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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B82E6A it is the complementary color #47D195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B82E6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B82E6A shade: #BD2E65, #CE4078, #DF528B, #F0649E and #FF76B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B82E6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B82E6A shade: #B82E6A, #A71C57, #960A44, #850031 and #74001E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B82E6A shade: #B82E6A, #B82E45 and #B82E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B82E6A shade: #B82E6A, #B82E8F, #B82EB4, #962EB8 and #712EB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B82E6A shade matches the following richer shades: #B82E6A, #CA1B67 and #DD0965

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B82E6A shade: #B82E6A, #A5406C, #92536F, #806671 and #6D7873

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B82E6A shade: #B82EB5, #B82E91, #B82E6C, #B82E47 and #B8392E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B82E6A shade: #761D44, #972657, #B82E6A, #CF407E and #D76194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B82E6A shade: #B82E6A, #B8952E and #2EA3B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B82E6A shade: #B82E6A, #6CB82E and #2E6CB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B82E6A shade: #B82E6A, #B8952E, #2EB87A and #2E50B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B82E6A shade: #B82E6A, #B1B82E, #2EB87A and #352EB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 42 / 28

HEX #B82E6A

RGB 184 46 106

HSL 333.91, 0.6%, 0.45%

LAB 43.04, 58.65, -1.39

 

Complementary color

CMYK 66 / 0 / 29 / 18

HEX #47D195

RGB 71 209 149

HSL 153.91, 0.6%, 0.55%

LAB 75.52, -50.96, 19.13

 

CMYK 0 / 76 / 47 / 26

HEX #BD2E65

RGB 189 46 101

HSL 336.92, 0.61%, 0.46%

LAB 43.82, 59.56, 2.97

 

CMYK 0 / 69 / 42 / 19

HEX #CE4078

RGB 206 64 120

HSL 336.34, 0.59%, 0.53%

LAB 49.67, 59.91, 0.19

 

CMYK 0 / 63 / 38 / 13

HEX #DF528B

RGB 223 82 139

HSL 335.74, 0.69%, 0.6%

LAB 55.67, 59.76, -2.03

 

CMYK 0 / 58 / 34 / 6

HEX #F0649E

RGB 240 100 158

HSL 335.14, 0.82%, 0.67%

LAB 61.75, 59.32, -3.86

 

CMYK 0 / 54 / 31 / 0

HEX #FF76B1

RGB 255 118 177

HSL 334.16, 1%, 0.73%

LAB 67.57, 58.09, -5.85

 

CMYK 0 / 75 / 42 / 28

HEX #B82E6A

RGB 184 46 106

HSL 333.91, 0.6%, 0.45%

LAB 43.04, 58.65, -1.39

 

CMYK 0 / 83 / 48 / 35

HEX #A71C57

RGB 167 28 87

HSL 334.53, 0.71%, 0.38%

LAB 37.36, 57.51, 1.94

 

CMYK 0 / 93 / 55 / 41

HEX #960A44

RGB 150 10 68

HSL 335.14, 0.88%, 0.31%

LAB 32.08, 55.13, 6.28

 

CMYK 0 / 100 / 63 / 48

HEX #850031

RGB 133 0 49

HSL 337.89, 1%, 0.26%

LAB 27.32, 51.09, 11.88

 

CMYK 0 / 100 / 74 / 55

HEX #74001E

RGB 116 0 30

HSL 344.48, 1%, 0.23%

LAB 23.02, 45.66, 18.59

 

CMYK 0 / 75 / 42 / 28

HEX #B82E6A

RGB 184 46 106

HSL 333.91, 0.6%, 0.45%

LAB 43.04, 58.65, -1.39

 

CMYK 0 / 75 / 63 / 28

HEX #B82E45

RGB 184 46 69

HSL 350, 0.6%, 0.45%

LAB 42.11, 55.66, 20.43

 

CMYK 0 / 75 / 75 / 28

HEX #B82E2E

RGB 184 46 46

HSL 0, 0.6%, 0.45%

LAB 41.75, 54.47, 33.95

 

CMYK 0 / 75 / 42 / 28

HEX #B82E6A

RGB 184 46 106

HSL 333.91, 0.6%, 0.45%

LAB 43.04, 58.65, -1.39

 

CMYK 0 / 75 / 22 / 28

HEX #B82E8F

RGB 184 46 143

HSL 317.83, 0.6%, 0.45%

LAB 44.42, 62.92, -22.04

 

CMYK 0 / 75 / 2 / 28

HEX #B82EB4

RGB 184 46 180

HSL 301.74, 0.6%, 0.45%

LAB 46.23, 68.3, -41.27

 

CMYK 18 / 75 / 0 / 28

HEX #962EB8

RGB 150 46 184

HSL 285.22, 0.6%, 0.45%

LAB 41.05, 62.03, -52.21

 

CMYK 39 / 75 / 0 / 28

HEX #712EB8

RGB 113 46 184

HSL 269.13, 0.6%, 0.45%

LAB 35.84, 55.13, -60.91

 

CMYK 0 / 75 / 42 / 28

HEX #B82E6A

RGB 184 46 106

HSL 333.91, 0.6%, 0.45%

LAB 43.04, 58.65, -1.39

 

CMYK 0 / 87 / 49 / 21

HEX #CA1B67

RGB 202 27 103

HSL 333.94, 0.76%, 0.45%

LAB 44.69, 67.9, 3.3

 

CMYK 0 / 96 / 54 / 13

HEX #DD0965

RGB 221 9 101

HSL 333.96, 0.92%, 0.45%

LAB 47.63, 74.51, 9.26

 

CMYK 0 / 75 / 42 / 28

HEX #B82E6A

RGB 184 46 106

HSL 333.91, 0.6%, 0.45%

LAB 43.04, 58.65, -1.39

 

