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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 30 / 66 / 0 / 0 it is the complementary color CMYK 55 / 0 / 100 / 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 30 / 66 / 0 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 30 / 66 / 0 / 0: CMYK 26 / 65 / 0 / 2, CMYK 21 / 59 / 0 / 0, CMYK 15 / 52 / 0 / 0, CMYK 8 / 45 / 0 / 0 and CMYK 1 / 38 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 30 / 66 / 0 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 30 / 66 / 0 / 0: CMYK 30 / 66 / 0 / 0, CMYK 31 / 71 / 0 / 7, CMYK 33 / 76 / 0 / 15, CMYK 35 / 83 / 0 / 22 and CMYK 38 / 92 / 0 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 66 / 0 / 0

HEX #B357FF

RGB 179 87 255

HSL 272.86, 1%, 0.67%

LAB 55.71, 65.77, -68.85

 

Complementary color

CMYK 55 / 0 / 100 / 34

HEX #4CA800

RGB 76 168 0

HSL 92.86, 1%, 0.33%

LAB 61.26, -51.38, 62.52

 

CMYK 26 / 65 / 0 / 2

HEX #B857FA

RGB 184 87 250

HSL 275.71, 0.94%, 0.66%

LAB 56, 65.7, -65.58

 

CMYK 21 / 59 / 0 / 0

HEX #C969FF

RGB 201 105 255

HSL 278.4, 1%, 0.71%

LAB 61.43, 62.17, -59.51

 

CMYK 15 / 52 / 0 / 0

HEX #DA7BFF

RGB 218 123 255

HSL 283.18, 1%, 0.74%

LAB 66.74, 57.59, -50.94

 

CMYK 8 / 45 / 0 / 0

HEX #EB8DFF

RGB 235 141 255

HSL 289.47, 1%, 0.78%

LAB 72.18, 53.15, -42.26

 

CMYK 1 / 38 / 0 / 0

HEX #FC9FFF

RGB 252 159 255

HSL 298.13, 1%, 0.81%

LAB 77.7, 48.91, -33.53

 

CMYK 30 / 66 / 0 / 0

HEX #B357FF

RGB 179 87 255

HSL 272.86, 1%, 0.67%

LAB 55.71, 65.77, -68.85

 

CMYK 31 / 71 / 0 / 7

HEX #A245EC

RGB 162 69 236

HSL 273.41, 0.81%, 0.6%

LAB 49.49, 66.17, -68.41

 

CMYK 33 / 76 / 0 / 15

HEX #9133D9

RGB 145 51 217

HSL 273.98, 0.69%, 0.53%

LAB 43.36, 66.15, -67.68

 

CMYK 35 / 83 / 0 / 22

HEX #8021C6

RGB 128 33 198

HSL 274.55, 0.71%, 0.45%

LAB 37.4, 65.43, -66.51

 

CMYK 38 / 92 / 0 / 30

HEX #6F0FB3

RGB 111 15 179

HSL 275.12, 0.85%, 0.38%

LAB 31.75, 63.55, -64.64

 

CMYK 30 / 66 / 0 / 0

HEX #B357FF

RGB 179 87 255

HSL 272.86, 1%, 0.67%

LAB 55.71, 65.77, -68.85

 

CMYK 20 / 66 / 0 / 0

HEX #CC56FF

RGB 204 86 255

HSL 281.89, 1%, 0.67%

LAB 58.71, 71.34, -63.85

 

CMYK 9 / 66 / 0 / 0

HEX #E856FF

RGB 232 86 255

HSL 291.83, 1%, 0.67%

LAB 62.53, 77.28, -57.51

 

CMYK 0 / 66 / 2 / 0

HEX #FF56F9

RGB 255 86 249

HSL 302.13, 1%, 0.67%

LAB 65.56, 81.31, -49.2

 

CMYK 0 / 66 / 13 / 0

HEX #FF56DD

RGB 255 86 221

HSL 312.07, 1%, 0.67%

LAB 64.27, 77.17, -35.66

 

