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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69488D it is the complementary color #96B772. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69488D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #69488D: #6E4888, #7F5A9B, #906CAE, #A17EC1 and #B290D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69488D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #69488D: #69488D, #58367A, #472467, #361254 and #250041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 49 / 0 / 45

HEX #69488D

RGB 105 72 141

HSL 268.7, 0.32%, 0.42%

LAB 37.04, 28.66, -33.2

 

Complementary color

CMYK 18 / 0 / 38 / 28

HEX #96B772

RGB 150 183 114

HSL 88.7, 0.32%, 0.58%

LAB 70.57, -23.34, 31.5

 

CMYK 19 / 47 / 0 / 47

HEX #6E4888

RGB 110 72 136

HSL 275.63, 0.31%, 0.41%

LAB 37.35, 28.93, -29.62

 

CMYK 18 / 42 / 0 / 39

HEX #7F5A9B

RGB 127 90 155

HSL 274.15, 0.27%, 0.48%

LAB 44.51, 28.05, -29.73

 

CMYK 17 / 38 / 0 / 32

HEX #906CAE

RGB 144 108 174

HSL 272.73, 0.29%, 0.55%

LAB 51.51, 27.24, -29.84

 

CMYK 17 / 35 / 0 / 24

HEX #A17EC1

RGB 161 126 193

HSL 271.34, 0.35%, 0.63%

LAB 58.37, 26.51, -29.96

 

CMYK 16 / 32 / 0 / 17

HEX #B290D4

RGB 178 144 212

HSL 270, 0.44%, 0.7%

LAB 65.09, 25.83, -30.09

 

CMYK 26 / 49 / 0 / 45

HEX #69488D

RGB 105 72 141

HSL 268.7, 0.32%, 0.42%

LAB 37.04, 28.66, -33.2

 

CMYK 28 / 56 / 0 / 52

HEX #58367A

RGB 88 54 122

HSL 270, 0.39%, 0.35%

LAB 29.71, 29.66, -33.2

 

CMYK 31 / 65 / 0 / 60

HEX #472467

RGB 71 36 103

HSL 271.34, 0.48%, 0.27%

LAB 22.23, 30.65, -33.12

 

CMYK 36 / 79 / 0 / 67

HEX #361254

RGB 54 18 84

HSL 272.73, 0.65%, 0.2%

LAB 14.72, 31.33, -32.75

 

CMYK 43 / 100 / 0 / 75

HEX #250041

RGB 37 0 65

HSL 274.15, 1%, 0.13%

LAB 7, 32.06, -32.25

 

CMYK 26 / 49 / 0 / 45

HEX #69488D

RGB 105 72 141

HSL 268.7, 0.32%, 0.42%

LAB 37.04, 28.66, -33.2

 

CMYK 18 / 49 / 0 / 45

HEX #74488D

RGB 116 72 141

HSL 278.26, 0.32%, 0.42%

LAB 38.32, 31.95, -31.09

 

CMYK 10 / 49 / 0 / 45

HEX #7F488D

RGB 127 72 141

HSL 287.83, 0.32%, 0.42%

LAB 39.7, 35.29, -28.84

 

CMYK 1 / 49 / 0 / 45

HEX #8B488D

RGB 139 72 141

HSL 298.26, 0.32%, 0.42%

LAB 41.29, 38.98, -26.23

 

CMYK 0 / 49 / 6 / 45

HEX #8D4884

RGB 141 72 132

HSL 307.83, 0.32%, 0.42%

LAB 41.16, 37.9, -20.94

 

CMYK 26 / 49 / 0 / 45

HEX #69488D

RGB 105 72 141

HSL 268.7, 0.32%, 0.42%

LAB 37.04, 28.66, -33.2

 

CMYK 26 / 49 / 0 / 25

HEX #8F62C0

RGB 143 98 192

HSL 268.72, 0.43%, 0.57%

LAB 49.95, 36.97, -42.7

 

CMYK 26 / 49 / 0 / 5

HEX #B57CF3

RGB 181 124 243

HSL 268.74, 0.83%, 0.72%

LAB 62.26, 44.83, -51.7

 

CMYK 26 / 49 / 0 / 85

HEX #1D1427

RGB 29 20 39

HSL 268.42, 0.32%, 0.12%

LAB 8.2, 9.57, -11.36

 

CMYK 26 / 49 / 0 / 65

HEX #432E5A

RGB 67 46 90

HSL 268.64, 0.32%, 0.27%

LAB 23.29, 19.7, -22.95

 

CMYK 26 / 49 / 0 / 45

HEX #69488D

RGB 105 72 141

HSL 268.7, 0.32%, 0.42%

LAB 37.04, 28.66, -33.2

 

CMYK 0 / 49 / 33 / 45

HEX #8D485F

RGB 141 72 95

HSL 340, 0.32%, 0.42%

LAB 39.79, 31.92, -0.14

 

CMYK 49 / 0 / 45 / 45

HEX #488D4D

RGB 72 141 77

HSL 124.35, 0.32%, 0.42%

LAB 52.91, -35.91, 27.52

 

CMYK 26 / 49 / 0 / 45

HEX #69488D

RGB 105 72 141

HSL 268.7, 0.32%, 0.42%

LAB 37.04, 28.66, -33.2

 

CMYK 0 / 26 / 49 / 45

HEX #8D6848

RGB 141 104 72

HSL 27.83, 0.32%, 0.42%

LAB 47.02, 10.67, 23.77

 

CMYK 49 / 0 / 26 / 45

HEX #488D68

RGB 72 141 104

HSL 147.83, 0.32%, 0.42%

LAB 53.41, -30.83, 13.14

 

CMYK 26 / 49 / 0 / 45

HEX #69488D

RGB 105 72 141

HSL 268.7, 0.32%, 0.42%

LAB 37.04, 28.66, -33.2

 

CMYK 0 / 49 / 33 / 45

HEX #8D485F

RGB 141 72 95

HSL 340, 0.32%, 0.42%

LAB 39.79, 31.92, -0.14

 

CMYK 23 / 0 / 49 / 45

HEX #6D8D48

RGB 109 141 72

HSL 87.83, 0.32%, 0.42%

LAB 54.83, -23.6, 33.02

 

CMYK 49 / 0 / 16 / 45

HEX #488D76

RGB 72 141 118

HSL 160, 0.32%, 0.42%

LAB 53.75, -27.65, 5.58

 

CMYK 26 / 49 / 0 / 45

HEX #69488D

RGB 105 72 141

HSL 268.7, 0.32%, 0.42%

LAB 37.04, 28.66, -33.2

 

CMYK 0 / 49 / 47 / 45

HEX #8D484B

RGB 141 72 75

HSL 357.39, 0.32%, 0.42%

LAB 39.25, 29.46, 11.58

 

CMYK 23 / 0 / 49 / 45

HEX #6D8D48

RGB 109 141 72

HSL 87.83, 0.32%, 0.42%

LAB 54.83, -23.6, 33.02

 

CMYK 49 / 0 / 1 / 45

HEX #488D8B

RGB 72 141 139

HSL 178.26, 0.32%, 0.42%

LAB 54.33, -22.24, -5.67

 

Description

Color code: HEX #69488D | qconv.com Color code: HEX #69488D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 72 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 72 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 49 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 49% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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