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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #448216 it is the complementary color #BB7DE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #448216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #448216 shade: #498211, #5A9424, #6BA637, #7CB84A and #8DCA5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #448216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #448216 shade: #448216, #337003, #225E00, #114C00 and #003A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #448216 shade: #448316, #628316, #7F8316, #836916 and #834C16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #448216 shade: #448316, #278316, #168322, #168340 and #16835D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #448216 shade matches the following richer shades: #448316 and #438F0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #448216 shade: #448316, #467623, #486A2F, #4A5E3B and #4C5148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #448216 shade: #7F8316, #628316, #458316, #288316 and #168321

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #448216 shade: #203C0A, #326010, #448316, #57A61C and #69C922

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #448216 shade: #448216, #168369 and #831671

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #448216 shade: #448216, #164583 and #831645

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #448216 shade: #448216, #168369, #541683 and #831630

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #448216 shade: #448216, #167C83, #541683 and #831D16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 83 / 49

HEX #448216

RGB 68 130 22

HSL 94.44, 0.71%, 0.3%

LAB 48.58, -38.35, 47.54

 

Complementary color

CMYK 20 / 46 / 0 / 9

HEX #BB7DE9

RGB 187 125 233

HSL 274.44, 0.71%, 0.7%

LAB 62.6, 43.63, -45.59

 

CMYK 44 / 0 / 87 / 49

HEX #498211

RGB 73 130 17

HSL 90.27, 0.77%, 0.29%

LAB 48.79, -36.85, 49.21

 

CMYK 39 / 0 / 76 / 42

HEX #5A9424

RGB 90 148 36

HSL 91.07, 0.61%, 0.36%

LAB 55.56, -37.52, 49.89

 

CMYK 36 / 0 / 67 / 35

HEX #6BA637

RGB 107 166 55

HSL 91.89, 0.5%, 0.43%

LAB 62.23, -37.89, 49.54

 

CMYK 33 / 0 / 60 / 28

HEX #7CB84A

RGB 124 184 74

HSL 92.73, 0.44%, 0.51%

LAB 68.8, -38.08, 48.71

 

CMYK 30 / 0 / 54 / 21

HEX #8DCA5D

RGB 141 202 93

HSL 93.58, 0.51%, 0.58%

LAB 75.26, -38.15, 47.66

 

CMYK 48 / 0 / 83 / 49

HEX #448216

RGB 68 130 22

HSL 94.44, 0.71%, 0.3%

LAB 48.58, -38.35, 47.54

 

CMYK 54 / 0 / 97 / 56

HEX #337003

RGB 51 112 3

HSL 93.58, 0.95%, 0.23%

LAB 41.69, -37.33, 45.98

 

CMYK 64 / 0 / 100 / 63

HEX #225E00

RGB 34 94 0

HSL 98.3, 1%, 0.18%

LAB 34.69, -35.47, 40.94

 

CMYK 78 / 0 / 100 / 70

HEX #114C00

RGB 17 76 0

HSL 106.58, 1%, 0.15%

LAB 27.54, -32.96, 35.01

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 48 / 0 / 83 / 49

HEX #448316

RGB 68 131 22

HSL 94.68, 0.71%, 0.3%

LAB 48.91, -38.76, 47.84

 

CMYK 25 / 0 / 83 / 49

HEX #628316

RGB 98 131 22

HSL 78.17, 0.71%, 0.3%

LAB 50.55, -27.31, 49.95

 

CMYK 3 / 0 / 83 / 49

HEX #7F8316

RGB 127 131 22

HSL 62.2, 0.71%, 0.3%

LAB 52.73, -14.47, 52.7

 

CMYK 0 / 20 / 83 / 49

HEX #836916

RGB 131 105 22

HSL 45.69, 0.71%, 0.3%

LAB 45.62, 1.93, 46.61

 

CMYK 0 / 42 / 83 / 49

HEX #834C16

RGB 131 76 22

HSL 29.72, 0.71%, 0.3%

LAB 37.94, 18.97, 39.68

 

CMYK 48 / 0 / 83 / 49

HEX #448316

RGB 68 131 22

HSL 94.68, 0.71%, 0.3%

LAB 48.91, -38.76, 47.84

 

CMYK 70 / 0 / 83 / 49

HEX #278316

RGB 39 131 22

HSL 110.64, 0.71%, 0.3%

LAB 47.91, -46.74, 46.55

 

CMYK 83 / 0 / 74 / 49

HEX #168322

RGB 22 131 34

HSL 126.61, 0.71%, 0.3%

LAB 47.65, -48.7, 41.94

 

CMYK 83 / 0 / 51 / 49

HEX #168340

RGB 22 131 64

HSL 143.12, 0.71%, 0.3%

LAB 47.97, -44.75, 27.97

 

CMYK 83 / 0 / 29 / 49

HEX #16835D

RGB 22 131 93

HSL 159.08, 0.71%, 0.3%

LAB 48.5, -38.71, 12.41

 

CMYK 48 / 0 / 83 / 49

HEX #448316

RGB 68 131 22

HSL 94.68, 0.71%, 0.3%

LAB 48.91, -38.76, 47.84

 

CMYK 53 / 0 / 93 / 44

HEX #438F0A

RGB 67 143 10

HSL 94.29, 0.87%, 0.3%

LAB 52.8, -44.37, 54

 

CMYK 48 / 0 / 83 / 49

HEX #448316

RGB 68 131 22

HSL 94.68, 0.71%, 0.3%

LAB 48.91, -38.76, 47.84

 

