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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69B92E it is the complementary color #9646D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69B92E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69B92E shade: #6EB929, #7FCB3C, #90DD4F, #A1EF62 and #B2FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69B92E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69B92E shade: #69B92E, #58A71B, #479508, #368300 and #257100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69B92E shade: #68B82E, #8DB82E, #B3B82E, #B8972E and #B8722E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69B92E shade: #68B82E, #43B82E, #2EB83E, #2EB863 and #2EB888

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69B92E shade matches the following richer shades: #68B82E, #66CA1B and #63DD09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69B92E shade: #68B82E, #6BA540, #6E9253, #718066 and #746D78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69B92E shade: #B3B82E, #8EB82E, #6AB82E, #45B82E and #2EB83C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69B92E shade: #43761D, #569726, #68B82E, #7DCF40 and #93D761

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69B92E shade: #69B92E, #2EB897 and #B82EA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69B92E shade: #69B92E, #2E6AB8 and #B82E6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69B92E shade: #69B92E, #2EB897, #7C2EB8 and #B82E4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69B92E shade: #69B92E, #2EAEB8, #7C2EB8 and #B8372E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 75 / 27

HEX #69B92E

RGB 105 185 46

HSL 94.53, 0.6%, 0.45%

LAB 67.95, -47.27, 58.75

 

Complementary color

CMYK 28 / 67 / 0 / 18

HEX #9646D1

RGB 150 70 209

HSL 274.53, 0.6%, 0.55%

LAB 46.27, 57.32, -58.34

 

CMYK 41 / 0 / 78 / 27

HEX #6EB929

RGB 110 185 41

HSL 91.25, 0.64%, 0.44%

LAB 68.15, -45.89, 60.65

 

CMYK 37 / 0 / 70 / 20

HEX #7FCB3C

RGB 127 203 60

HSL 91.89, 0.58%, 0.52%

LAB 74.54, -46.37, 60.69

 

CMYK 35 / 0 / 64 / 13

HEX #90DD4F

RGB 144 221 79

HSL 92.54, 0.68%, 0.59%

LAB 80.85, -46.66, 60.17

 

CMYK 33 / 0 / 59 / 6

HEX #A1EF62

RGB 161 239 98

HSL 93.19, 0.82%, 0.66%

LAB 87.09, -46.82, 59.35

 

CMYK 30 / 0 / 54 / 0

HEX #B2FF75

RGB 178 255 117

HSL 93.48, 1%, 0.73%

LAB 92.69, -46.05, 57.71

 

CMYK 43 / 0 / 75 / 27

HEX #69B92E

RGB 105 185 46

HSL 94.53, 0.6%, 0.45%

LAB 67.95, -47.27, 58.75

 

CMYK 47 / 0 / 84 / 35

HEX #58A71B

RGB 88 167 27

HSL 93.86, 0.72%, 0.38%

LAB 61.47, -46.59, 58.17

 

CMYK 52 / 0 / 95 / 42

HEX #479508

RGB 71 149 8

HSL 93.19, 0.9%, 0.31%

LAB 54.92, -45.52, 56.15

 

CMYK 59 / 0 / 100 / 49

HEX #368300

RGB 54 131 0

HSL 95.27, 1%, 0.26%

LAB 48.28, -43.92, 51.96

 

CMYK 67 / 0 / 100 / 56

HEX #257100

RGB 37 113 0

HSL 100.35, 1%, 0.22%

LAB 41.54, -41.79, 46.4

 

CMYK 43 / 0 / 75 / 28

HEX #68B82E

RGB 104 184 46

HSL 94.78, 0.6%, 0.45%

LAB 67.59, -47.19, 58.39

 

CMYK 23 / 0 / 75 / 28

HEX #8DB82E

RGB 141 184 46

HSL 78.7, 0.6%, 0.45%

LAB 69.57, -33.71, 60.98

 

