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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #690EB8 it is the complementary color #96F147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #690EB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #690EB8 shade: #6E0EB3, #7F20C6, #9032D9, #A144EC and #B256FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #690EB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #690EB8 shade: #690EB8, #5800A5, #470092, #36007F and #25006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #690EB8 shade: #690EB9, #980EB9, #B90EAC, #B90E7E and #B90E50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #690EB8 shade: #690EB9, #3B0EB9 and #0E0EB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #690EB8 shade matches the following richer shades: #690EB9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #690EB8 shade: #690EB9, #681EA9, #672E99, #663E89 and #654E79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #690EB8 shade: #0E0EB9, #3C0EB9, #690EB9, #970EB9 and #B90EAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #690EB8 shade: #3E086C, #540B93, #690EB9, #7F11DF and #942AEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #690EB8 shade: #690EB8, #B90E3C and #0EB925

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #690EB8 shade: #690EB8, #B9690E and #0EB969

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #690EB8 shade: #690EB8, #B90E3C, #5EB90E and #0EB98B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #690EB8 shade: #690EB8, #B9140E, #5EB90E and #0EB3B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 92 / 0 / 28

HEX #690EB8

RGB 105 14 184

HSL 272.12, 0.86%, 0.39%

LAB 31.3, 64.13, -68.4

 

Complementary color

CMYK 38 / 0 / 71 / 5

HEX #96F147

RGB 150 241 71

HSL 92.12, 0.86%, 0.61%

LAB 86.92, -53.44, 69.63

 

CMYK 39 / 92 / 0 / 30

HEX #6E0EB3

RGB 110 14 179

HSL 274.91, 0.85%, 0.38%

LAB 31.54, 63.62, -65

 

CMYK 36 / 84 / 0 / 22

HEX #7F20C6

RGB 127 32 198

HSL 274.34, 0.72%, 0.45%

LAB 37.16, 65.58, -66.91

 

CMYK 34 / 77 / 0 / 15

HEX #9032D9

RGB 144 50 217

HSL 273.77, 0.69%, 0.52%

LAB 43.09, 66.36, -68.12

 

CMYK 32 / 71 / 0 / 7

HEX #A144EC

RGB 161 68 236

HSL 273.21, 0.82%, 0.6%

LAB 49.21, 66.4, -68.86

 

CMYK 30 / 66 / 0 / 0

HEX #B256FF

RGB 178 86 255

HSL 272.66, 1%, 0.67%

LAB 55.42, 66.02, -69.31

 

CMYK 43 / 92 / 0 / 28

HEX #690EB8

RGB 105 14 184

HSL 272.12, 0.86%, 0.39%

LAB 31.3, 64.13, -68.4

 

CMYK 47 / 100 / 0 / 35

HEX #5800A5

RGB 88 0 165

HSL 272, 1%, 0.32%

LAB 26.13, 60.69, -65.59

 

CMYK 51 / 100 / 0 / 43

HEX #470092

RGB 71 0 146

HSL 269.18, 1%, 0.29%

LAB 21.63, 54.94, -61.45

 

CMYK 57 / 100 / 0 / 50

HEX #36007F

RGB 54 0 127

HSL 265.51, 1%, 0.25%

LAB 17.07, 49.11, -57.14

 

CMYK 66 / 100 / 0 / 58

HEX #25006C

RGB 37 0 108

HSL 260.56, 1%, 0.21%

LAB 12.45, 43.22, -52.58

 

CMYK 43 / 92 / 0 / 27

HEX #690EB9

RGB 105 14 185

HSL 271.93, 0.86%, 0.39%

LAB 31.39, 64.35, -68.83

 

CMYK 18 / 92 / 0 / 27

HEX #980EB9

RGB 152 14 185

HSL 288.42, 0.86%, 0.39%

LAB 38.71, 70.53, -56.57

 

CMYK 0 / 92 / 7 / 27

HEX #B90EAC

RGB 185 14 172

HSL 304.56, 0.86%, 0.39%

LAB 43.66, 73.97, -40.61

 

CMYK 0 / 92 / 32 / 27

HEX #B90E7E

RGB 185 14 126

HSL 320.7, 0.86%, 0.39%

LAB 41.43, 68.18, -16.21

 

CMYK 0 / 92 / 57 / 27

HEX #B90E50

RGB 185 14 80

HSL 336.84, 0.86%, 0.39%

LAB 39.93, 64.11, 10.57

 

CMYK 43 / 92 / 0 / 27

HEX #690EB9

RGB 105 14 185

HSL 271.93, 0.86%, 0.39%

LAB 31.39, 64.35, -68.83

 

CMYK 68 / 92 / 0 / 27

HEX #3B0EB9

RGB 59 14 185

HSL 255.79, 0.86%, 0.39%

LAB 26, 60.52, -77.93

 

CMYK 92 / 92 / 0 / 27

HEX #0E0EB9

RGB 14 14 185

HSL 240, 0.86%, 0.39%

LAB 23.37, 58.99, -82.38

 

CMYK 43 / 92 / 0 / 27

HEX #690EB9

RGB 105 14 185

HSL 271.93, 0.86%, 0.39%

LAB 31.39, 64.35, -68.83

 

CMYK 43 / 92 / 0 / 27

HEX #690EB9

RGB 105 14 185

HSL 271.93, 0.86%, 0.39%

LAB 31.39, 64.35, -68.83

 

CMYK 38 / 82 / 0 / 34

HEX #681EA9

RGB 104 30 169

HSL 271.94, 0.7%, 0.39%

LAB 31.2, 56.36, -59.6

 