CMYK 30 / 66 / 0 / 0

HEX #B357FF

RGB 179 87 255

HSL 272.86, 1%, 0.67%

LAB 55.71, 65.77, -68.85

 

CMYK 29 / 67 / 0 / 80

HEX #241133

RGB 36 17 51

HSL 273.53, 0.5%, 0.13%

LAB 9.12, 17.87, -18.72

 

CMYK 29 / 66 / 0 / 60

HEX #482366

RGB 72 35 102

HSL 273.13, 0.49%, 0.27%

LAB 22.09, 31.23, -32.7

 

CMYK 30 / 66 / 0 / 40

HEX #6B3499

RGB 107 52 153

HSL 272.67, 0.49%, 0.4%

LAB 33.74, 43.51, -45.78

 

CMYK 30 / 66 / 0 / 20

HEX #8F46CC

RGB 143 70 204

HSL 272.69, 0.57%, 0.54%

LAB 45.05, 54.69, -57.47

 

CMYK 30 / 66 / 0 / 0

HEX #B357FF

RGB 179 87 255

HSL 272.86, 1%, 0.67%

LAB 55.71, 65.77, -68.85

 

CMYK 0 / 66 / 49 / 0

HEX #FF5683

RGB 255 86 131

HSL 344.02, 1%, 0.67%

LAB 61.27, 66.95, 11.39

 

CMYK 66 / 0 / 57 / 0

HEX #56FF6D

RGB 86 255 109

HSL 128.17, 1%, 0.67%

LAB 89.21, -71.56, 56.31

 

CMYK 30 / 66 / 0 / 0

HEX #B357FF

RGB 179 87 255

HSL 272.86, 1%, 0.67%

LAB 55.71, 65.77, -68.85

 

CMYK 0 / 31 / 66 / 0

HEX #FFB056

RGB 255 176 86

HSL 31.95, 1%, 0.67%

LAB 77.86, 20.59, 56.41

 

CMYK 66 / 0 / 31 / 0

HEX #56FFB0

RGB 86 255 176

HSL 151.95, 1%, 0.67%

LAB 90.15, -60.95, 25.33

 

CMYK 30 / 66 / 0 / 0

HEX #B357FF

RGB 179 87 255

HSL 272.86, 1%, 0.67%

LAB 55.71, 65.77, -68.85

 

CMYK 0 / 66 / 49 / 0

HEX #FF5683

RGB 255 86 131

HSL 344.02, 1%, 0.67%

LAB 61.27, 66.95, 11.39

 

CMYK 35 / 0 / 66 / 0

HEX #A5FF56

RGB 165 255 86

HSL 91.95, 1%, 0.67%

LAB 91.77, -53.1, 69.36

 

CMYK 66 / 0 / 18 / 0

HEX #56FFD2

RGB 86 255 210

HSL 164.02, 1%, 0.67%

LAB 90.85, -53.64, 8.89

 

CMYK 30 / 66 / 0 / 0

HEX #B357FF

RGB 179 87 255

HSL 272.86, 1%, 0.67%

LAB 55.71, 65.77, -68.85

 

CMYK 0 / 64 / 66 / 0

HEX #FF5C56

RGB 255 92 86

HSL 2.13, 1%, 0.67%

LAB 61.3, 61.51, 37.24

 

CMYK 35 / 0 / 66 / 0

HEX #A5FF56

RGB 165 255 86

HSL 91.95, 1%, 0.67%

LAB 91.77, -53.1, 69.36

 

CMYK 66 / 2 / 0 / 0

HEX #56F9FF

RGB 86 249 255

HSL 182.13, 1%, 0.67%

LAB 90.3, -39.61, -15.27

 

Description

Color code: CMYK 30 / 66 / 0 / 0 | qconv.com Color code: CMYK 30 / 66 / 0 / 0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 87 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 87 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 66 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 66% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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