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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6998B8 it is the complementary color #966747. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6998B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6998B8: #6E98B3, #7FAAC6, #90BCD9, #A1CEEC and #B2E0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6998B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6998B8: #6998B8, #5886A5, #477492, #36627F and #25506C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 17 / 0 / 28

HEX #6998B8

RGB 105 152 184

HSL 204.3, 0.36%, 0.57%

LAB 60.71, -7.31, -21.6

 

Complementary color

CMYK 0 / 31 / 53 / 41

HEX #966747

RGB 150 103 71

HSL 24.3, 0.36%, 0.43%

LAB 47.8, 15.1, 25.56

 

CMYK 39 / 15 / 0 / 30

HEX #6E98B3

RGB 110 152 179

HSL 203.48, 0.31%, 0.57%

LAB 60.8, -7.33, -18.61

 

CMYK 36 / 14 / 0 / 22

HEX #7FAAC6

RGB 127 170 198

HSL 203.66, 0.38%, 0.64%

LAB 67.53, -7.49, -18.92

 

CMYK 34 / 13 / 0 / 15

HEX #90BCD9

RGB 144 188 217

HSL 203.84, 0.49%, 0.71%

LAB 74.13, -7.62, -19.24

 

CMYK 32 / 13 / 0 / 7

HEX #A1CEEC

RGB 161 206 236

HSL 204, 0.66%, 0.78%

LAB 80.61, -7.74, -19.56

 

CMYK 30 / 12 / 0 / 0

HEX #B2E0FF

RGB 178 224 255

HSL 204.16, 1%, 0.85%

LAB 87, -7.84, -19.89

 

CMYK 43 / 17 / 0 / 28

HEX #6998B8

RGB 105 152 184

HSL 204.3, 0.36%, 0.57%

LAB 60.71, -7.31, -21.6

 

CMYK 47 / 19 / 0 / 35

HEX #5886A5

RGB 88 134 165

HSL 204.16, 0.3%, 0.5%

LAB 53.86, -7.02, -21.34

 

CMYK 51 / 21 / 0 / 43

HEX #477492

RGB 71 116 146

HSL 204, 0.35%, 0.43%

LAB 46.85, -6.65, -21.09

 

CMYK 57 / 23 / 0 / 50

HEX #36627F

RGB 54 98 127

HSL 203.84, 0.4%, 0.35%

LAB 39.67, -6.13, -20.84

 

CMYK 66 / 26 / 0 / 58

HEX #25506C

RGB 37 80 108

HSL 203.66, 0.49%, 0.28%

LAB 32.29, -5.38, -20.6

 

CMYK 43 / 17 / 0 / 28

HEX #6998B8

RGB 105 152 184

HSL 204.3, 0.36%, 0.57%

LAB 60.71, -7.31, -21.6

 

CMYK 43 / 24 / 0 / 28

HEX #698CB8

RGB 105 140 184

HSL 213.42, 0.36%, 0.57%

LAB 57.29, -0.51, -26.86

 

CMYK 43 / 32 / 0 / 28

HEX #697EB8

RGB 105 126 184

HSL 224.05, 0.36%, 0.57%

LAB 53.37, 7.7, -32.95

 

CMYK 43 / 39 / 0 / 28

HEX #6971B8

RGB 105 113 184

HSL 233.92, 0.36%, 0.57%

LAB 49.83, 15.54, -38.51

 

CMYK 40 / 43 / 0 / 28

HEX #6F69B8

RGB 111 105 184

HSL 244.56, 0.36%, 0.57%

LAB 48.19, 22, -41.07

 

CMYK 43 / 17 / 0 / 28

HEX #6998B8

RGB 105 152 184

HSL 204.3, 0.36%, 0.57%

LAB 60.71, -7.31, -21.6

 

CMYK 43 / 17 / 0 / 8

HEX #86C2EB

RGB 134 194 235

HSL 204.36, 0.72%, 0.72%

LAB 75.85, -8.79, -26.4

 

CMYK 42 / 16 / 0 / 88

HEX #121A1F

RGB 18 26 31

HSL 203.08, 0.27%, 0.1%

LAB 8.71, -2.06, -4.67

 

CMYK 43 / 17 / 0 / 68

HEX #2F4452

RGB 47 68 82

HSL 204, 0.27%, 0.25%

LAB 27.7, -4.05, -11

 

CMYK 43 / 17 / 0 / 48

HEX #4C6E85

RGB 76 110 133

HSL 204.21, 0.27%, 0.41%

LAB 44.78, -5.74, -16.52

 

CMYK 43 / 17 / 0 / 28

HEX #6998B8

RGB 105 152 184

HSL 204.3, 0.36%, 0.57%

LAB 60.71, -7.31, -21.6

 

CMYK 17 / 43 / 0 / 28

HEX #9969B8

RGB 153 105 184

HSL 276.46, 0.36%, 0.57%

LAB 52.22, 34, -34.45

 

CMYK 0 / 0 / 43 / 28

HEX #B8B869

RGB 184 184 105

HSL 60, 0.36%, 0.57%

LAB 73.21, -11.55, 40

 

CMYK 43 / 17 / 0 / 28

HEX #6998B8

RGB 105 152 184

HSL 204.3, 0.36%, 0.57%

LAB 60.71, -7.31, -21.6

 

CMYK 0 / 43 / 17 / 28

HEX #B86999

RGB 184 105 153

HSL 323.54, 0.36%, 0.57%

LAB 54.65, 38.04, -12.38

 

CMYK 17 / 0 / 43 / 28

HEX #99B869

RGB 153 184 105

HSL 83.54, 0.36%, 0.57%

LAB 70.92, -23.85, 36.64

 

CMYK 43 / 17 / 0 / 28

HEX #6998B8

RGB 105 152 184

HSL 204.3, 0.36%, 0.57%

LAB 60.71, -7.31, -21.6

 

CMYK 17 / 43 / 0 / 28

HEX #9969B8

RGB 153 105 184

HSL 276.46, 0.36%, 0.57%

LAB 52.22, 34, -34.45

 

CMYK 0 / 26 / 43 / 28

HEX #B88969

RGB 184 137 105

HSL 24.3, 0.36%, 0.57%

LAB 60.87, 13.8, 24.14

 

CMYK 26 / 0 / 43 / 28

HEX #89B869

RGB 137 184 105

HSL 95.7, 0.36%, 0.57%

LAB 69.91, -29.84, 35.15

 

CMYK 43 / 17 / 0 / 28

HEX #6998B8

RGB 105 152 184

HSL 204.3, 0.36%, 0.57%

LAB 60.71, -7.31, -21.6

 

CMYK 4 / 43 / 0 / 28

HEX #B069B8

RGB 176 105 184

HSL 293.92, 0.36%, 0.57%

LAB 54.86, 40.98, -30.13

 

CMYK 0 / 26 / 43 / 28

HEX #B88969

RGB 184 137 105

HSL 24.3, 0.36%, 0.57%

LAB 60.87, 13.8, 24.14

 

CMYK 39 / 0 / 43 / 28

HEX #71B869

RGB 113 184 105

HSL 113.92, 0.36%, 0.57%

LAB 68.61, -38.07, 33.23

 

Description

Color code: HEX #6998B8 | qconv.com Color code: HEX #6998B8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 152 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 152 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 17 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 17% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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