CMYK 3 / 0 / 75 / 28

HEX #B3B82E

RGB 179 184 46

HSL 62.17, 0.6%, 0.45%

LAB 72.27, -17.96, 64.49

 

CMYK 0 / 18 / 75 / 28

HEX #B8972E

RGB 184 151 46

HSL 45.65, 0.6%, 0.45%

LAB 63.77, 1.54, 56.62

 

CMYK 0 / 38 / 75 / 28

HEX #B8722E

RGB 184 114 46

HSL 29.57, 0.6%, 0.45%

LAB 54.47, 21.97, 47.45

 

CMYK 43 / 0 / 75 / 28

HEX #68B82E

RGB 104 184 46

HSL 94.78, 0.6%, 0.45%

LAB 67.59, -47.19, 58.39

 

CMYK 64 / 0 / 75 / 28

HEX #43B82E

RGB 67 184 46

HSL 110.87, 0.6%, 0.45%

LAB 66.27, -57.47, 56.64

 

CMYK 75 / 0 / 66 / 28

HEX #2EB83E

RGB 46 184 62

HSL 126.96, 0.6%, 0.45%

LAB 65.91, -60.01, 49.97

 

CMYK 75 / 0 / 46 / 28

HEX #2EB863

RGB 46 184 99

HSL 143.04, 0.6%, 0.45%

LAB 66.34, -54.96, 32.96

 

CMYK 75 / 0 / 26 / 28

HEX #2EB888

RGB 46 184 136

HSL 159.13, 0.6%, 0.45%

LAB 67.01, -47.51, 14.19

 

CMYK 43 / 0 / 75 / 28

HEX #68B82E

RGB 104 184 46

HSL 94.78, 0.6%, 0.45%

LAB 67.59, -47.19, 58.39

 

CMYK 50 / 0 / 87 / 21

HEX #66CA1B

RGB 102 202 27

HSL 94.29, 0.76%, 0.45%

LAB 72.99, -55.7, 68.49

 

CMYK 55 / 0 / 96 / 13

HEX #63DD09

RGB 99 221 9

HSL 94.53, 0.92%, 0.45%

LAB 78.69, -63.76, 75.75

 

CMYK 43 / 0 / 75 / 28

HEX #68B82E

RGB 104 184 46

HSL 94.78, 0.6%, 0.45%

LAB 67.59, -47.19, 58.39

 

CMYK 35 / 0 / 61 / 35

HEX #6BA540

RGB 107 165 64

HSL 94.46, 0.44%, 0.45%

LAB 62, -36.64, 45.34

 

CMYK 25 / 0 / 43 / 43

HEX #6E9253

RGB 110 146 83

HSL 94.29, 0.28%, 0.45%

LAB 56.58, -24.29, 29.39

 

CMYK 12 / 0 / 20 / 50

HEX #718066

RGB 113 128 102

HSL 94.62, 0.11%, 0.45%

LAB 51.73, -10.64, 12.31

 

CMYK 3 / 9 / 0 / 53

HEX #746D78

RGB 116 109 120

HSL 278.18, 0.05%, 0.45%

LAB 46.98, 4.95, -5.12

 

CMYK 3 / 0 / 75 / 28

HEX #B3B82E

RGB 179 184 46

HSL 62.17, 0.6%, 0.45%

LAB 72.27, -17.96, 64.49

 

CMYK 23 / 0 / 75 / 28

HEX #8EB82E

RGB 142 184 46

HSL 78.26, 0.6%, 0.45%

LAB 69.63, -33.32, 61.06

 

CMYK 42 / 0 / 75 / 28

HEX #6AB82E

RGB 106 184 46

HSL 93.91, 0.6%, 0.45%

LAB 67.68, -46.53, 58.51

 

CMYK 63 / 0 / 75 / 28

HEX #45B82E

RGB 69 184 46

HSL 110, 0.6%, 0.45%

LAB 66.32, -57.01, 56.71

 

CMYK 75 / 0 / 67 / 28

HEX #2EB83C

RGB 46 184 60

HSL 126.09, 0.6%, 0.45%

LAB 65.89, -60.22, 50.78

 

