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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #697299 it is the complementary color #968D66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #697299. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #697299 shade: #6E7294, #7F84A7, #9096BA, #A1A8CD and #B2BAE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #697299. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #697299 shade: #697299, #586086, #474E73, #363C60 and #252A4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #697299 shade: #6A739A, #6E6A9A, #7B6A9A, #886A9A and #956A9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #697299 shade: #6A739A and #6A6A9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #697299 shade matches the following richer shades: #6A739A, #5667AE, #425AC2, #2E4DD6 and #1941EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #697299 shade: #6A739A, #7F8086, #938C71, #A7995D and #BBA649

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #697299 shade: #6A8D9A, #6A809A, #6A749A, #6D6A9A and #7A6A9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #697299 shade: #484E6A, #596082, #6A739A, #838AAB and #9BA1BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #697299 shade: #697299, #9A6A9A and #879A6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #697299 shade: #697299, #9A6A74 and #749A6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #697299 shade: #697299, #9A6A9A, #9A906A and #6A9A6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #697299 shade: #697299, #9A6A8C, #9A906A and #6A9A79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 25 / 0 / 40

HEX #697299

RGB 105 114 153

HSL 228.75, 0.19%, 0.51%

LAB 48.68, 6.14, -22.22

 

Complementary color

CMYK 0 / 6 / 32 / 41

HEX #968D66

RGB 150 141 102

HSL 48.75, 0.19%, 0.49%

LAB 58.5, -2.92, 22.06

 

CMYK 26 / 23 / 0 / 42

HEX #6E7294

RGB 110 114 148

HSL 233.68, 0.15%, 0.51%

LAB 48.87, 6.42, -18.95

 

CMYK 24 / 21 / 0 / 35

HEX #7F84A7

RGB 127 132 167

HSL 232.5, 0.19%, 0.58%

LAB 55.89, 6.06, -19.16

 

CMYK 23 / 19 / 0 / 27

HEX #9096BA

RGB 144 150 186

HSL 231.43, 0.23%, 0.65%

LAB 62.75, 5.74, -19.39

 

CMYK 21 / 18 / 0 / 20

HEX #A1A8CD

RGB 161 168 205

HSL 230.45, 0.31%, 0.72%

LAB 69.46, 5.45, -19.64

 

CMYK 21 / 17 / 0 / 12

HEX #B2BAE0

RGB 178 186 224

HSL 229.57, 0.43%, 0.79%

LAB 76.05, 5.18, -19.92

 

CMYK 31 / 25 / 0 / 40

HEX #697299

RGB 105 114 153

HSL 228.75, 0.19%, 0.51%

LAB 48.68, 6.14, -22.22

 

CMYK 34 / 28 / 0 / 47

HEX #586086

RGB 88 96 134

HSL 229.57, 0.21%, 0.44%

LAB 41.47, 6.62, -22.13

 

CMYK 38 / 32 / 0 / 55

HEX #474E73

RGB 71 78 115

HSL 230.45, 0.24%, 0.36%

LAB 34.04, 7.19, -22.11

 

CMYK 44 / 38 / 0 / 62

HEX #363C60

RGB 54 60 96

HSL 231.43, 0.28%, 0.29%

LAB 26.33, 7.93, -22.17

 

CMYK 52 / 45 / 0 / 70

HEX #252A4D

RGB 37 42 77

HSL 232.5, 0.35%, 0.22%

LAB 18.3, 8.94, -22.36

 

CMYK 31 / 25 / 0 / 40

HEX #6A739A

RGB 106 115 154

HSL 228.75, 0.19%, 0.51%

LAB 49.08, 6.12, -22.19

 

CMYK 29 / 31 / 0 / 40

HEX #6E6A9A

RGB 110 106 154

HSL 245, 0.19%, 0.51%

LAB 46.92, 12.81, -25.5

 

