34 / 0 / 60 / 11

HEX #95E35A

RGB 149 227 90

HSL 94.16, 0.71%, 0.62%

LAB 82.95, -46.55, 57.95

 

CMYK 48 / 0 / 83 / 22

HEX #69C822

RGB 105 200 34

HSL 94.34, 0.71%, 0.46%

LAB 72.51, -53.78, 66.54

 

CMYK 83 / 0 / 19 / 21

HEX #22C9A2

RGB 34 201 162

HSL 165.99, 0.71%, 0.46%

LAB 72.71, -49.4, 8.13

 

CMYK 0 / 83 / 14 / 21

HEX #C922AD

RGB 201 34 173

HSL 310.06, 0.71%, 0.46%

LAB 47.72, 73.89, -34.6

 

CMYK 48 / 0 / 83 / 22

HEX #69C822

RGB 105 200 34

HSL 94.34, 0.71%, 0.46%

LAB 72.51, -53.78, 66.54

 

CMYK 83 / 47 / 0 / 21

HEX #226AC9

RGB 34 106 201

HSL 214.13, 0.71%, 0.46%

LAB 45.45, 13.25, -55.49

 

CMYK 0 / 83 / 47 / 21

HEX #C9226A

RGB 201 34 106

HSL 334.13, 0.71%, 0.46%

LAB 45.08, 66.44, 1.98

 

CMYK 48 / 0 / 83 / 22

HEX #69C822

RGB 105 200 34

HSL 94.34, 0.71%, 0.46%

LAB 72.51, -53.78, 66.54

 

CMYK 83 / 0 / 19 / 21

HEX #22C9A2

RGB 34 201 162

HSL 165.99, 0.71%, 0.46%

LAB 72.71, -49.4, 8.13

 

CMYK 36 / 83 / 0 / 21

HEX #8022C9

RGB 128 34 201

HSL 273.77, 0.71%, 0.46%

LAB 37.75, 65.78, -67.68

 

CMYK 0 / 83 / 64 / 21

HEX #C92249

RGB 201 34 73

HSL 345.99, 0.71%, 0.46%

LAB 44.29, 64.11, 21.43

 

CMYK 48 / 0 / 83 / 22

HEX #69C822

RGB 105 200 34

HSL 94.34, 0.71%, 0.46%

LAB 72.51, -53.78, 66.54

 

CMYK 83 / 6 / 0 / 21

HEX #22BDC9

RGB 34 189 201

HSL 184.31, 0.71%, 0.46%

LAB 70.14, -33.16, -16.9

 

CMYK 36 / 83 / 0 / 21

HEX #8022C9

RGB 128 34 201

HSL 273.77, 0.71%, 0.46%

LAB 37.75, 65.78, -67.68

 

CMYK 0 / 78 / 83 / 21

HEX #C92D22

RGB 201 45 34

HSL 3.95, 0.71%, 0.46%

LAB 44.81, 59.56, 44.71

 

Description

Color code: HEX #69C822 | qconv.com Color code: HEX #69C822 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 200 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 200 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 83 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 83% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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