CMYK 43 / 0 / 75 / 54

HEX #43761D

RGB 67 118 29

HSL 94.38, 0.61%, 0.29%

LAB 44.57, -33.07, 41.24

 

CMYK 43 / 0 / 75 / 41

HEX #569726

RGB 86 151 38

HSL 94.51, 0.6%, 0.37%

LAB 56.34, -40.09, 49.86

 

CMYK 43 / 0 / 75 / 28

HEX #68B82E

RGB 104 184 46

HSL 94.78, 0.6%, 0.45%

LAB 67.59, -47.19, 58.39

 

CMYK 40 / 0 / 69 / 19

HEX #7DCF40

RGB 125 207 64

HSL 94.41, 0.6%, 0.53%

LAB 75.67, -48.41, 60.32

 

CMYK 32 / 0 / 55 / 16

HEX #93D761

RGB 147 215 97

HSL 94.58, 0.6%, 0.61%

LAB 79.42, -41.39, 50.79

 

CMYK 43 / 0 / 75 / 27

HEX #69B92E

RGB 105 185 46

HSL 94.53, 0.6%, 0.45%

LAB 67.95, -47.27, 58.75

 

CMYK 75 / 0 / 18 / 28

HEX #2EB897

RGB 46 184 151

HSL 165.65, 0.6%, 0.45%

LAB 67.35, -43.88, 6.47

 

CMYK 0 / 75 / 13 / 28

HEX #B82EA1

RGB 184 46 161

HSL 310, 0.6%, 0.45%

LAB 45.24, 65.41, -31.57

 

CMYK 43 / 0 / 75 / 27

HEX #69B92E

RGB 105 185 46

HSL 94.53, 0.6%, 0.45%

LAB 67.95, -47.27, 58.75

 

CMYK 75 / 42 / 0 / 28

HEX #2E6AB8

RGB 46 106 184

HSL 213.91, 0.6%, 0.45%

LAB 44.73, 8.03, -46.8

 

CMYK 0 / 75 / 42 / 28

HEX #B82E6A

RGB 184 46 106

HSL 333.91, 0.6%, 0.45%

LAB 43.04, 58.65, -1.39

 

CMYK 43 / 0 / 75 / 27

HEX #69B92E

RGB 105 185 46

HSL 94.53, 0.6%, 0.45%

LAB 67.95, -47.27, 58.75

 

CMYK 75 / 0 / 18 / 28

HEX #2EB897

RGB 46 184 151

HSL 165.65, 0.6%, 0.45%

LAB 67.35, -43.88, 6.47

 

CMYK 33 / 75 / 0 / 28

HEX #7C2EB8

RGB 124 46 184

HSL 273.91, 0.6%, 0.45%

LAB 37.3, 57.08, -58.47

 

CMYK 0 / 75 / 58 / 28

HEX #B82E4E

RGB 184 46 78

HSL 346.09, 0.6%, 0.45%

LAB 42.3, 56.26, 15.06

 

CMYK 43 / 0 / 75 / 27

HEX #69B92E

RGB 105 185 46

HSL 94.53, 0.6%, 0.45%

LAB 67.95, -47.27, 58.75

 

CMYK 75 / 5 / 0 / 28

HEX #2EAEB8

RGB 46 174 184

HSL 184.35, 0.6%, 0.45%

LAB 65.21, -30.05, -14.96

 

CMYK 33 / 75 / 0 / 28

HEX #7C2EB8

RGB 124 46 184

HSL 273.91, 0.6%, 0.45%

LAB 37.3, 57.08, -58.47

 

CMYK 0 / 70 / 75 / 28

HEX #B8372E

RGB 184 55 46

HSL 3.91, 0.6%, 0.45%

LAB 42.94, 51.18, 35.27

 

Description

Color code: HEX #69B92E | qconv.com Color code: HEX #69B92E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 185 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 185 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 75 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 75% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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