CMYK 20 / 31 / 0 / 40

HEX #7B6A9A

RGB 123 106 154

HSL 261.25, 0.19%, 0.51%

LAB 48.07, 16.97, -23.62

 

CMYK 12 / 31 / 0 / 40

HEX #886A9A

RGB 136 106 154

HSL 277.5, 0.19%, 0.51%

LAB 49.34, 21.28, -21.55

 

CMYK 3 / 31 / 0 / 40

HEX #956A9A

RGB 149 106 154

HSL 293.75, 0.19%, 0.51%

LAB 50.72, 25.69, -19.32

 

CMYK 31 / 25 / 0 / 40

HEX #6A739A

RGB 106 115 154

HSL 228.75, 0.19%, 0.51%

LAB 49.08, 6.12, -22.19

 

CMYK 31 / 31 / 0 / 40

HEX #6A6A9A

RGB 106 106 154

HSL 240, 0.19%, 0.51%

LAB 46.59, 11.56, -26.04

 

CMYK 31 / 25 / 0 / 40

HEX #6A739A

RGB 106 115 154

HSL 228.75, 0.19%, 0.51%

LAB 49.08, 6.12, -22.19

 

CMYK 51 / 41 / 0 / 32

HEX #5667AE

RGB 86 103 174

HSL 228.41, 0.35%, 0.51%

LAB 45.27, 13.86, -39.98

 

CMYK 66 / 54 / 0 / 24

HEX #425AC2

RGB 66 90 194

HSL 228.75, 0.51%, 0.51%

LAB 41.79, 24.89, -57.29

 

CMYK 79 / 64 / 0 / 16

HEX #2E4DD6

RGB 46 77 214

HSL 228.93, 0.67%, 0.51%

LAB 39.15, 37.91, -73.2

 

CMYK 89 / 72 / 0 / 8

HEX #1941EB

RGB 25 65 235

HSL 228.57, 0.84%, 0.51%

LAB 37.82, 51.32, -87.39

 

CMYK 31 / 25 / 0 / 40

HEX #6A739A

RGB 106 115 154

HSL 228.75, 0.19%, 0.51%

LAB 49.08, 6.12, -22.19

 

CMYK 5 / 4 / 0 / 47

HEX #7F8086

RGB 127 128 134

HSL 231.43, 0.03%, 0.51%

LAB 53.68, 0.86, -3.38

 

CMYK 0 / 5 / 23 / 42

HEX #938C71

RGB 147 140 113

HSL 47.65, 0.14%, 0.51%

LAB 58.18, -2.01, 15.39

 

CMYK 0 / 8 / 44 / 35

HEX #A7995D

RGB 167 153 93

HSL 48.65, 0.3%, 0.51%

LAB 63.17, -3.46, 33.32

 

CMYK 0 / 11 / 61 / 27

HEX #BBA649

RGB 187 166 73

HSL 48.95, 0.46%, 0.51%

LAB 68.25, -3.65, 49.81

 

CMYK 31 / 8 / 0 / 40

HEX #6A8D9A

RGB 106 141 154

HSL 196.25, 0.19%, 0.51%

LAB 56.53, -8.93, -10.85

 

CMYK 31 / 17 / 0 / 40

HEX #6A809A

RGB 106 128 154

HSL 212.5, 0.19%, 0.51%

LAB 52.77, -1.54, -16.54

 

CMYK 31 / 25 / 0 / 40

HEX #6A749A

RGB 106 116 154

HSL 227.5, 0.19%, 0.51%

LAB 49.36, 5.52, -21.75

 

CMYK 29 / 31 / 0 / 40

HEX #6D6A9A

RGB 109 106 154

HSL 243.75, 0.19%, 0.51%

LAB 46.83, 12.49, -25.64

 

CMYK 21 / 31 / 0 / 40

HEX #7A6A9A

RGB 122 106 154

HSL 260, 0.19%, 0.51%

LAB 47.98, 16.64, -23.77

 

