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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #698387 it is the complementary color #967C78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #698387. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #698387: #6E8382, #7F9595, #90A7A8, #A1B9BB and #B2CBCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #698387. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #698387: #698387, #587174, #475F61, #364D4E and #253B3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 3 / 0 / 47

HEX #698387

RGB 105 131 135

HSL 188, 0.13%, 0.47%

LAB 52.93, -8.33, -5.24

 

Complementary color

CMYK 0 / 17 / 20 / 41

HEX #967C78

RGB 150 124 120

HSL 8, 0.13%, 0.53%

LAB 54.3, 9.36, 5.94

 

CMYK 16 / 0 / 1 / 49

HEX #6E8382

RGB 110 131 130

HSL 177.14, 0.09%, 0.47%

LAB 53.12, -7.78, -2.01

 

CMYK 15 / 0 / 0 / 42

HEX #7F9595

RGB 127 149 149

HSL 180, 0.09%, 0.54%

LAB 60.05, -7.76, -2.62

 

CMYK 14 / 1 / 0 / 34

HEX #90A7A8

RGB 144 167 168

HSL 182.5, 0.12%, 0.61%

LAB 66.82, -7.75, -3.21

 

CMYK 14 / 1 / 0 / 27

HEX #A1B9BB

RGB 161 185 187

HSL 184.62, 0.16%, 0.68%

LAB 73.46, -7.75, -3.79

 

CMYK 14 / 1 / 0 / 19

HEX #B2CBCE

RGB 178 203 206

HSL 186.43, 0.22%, 0.75%

LAB 79.97, -7.76, -4.34

 

CMYK 22 / 3 / 0 / 47

HEX #698387

RGB 105 131 135

HSL 188, 0.13%, 0.47%

LAB 52.93, -8.33, -5.24

 

CMYK 24 / 3 / 0 / 55

HEX #587174

RGB 88 113 116

HSL 186.43, 0.14%, 0.4%

LAB 45.83, -8.37, -4.67

 

CMYK 27 / 2 / 0 / 62

HEX #475F61

RGB 71 95 97

HSL 184.62, 0.15%, 0.33%

LAB 38.53, -8.43, -4.08

 

CMYK 31 / 1 / 0 / 69

HEX #364D4E

RGB 54 77 78

HSL 182.5, 0.18%, 0.26%

LAB 30.98, -8.51, -3.45

 

CMYK 37 / 0 / 0 / 77

HEX #253B3B

RGB 37 59 59

HSL 180, 0.23%, 0.19%

LAB 23.13, -8.61, -2.77

 

CMYK 22 / 3 / 0 / 47

HEX #698387

RGB 105 131 135

HSL 188, 0.13%, 0.47%

LAB 52.93, -8.33, -5.24

 

CMYK 23 / 7 / 0 / 47

HEX #687E87

RGB 104 126 135

HSL 197.42, 0.13%, 0.47%

LAB 51.4, -5.83, -7.53

 

CMYK 23 / 11 / 0 / 47

HEX #687887

RGB 104 120 135

HSL 209.03, 0.13%, 0.47%

LAB 49.65, -2.37, -10.15

 

CMYK 23 / 15 / 0 / 47

HEX #687387

RGB 104 115 135

HSL 218.71, 0.13%, 0.47%

LAB 48.2, 0.56, -12.33

 

CMYK 23 / 19 / 0 / 47

HEX #686E87

RGB 104 110 135

HSL 228.39, 0.13%, 0.47%

LAB 46.77, 3.54, -14.5

 

CMYK 22 / 3 / 0 / 47

HEX #698387

RGB 105 131 135

HSL 188, 0.13%, 0.47%

LAB 52.93, -8.33, -5.24

 

CMYK 22 / 3 / 0 / 27

HEX #91B4BA

RGB 145 180 186

HSL 188.78, 0.23%, 0.65%

LAB 71.01, -10.43, -6.96

 

CMYK 22 / 3 / 0 / 7

HEX #B8E6ED

RGB 184 230 237

HSL 187.92, 0.6%, 0.83%

LAB 88.4, -13.24, -8.29

 

CMYK 21 / 3 / 0 / 87

HEX #1A2021

RGB 26 32 33

HSL 188.57, 0.12%, 0.12%

LAB 11.71, -2.45, -1.6

 

CMYK 23 / 2 / 0 / 67

HEX #415254

RGB 65 82 84

HSL 186.32, 0.13%, 0.29%

LAB 33.56, -6.08, -3.37

 

CMYK 22 / 3 / 0 / 47

HEX #698387

RGB 105 131 135

HSL 188, 0.13%, 0.47%

LAB 52.93, -8.33, -5.24

 

CMYK 16 / 23 / 0 / 47

HEX #726887

RGB 114 104 135

HSL 259.35, 0.13%, 0.47%

LAB 45.94, 10.58, -15.67

 

CMYK 0 / 6 / 23 / 47

HEX #877F68

RGB 135 127 104

HSL 44.52, 0.13%, 0.47%

LAB 53.31, -0.95, 13.62

 

CMYK 22 / 3 / 0 / 47

HEX #698387

RGB 105 131 135

HSL 188, 0.13%, 0.47%

LAB 52.93, -8.33, -5.24

 

CMYK 0 / 23 / 3 / 47

HEX #876883

RGB 135 104 131

HSL 307.74, 0.13%, 0.47%

LAB 47.87, 17.26, -10.18

 

CMYK 3 / 0 / 23 / 47

HEX #838768

RGB 131 135 104

HSL 67.74, 0.13%, 0.47%

LAB 55.23, -7.06, 16.22

 

CMYK 22 / 3 / 0 / 47

HEX #698387

RGB 105 131 135

HSL 188, 0.13%, 0.47%

LAB 52.93, -8.33, -5.24

 

CMYK 16 / 23 / 0 / 47

HEX #726887

RGB 114 104 135

HSL 259.35, 0.13%, 0.47%

LAB 45.94, 10.58, -15.67

 

CMYK 0 / 20 / 23 / 47

HEX #876C68

RGB 135 108 104

HSL 7.74, 0.13%, 0.47%

LAB 48.1, 10.04, 6.29

 

CMYK 7 / 0 / 23 / 47

HEX #7D8768

RGB 125 135 104

HSL 79.35, 0.13%, 0.47%

LAB 54.75, -9.45, 15.48

 

CMYK 22 / 3 / 0 / 47

HEX #698387

RGB 105 131 135

HSL 188, 0.13%, 0.47%

LAB 52.93, -8.33, -5.24

 

CMYK 8 / 23 / 0 / 47

HEX #7C6887

RGB 124 104 135

HSL 278.71, 0.13%, 0.47%

LAB 46.89, 14.11, -14.15

 

CMYK 0 / 20 / 23 / 47

HEX #876C68

RGB 135 108 104

HSL 7.74, 0.13%, 0.47%

LAB 48.1, 10.04, 6.29

 

CMYK 15 / 0 / 23 / 47

HEX #738768

RGB 115 135 104

HSL 98.71, 0.13%, 0.47%

LAB 54, -13.35, 14.32

 

Description

Color code: HEX #698387 | qconv.com Color code: HEX #698387 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 131 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 131 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 3 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 3% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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