CMYK 0 / 61 / 35 / 35

HEX #A5406C

RGB 165 64 108

HSL 333.86, 0.44%, 0.45%

LAB 42.38, 46.03, -3.97

 

CMYK 0 / 43 / 24 / 43

HEX #92536F

RGB 146 83 111

HSL 333.33, 0.28%, 0.45%

LAB 43.43, 30, -4.59

 

CMYK 0 / 20 / 12 / 50

HEX #806671

RGB 128 102 113

HSL 334.62, 0.11%, 0.45%

LAB 46.02, 12.35, -2.21

 

CMYK 9 / 0 / 4 / 53

HEX #6D7873

RGB 109 120 115

HSL 152.73, 0.05%, 0.45%

LAB 49.4, -5.15, 1.33

 

CMYK 0 / 75 / 2 / 28

HEX #B82EB5

RGB 184 46 181

HSL 301.3, 0.6%, 0.45%

LAB 46.29, 68.46, -41.78

 

CMYK 0 / 75 / 21 / 28

HEX #B82E91

RGB 184 46 145

HSL 316.96, 0.6%, 0.45%

LAB 44.5, 63.18, -23.12

 

CMYK 0 / 75 / 41 / 28

HEX #B82E6C

RGB 184 46 108

HSL 333.04, 0.6%, 0.45%

LAB 43.1, 58.84, -2.54

 

CMYK 0 / 75 / 61 / 28

HEX #B82E47

RGB 184 46 71

HSL 349.13, 0.6%, 0.45%

LAB 42.15, 55.78, 19.24

 

CMYK 0 / 69 / 75 / 28

HEX #B8392E

RGB 184 57 46

HSL 4.78, 0.6%, 0.45%

LAB 43.23, 50.39, 35.59

 

CMYK 0 / 75 / 42 / 54

HEX #761D44

RGB 118 29 68

HSL 333.71, 0.61%, 0.29%

LAB 27.15, 41.51, -1.67

 

CMYK 0 / 75 / 42 / 41

HEX #972657

RGB 151 38 87

HSL 333.98, 0.6%, 0.37%

LAB 35.31, 50.1, -1.43

 

CMYK 0 / 75 / 42 / 28

HEX #B82E6A

RGB 184 46 106

HSL 333.91, 0.6%, 0.45%

LAB 43.04, 58.65, -1.39

 

CMYK 0 / 69 / 39 / 19

HEX #CF407E

RGB 207 64 126

HSL 333.99, 0.6%, 0.53%

LAB 50.02, 60.81, -2.89

 

CMYK 0 / 55 / 31 / 16

HEX #D76194

RGB 215 97 148

HSL 334.07, 0.6%, 0.61%

LAB 57.21, 51.65, -5.19

 

CMYK 0 / 75 / 42 / 28

HEX #B82E6A

RGB 184 46 106

HSL 333.91, 0.6%, 0.45%

LAB 43.04, 58.65, -1.39

 

CMYK 0 / 19 / 75 / 28

HEX #B8952E

RGB 184 149 46

HSL 44.78, 0.6%, 0.45%

LAB 63.25, 2.63, 56.11

 

CMYK 75 / 11 / 0 / 28

HEX #2EA3B8

RGB 46 163 184

HSL 189.13, 0.6%, 0.45%

LAB 61.86, -24.58, -20.04

 

CMYK 0 / 75 / 42 / 28

HEX #B82E6A

RGB 184 46 106

HSL 333.91, 0.6%, 0.45%

LAB 43.04, 58.65, -1.39

 

CMYK 41 / 0 / 75 / 28

HEX #6CB82E

RGB 108 184 46

HSL 93.04, 0.6%, 0.45%

LAB 67.77, -45.87, 58.63

 

CMYK 75 / 41 / 0 / 28

HEX #2E6CB8

RGB 46 108 184

HSL 213.04, 0.6%, 0.45%

LAB 45.31, 6.77, -45.87

 

CMYK 0 / 75 / 42 / 28

HEX #B82E6A

RGB 184 46 106

HSL 333.91, 0.6%, 0.45%

LAB 43.04, 58.65, -1.39

 

CMYK 0 / 19 / 75 / 28

HEX #B8952E

RGB 184 149 46

HSL 44.78, 0.6%, 0.45%

LAB 63.25, 2.63, 56.11

 

CMYK 75 / 0 / 34 / 28

HEX #2EB87A

RGB 46 184 122

HSL 153.04, 0.6%, 0.45%

LAB 66.72, -50.6, 21.37

 

CMYK 75 / 57 / 0 / 28

HEX #2E50B8

RGB 46 80 184

HSL 225.22, 0.6%, 0.45%

LAB 37.44, 24.91, -58.54

 

CMYK 0 / 75 / 42 / 28

HEX #B82E6A

RGB 184 46 106

HSL 333.91, 0.6%, 0.45%

LAB 43.04, 58.65, -1.39

 

CMYK 4 / 0 / 75 / 28

HEX #B1B82E

RGB 177 184 46

HSL 63.04, 0.6%, 0.45%

LAB 72.11, -18.82, 64.29

 

CMYK 75 / 0 / 34 / 28

HEX #2EB87A

RGB 46 184 122

HSL 153.04, 0.6%, 0.45%

LAB 66.72, -50.6, 21.37

 

CMYK 71 / 75 / 0 / 28

HEX #352EB8

RGB 53 46 184

HSL 243.04, 0.6%, 0.45%

LAB 29.84, 46.78, -70.98

 

Description

Color code: HEX #B82E6A | qconv.com Color code: HEX #B82E6A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 46 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 46 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 42 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 42% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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