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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #698F96 it is the complementary color #967069. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #698F96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #698F96: #6E8F91, #7FA1A4, #90B3B7, #A1C5CA and #B2D7DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #698F96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #698F96: #698F96, #587D83, #476B70, #36595D and #25474A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 5 / 0 / 41

HEX #698F96

RGB 105 143 150

HSL 189.33, 0.18%, 0.5%

LAB 56.93, -11.35, -7.97

 

Complementary color

CMYK 0 / 25 / 30 / 41

HEX #967069

RGB 150 112 105

HSL 9.33, 0.18%, 0.5%

LAB 50.8, 13.99, 9.74

 

CMYK 24 / 1 / 0 / 43

HEX #6E8F91

RGB 110 143 145

HSL 183.43, 0.14%, 0.5%

LAB 57.08, -10.99, -4.85

 

CMYK 23 / 2 / 0 / 36

HEX #7FA1A4

RGB 127 161 164

HSL 184.86, 0.17%, 0.57%

LAB 63.9, -10.93, -5.41

 

CMYK 21 / 2 / 0 / 28

HEX #90B3B7

RGB 144 179 183

HSL 186.15, 0.21%, 0.64%

LAB 70.59, -10.89, -5.96

 

CMYK 20 / 2 / 0 / 21

HEX #A1C5CA

RGB 161 197 202

HSL 187.32, 0.28%, 0.71%

LAB 77.15, -10.86, -6.49

 

CMYK 19 / 3 / 0 / 13

HEX #B2D7DD

RGB 178 215 221

HSL 188.37, 0.39%, 0.78%

LAB 83.59, -10.83, -7

 

CMYK 30 / 5 / 0 / 41

HEX #698F96

RGB 105 143 150

HSL 189.33, 0.18%, 0.5%

LAB 56.93, -11.35, -7.97

 

CMYK 33 / 5 / 0 / 49

HEX #587D83

RGB 88 125 131

HSL 188.37, 0.2%, 0.43%

LAB 49.95, -11.38, -7.44

 

CMYK 37 / 4 / 0 / 56

HEX #476B70

RGB 71 107 112

HSL 187.32, 0.22%, 0.36%

LAB 42.8, -11.42, -6.89

 

CMYK 42 / 4 / 0 / 64

HEX #36595D

RGB 54 89 93

HSL 186.15, 0.27%, 0.29%

LAB 35.44, -11.44, -6.31

 

CMYK 50 / 4 / 0 / 71

HEX #25474A

RGB 37 71 74

HSL 184.86, 0.33%, 0.22%

LAB 27.83, -11.42, -5.66

 

CMYK 30 / 5 / 0 / 41

HEX #698F96

RGB 105 143 150

HSL 189.33, 0.18%, 0.5%

LAB 56.93, -11.35, -7.97

 

CMYK 31 / 10 / 0 / 41

HEX #688796

RGB 104 135 150

HSL 199.57, 0.18%, 0.5%

LAB 54.53, -7.2, -11.58

 

CMYK 31 / 15 / 0 / 41

HEX #688096

RGB 104 128 150

HSL 208.7, 0.18%, 0.5%

LAB 52.49, -3.21, -14.65

 

CMYK 31 / 20 / 0 / 41

HEX #687896

RGB 104 120 150

HSL 219.13, 0.18%, 0.5%

LAB 50.19, 1.46, -18.15

 

CMYK 31 / 25 / 0 / 41

HEX #687096

RGB 104 112 150

HSL 229.57, 0.18%, 0.5%

LAB 47.92, 6.23, -21.63

 

CMYK 30 / 5 / 0 / 41

HEX #698F96

RGB 105 143 150

HSL 189.33, 0.18%, 0.5%

LAB 56.93, -11.35, -7.97

 

CMYK 30 / 4 / 0 / 21

HEX #8DC0C9

RGB 141 192 201

HSL 189, 0.36%, 0.67%

LAB 74.56, -14.47, -9.91

 

CMYK 30 / 5 / 0 / 1

HEX #B0F0FC

RGB 176 240 252

HSL 189.47, 0.93%, 0.84%

LAB 91.04, -17.21, -12.25

 

CMYK 29 / 4 / 0 / 81

HEX #222E30

RGB 34 46 48

HSL 188.57, 0.17%, 0.16%

LAB 17.95, -4.5, -2.96

 

CMYK 30 / 5 / 0 / 61

HEX #455E63

RGB 69 94 99

HSL 190, 0.18%, 0.33%

LAB 38.15, -7.98, -5.9

 

CMYK 30 / 5 / 0 / 41

HEX #698F96

RGB 105 143 150

HSL 189.33, 0.18%, 0.5%

LAB 56.93, -11.35, -7.97

 

CMYK 20 / 31 / 0 / 41

HEX #786896

RGB 120 104 150

HSL 260.87, 0.18%, 0.5%

LAB 47.1, 16.22, -22.78

 

CMYK 0 / 8 / 31 / 41

HEX #968A68

RGB 150 138 104

HSL 44.35, 0.18%, 0.5%

LAB 57.71, -0.98, 19.87

 

CMYK 30 / 5 / 0 / 41

HEX #698F96

RGB 105 143 150

HSL 189.33, 0.18%, 0.5%

LAB 56.93, -11.35, -7.97

 

CMYK 0 / 31 / 5 / 41

HEX #96688F

RGB 150 104 143

HSL 309.13, 0.18%, 0.5%

LAB 49.94, 25.02, -14.02

 

CMYK 5 / 0 / 31 / 41

HEX #8F9668

RGB 143 150 104

HSL 69.13, 0.18%, 0.5%

LAB 60.47, -10.41, 23.48

 

CMYK 30 / 5 / 0 / 41

HEX #698F96

RGB 105 143 150

HSL 189.33, 0.18%, 0.5%

LAB 56.93, -11.35, -7.97

 

CMYK 20 / 31 / 0 / 41

HEX #786896

RGB 120 104 150

HSL 260.87, 0.18%, 0.5%

LAB 47.1, 16.22, -22.78

 

CMYK 0 / 26 / 31 / 41

HEX #966F68

RGB 150 111 104

HSL 9.13, 0.18%, 0.5%

LAB 50.51, 14.42, 9.93

 

CMYK 11 / 0 / 31 / 41

HEX #869668

RGB 134 150 104

HSL 80.87, 0.18%, 0.5%

LAB 59.78, -14, 22.43

 

CMYK 30 / 5 / 0 / 41

HEX #698F96

RGB 105 143 150

HSL 189.33, 0.18%, 0.5%

LAB 56.93, -11.35, -7.97

 

CMYK 11 / 31 / 0 / 41

HEX #866896

RGB 134 104 150

HSL 279.13, 0.18%, 0.5%

LAB 48.47, 20.9, -20.55

 

CMYK 0 / 26 / 31 / 41

HEX #966F68

RGB 150 111 104

HSL 9.13, 0.18%, 0.5%

LAB 50.51, 14.42, 9.93

 

CMYK 20 / 0 / 31 / 41

HEX #789668

RGB 120 150 104

HSL 99.13, 0.18%, 0.5%

LAB 58.79, -19.39, 20.93

 

Description

Color code: HEX #698F96 | qconv.com Color code: HEX #698F96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 143 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 143 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 5 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 5% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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