CMYK 32 / 26 / 0 / 58

HEX #484E6A

RGB 72 78 106

HSL 229.41, 0.19%, 0.35%

LAB 33.7, 4.86, -16.98

 

CMYK 32 / 26 / 0 / 49

HEX #596082

RGB 89 96 130

HSL 229.76, 0.19%, 0.43%

LAB 41.38, 5.81, -19.85

 

CMYK 31 / 25 / 0 / 40

HEX #6A739A

RGB 106 115 154

HSL 228.75, 0.19%, 0.51%

LAB 49.08, 6.12, -22.19

 

CMYK 23 / 19 / 0 / 33

HEX #838AAB

RGB 131 138 171

HSL 229.5, 0.19%, 0.59%

LAB 57.98, 4.85, -18.24

 

CMYK 17 / 14 / 0 / 27

HEX #9BA1BB

RGB 155 161 187

HSL 228.75, 0.19%, 0.67%

LAB 66.56, 3.33, -14.11

 

CMYK 31 / 25 / 0 / 40

HEX #697299

RGB 105 114 153

HSL 228.75, 0.19%, 0.51%

LAB 48.68, 6.14, -22.22

 

CMYK 0 / 31 / 0 / 40

HEX #9A6A9A

RGB 154 106 154

HSL 300, 0.19%, 0.51%

LAB 51.28, 27.4, -18.42

 

CMYK 12 / 0 / 31 / 40

HEX #879A6A

RGB 135 154 106

HSL 83.75, 0.19%, 0.51%

LAB 61.05, -15.42, 23.04

 

CMYK 31 / 25 / 0 / 40

HEX #697299

RGB 105 114 153

HSL 228.75, 0.19%, 0.51%

LAB 48.68, 6.14, -22.22

 

CMYK 0 / 31 / 25 / 40

HEX #9A6A74

RGB 154 106 116

HSL 347.5, 0.19%, 0.51%

LAB 50.02, 20.69, 2.19

 

CMYK 25 / 0 / 31 / 40

HEX #749A6A

RGB 116 154 106

HSL 107.5, 0.19%, 0.51%

LAB 59.77, -22.59, 21.09

 

CMYK 31 / 25 / 0 / 40

HEX #697299

RGB 105 114 153

HSL 228.75, 0.19%, 0.51%

LAB 48.68, 6.14, -22.22

 

CMYK 0 / 31 / 0 / 40

HEX #9A6A9A

RGB 154 106 154

HSL 300, 0.19%, 0.51%

LAB 51.28, 27.4, -18.42

 

CMYK 0 / 6 / 31 / 40

HEX #9A906A

RGB 154 144 106

HSL 47.5, 0.19%, 0.51%

LAB 59.76, -2.39, 21.58

 

CMYK 31 / 0 / 31 / 40

HEX #6A9A6A

RGB 106 154 106

HSL 120, 0.19%, 0.51%

LAB 59.17, -26.13, 20.19

 

CMYK 31 / 25 / 0 / 40

HEX #697299

RGB 105 114 153

HSL 228.75, 0.19%, 0.51%

LAB 48.68, 6.14, -22.22

 

CMYK 0 / 31 / 9 / 40

HEX #9A6A8C

RGB 154 106 140

HSL 317.5, 0.19%, 0.51%

LAB 50.77, 24.74, -10.94

 

CMYK 0 / 6 / 31 / 40

HEX #9A906A

RGB 154 144 106

HSL 47.5, 0.19%, 0.51%

LAB 59.76, -2.39, 21.58

 

CMYK 31 / 0 / 21 / 40

HEX #6A9A79

RGB 106 154 121

HSL 138.75, 0.19%, 0.51%

LAB 59.49, -23.33, 12.25

 

Description

Color code: HEX #697299 | qconv.com Color code: HEX #697299 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 114 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 114 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 25 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 25% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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