CMYK 33 / 70 / 0 / 40

HEX #672E99

RGB 103 46 153

HSL 271.96, 0.54%, 0.39%

LAB 32.12, 45.64, -48.42

 

CMYK 26 / 55 / 0 / 46

HEX #663E89

RGB 102 62 137

HSL 272, 0.38%, 0.39%

LAB 34.14, 32.72, -35.37

 

CMYK 17 / 36 / 0 / 53

HEX #654E79

RGB 101 78 121

HSL 272.09, 0.22%, 0.39%

LAB 37.11, 18.69, -20.85

 

CMYK 92 / 92 / 0 / 27

HEX #0E0EB9

RGB 14 14 185

HSL 240, 0.86%, 0.39%

LAB 23.37, 58.99, -82.38

 

CMYK 68 / 92 / 0 / 27

HEX #3C0EB9

RGB 60 14 185

HSL 256.14, 0.86%, 0.39%

LAB 26.09, 60.58, -77.77

 

CMYK 43 / 92 / 0 / 27

HEX #690EB9

RGB 105 14 185

HSL 271.93, 0.86%, 0.39%

LAB 31.39, 64.35, -68.83

 

CMYK 18 / 92 / 0 / 27

HEX #970EB9

RGB 151 14 185

HSL 288.07, 0.86%, 0.39%

LAB 38.54, 70.38, -56.85

 

CMYK 0 / 92 / 6 / 27

HEX #B90EAE

RGB 185 14 174

HSL 303.86, 0.86%, 0.39%

LAB 43.78, 74.26, -41.62

 

CMYK 43 / 93 / 0 / 58

HEX #3E086C

RGB 62 8 108

HSL 272.4, 0.86%, 0.23%

LAB 16.9, 42.77, -45.12

 

CMYK 43 / 93 / 0 / 42

HEX #540B93

RGB 84 11 147

HSL 272.21, 0.86%, 0.31%

LAB 24.42, 54.03, -57.41

 

CMYK 43 / 92 / 0 / 27

HEX #690EB9

RGB 105 14 185

HSL 271.93, 0.86%, 0.39%

LAB 31.39, 64.35, -68.83

 

CMYK 43 / 92 / 0 / 13

HEX #7F11DF

RGB 127 17 223

HSL 272.04, 0.86%, 0.47%

LAB 38.27, 74.33, -79.55

 

CMYK 38 / 82 / 0 / 6

HEX #942AEF

RGB 148 42 239

HSL 272.28, 0.86%, 0.55%

LAB 44.5, 74.38, -78.32

 

CMYK 43 / 92 / 0 / 28

HEX #690EB8

RGB 105 14 184

HSL 272.12, 0.86%, 0.39%

LAB 31.3, 64.13, -68.4

 

CMYK 0 / 92 / 68 / 27

HEX #B90E3C

RGB 185 14 60

HSL 343.86, 0.86%, 0.39%

LAB 39.5, 62.94, 22.75

 

CMYK 92 / 0 / 80 / 27

HEX #0EB925

RGB 14 185 37

HSL 128.07, 0.86%, 0.39%

LAB 65.69, -65.71, 58.68

 

CMYK 43 / 92 / 0 / 28

HEX #690EB8

RGB 105 14 184

HSL 272.12, 0.86%, 0.39%

LAB 31.3, 64.13, -68.4

 

CMYK 0 / 43 / 92 / 27

HEX #B9690E

RGB 185 105 14

HSL 31.93, 0.86%, 0.39%

LAB 52.34, 26.37, 57.17

 

CMYK 92 / 0 / 43 / 27

HEX #0EB969

RGB 14 185 105

HSL 151.93, 0.86%, 0.39%

LAB 66.38, -57.28, 29.84

 

CMYK 43 / 92 / 0 / 28

HEX #690EB8

RGB 105 14 184

HSL 272.12, 0.86%, 0.39%

LAB 31.3, 64.13, -68.4

 

CMYK 0 / 92 / 68 / 27

HEX #B90E3C

RGB 185 14 60

HSL 343.86, 0.86%, 0.39%

LAB 39.5, 62.94, 22.75

 

CMYK 49 / 0 / 92 / 27

HEX #5EB90E

RGB 94 185 14

HSL 91.93, 0.86%, 0.39%

LAB 67.36, -52.1, 65.89

 

CMYK 92 / 0 / 25 / 27

HEX #0EB98B

RGB 14 185 139

HSL 163.86, 0.86%, 0.39%

LAB 67.02, -49.96, 12.51

 

CMYK 43 / 92 / 0 / 28

HEX #690EB8

RGB 105 14 184

HSL 272.12, 0.86%, 0.39%

LAB 31.3, 64.13, -68.4

 

CMYK 0 / 89 / 92 / 27

HEX #B9140E

RGB 185 20 14

HSL 2.11, 0.86%, 0.39%

LAB 39.32, 60.61, 48.11

 

CMYK 49 / 0 / 92 / 27

HEX #5EB90E

RGB 94 185 14

HSL 91.93, 0.86%, 0.39%

LAB 67.36, -52.1, 65.89

 

CMYK 92 / 3 / 0 / 27

HEX #0EB3B9

RGB 14 179 185

HSL 182.11, 0.86%, 0.39%

LAB 66.39, -34.54, -13.76

 

Description

Color code: HEX #690EB8 | qconv.com Color code: HEX #690EB8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 14 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 14 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 92 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 92% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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