CMYK 41 / 0 / 70 / 54

HEX #467623

RGB 70 118 35

HSL 94.7, 0.54%, 0.3%

LAB 44.77, -31.49, 38.99

 

CMYK 32 / 0 / 56 / 58

HEX #486A2F

RGB 72 106 47

HSL 94.58, 0.39%, 0.3%

LAB 41.04, -23.69, 28.97

 

CMYK 21 / 0 / 37 / 63

HEX #4A5E3B

RGB 74 94 59

HSL 94.29, 0.23%, 0.3%

LAB 37.44, -14.78, 17.66

 

CMYK 6 / 0 / 11 / 68

HEX #4C5148

RGB 76 81 72

HSL 93.33, 0.06%, 0.3%

LAB 33.75, -3.94, 4.6

 

CMYK 3 / 0 / 83 / 49

HEX #7F8316

RGB 127 131 22

HSL 62.2, 0.71%, 0.3%

LAB 52.73, -14.47, 52.7

 

CMYK 25 / 0 / 83 / 49

HEX #628316

RGB 98 131 22

HSL 78.17, 0.71%, 0.3%

LAB 50.55, -27.31, 49.95

 

CMYK 47 / 0 / 83 / 49

HEX #458316

RGB 69 131 22

HSL 94.13, 0.71%, 0.3%

LAB 48.95, -38.43, 47.9

 

CMYK 69 / 0 / 83 / 49

HEX #288316

RGB 40 131 22

HSL 110.09, 0.71%, 0.3%

LAB 47.93, -46.53, 46.58

 

CMYK 83 / 0 / 75 / 49

HEX #168321

RGB 22 131 33

HSL 126.06, 0.71%, 0.3%

LAB 47.64, -48.79, 42.33

 

CMYK 47 / 0 / 83 / 76

HEX #203C0A

RGB 32 60 10

HSL 93.6, 0.71%, 0.14%

LAB 22.16, -20.58, 25.98

 

CMYK 48 / 0 / 83 / 62

HEX #326010

RGB 50 96 16

HSL 94.5, 0.71%, 0.22%

LAB 36.14, -30.28, 37.59

 

CMYK 48 / 0 / 83 / 49

HEX #448316

RGB 68 131 22

HSL 94.68, 0.71%, 0.3%

LAB 48.91, -38.76, 47.84

 

CMYK 48 / 0 / 83 / 35

HEX #57A61C

RGB 87 166 28

HSL 94.35, 0.71%, 0.38%

LAB 61.12, -46.47, 57.57

 

CMYK 48 / 0 / 83 / 21

HEX #69C922

RGB 105 201 34

HSL 94.49, 0.71%, 0.46%

LAB 72.82, -54.16, 66.81

 

CMYK 48 / 0 / 83 / 49

HEX #448216

RGB 68 130 22

HSL 94.44, 0.71%, 0.3%

LAB 48.58, -38.35, 47.54

 

CMYK 83 / 0 / 20 / 49

HEX #168369

RGB 22 131 105

HSL 165.69, 0.71%, 0.3%

LAB 48.79, -35.62, 5.84

 

CMYK 0 / 83 / 14 / 49

HEX #831671

RGB 131 22 113

HSL 309.91, 0.71%, 0.3%

LAB 30.86, 53.16, -25.25

 

CMYK 48 / 0 / 83 / 49

HEX #448216

RGB 68 130 22

HSL 94.44, 0.71%, 0.3%

LAB 48.58, -38.35, 47.54

 

CMYK 83 / 47 / 0 / 49

HEX #164583

RGB 22 69 131

HSL 214.13, 0.71%, 0.3%

LAB 29.58, 8.6, -39.31

 

CMYK 0 / 83 / 47 / 49

HEX #831645

RGB 131 22 69

HSL 334.13, 0.71%, 0.3%

LAB 28.98, 47.72, 0.64

 

CMYK 48 / 0 / 83 / 49

HEX #448216

RGB 68 130 22

HSL 94.44, 0.71%, 0.3%

LAB 48.58, -38.35, 47.54

 

CMYK 83 / 0 / 20 / 49

HEX #168369

RGB 22 131 105

HSL 165.69, 0.71%, 0.3%

LAB 48.79, -35.62, 5.84

 

CMYK 36 / 83 / 0 / 49

HEX #541683

RGB 84 22 131

HSL 274.13, 0.71%, 0.3%

LAB 23.99, 47.11, -48.12

 

CMYK 0 / 83 / 63 / 49

HEX #831630

RGB 131 22 48

HSL 345.69, 0.71%, 0.3%

LAB 28.41, 46.02, 13.95

 

CMYK 48 / 0 / 83 / 49

HEX #448216

RGB 68 130 22

HSL 94.44, 0.71%, 0.3%

LAB 48.58, -38.35, 47.54

 

CMYK 83 / 5 / 0 / 49

HEX #167C83

RGB 22 124 131

HSL 183.85, 0.71%, 0.3%

LAB 47.27, -24.44, -11.72

 

CMYK 36 / 83 / 0 / 49

HEX #541683

RGB 84 22 131

HSL 274.13, 0.71%, 0.3%

LAB 23.99, 47.11, -48.12

 

CMYK 0 / 78 / 83 / 49

HEX #831D16

RGB 131 29 22

HSL 3.85, 0.71%, 0.3%

LAB 28.8, 42.48, 30.99

 

Description

Color code: HEX #448216 | qconv.com Color code: HEX #448216 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 130 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 130 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 83 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 83% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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