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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #690BEE it is the complementary color #96F411. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #690BEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #690BEE: #6E0BE9, #7F1DFC, #902FFF, #A141FF and #B253FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #690BEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #690BEE: #690BEE, #5800DB, #4700C8, #3600B5 and #2500A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 95 / 0 / 7

HEX #690BEE

RGB 105 11 238

HSL 264.85, 0.91%, 0.49%

LAB 36.77, 76.61, -90.66

 

Complementary color

CMYK 39 / 0 / 93 / 4

HEX #96F411

RGB 150 244 17

HSL 84.85, 0.91%, 0.51%

LAB 87.59, -56.75, 82.98

 

CMYK 53 / 95 / 0 / 9

HEX #6E0BE9

RGB 110 11 233

HSL 266.76, 0.91%, 0.48%

LAB 36.81, 75.86, -87.74

 

CMYK 50 / 88 / 0 / 1

HEX #7F1DFC

RGB 127 29 252

HSL 266.37, 0.97%, 0.55%

LAB 41.87, 78.26, -90.03

 

CMYK 44 / 82 / 0 / 0

HEX #902FFF

RGB 144 47 255

HSL 267.98, 1%, 0.59%

LAB 45.88, 75.83, -85.04

 

CMYK 37 / 75 / 0 / 0

HEX #A141FF

RGB 161 65 255

HSL 270.32, 1%, 0.63%

LAB 50.19, 71.84, -77.9

 

CMYK 30 / 67 / 0 / 0

HEX #B253FF

RGB 178 83 255

HSL 273.14, 1%, 0.66%

LAB 54.94, 67.36, -70.09

 

CMYK 56 / 95 / 0 / 7

HEX #690BEE

RGB 105 11 238

HSL 264.85, 0.91%, 0.49%

LAB 36.77, 76.61, -90.66

 

CMYK 60 / 100 / 0 / 14

HEX #5800DB

RGB 88 0 219

HSL 264.11, 1%, 0.43%

LAB 32.23, 72.76, -87.39

 

CMYK 65 / 100 / 0 / 22

HEX #4700C8

RGB 71 0 200

HSL 261.3, 1%, 0.39%

LAB 28.14, 67.51, -83.2

 

CMYK 70 / 100 / 0 / 29

HEX #3600B5

RGB 54 0 181

HSL 257.9, 1%, 0.35%

LAB 24.07, 62.25, -78.78

 

CMYK 77 / 100 / 0 / 36

HEX #2500A2

RGB 37 0 162

HSL 253.7, 1%, 0.32%

LAB 20.05, 56.99, -74.03

 

CMYK 56 / 95 / 0 / 7

HEX #690BEE

RGB 105 11 238

HSL 264.85, 0.91%, 0.49%

LAB 36.77, 76.61, -90.66

 

CMYK 41 / 95 / 0 / 7

HEX #8C0BEE

RGB 140 11 238

HSL 274.1, 0.91%, 0.49%

LAB 41.2, 79.56, -83.21

 

CMYK 25 / 95 / 0 / 7

HEX #B20BEE

RGB 178 11 238

HSL 284.14, 0.91%, 0.49%

LAB 46.81, 83.88, -73.79

 

CMYK 10 / 95 / 0 / 7

HEX #D70BEE

RGB 215 11 238

HSL 293.92, 0.91%, 0.49%

LAB 52.8, 89.01, -63.81

 

CMYK 0 / 95 / 6 / 7

HEX #EE0BDF

RGB 238 11 223

HSL 303.96, 0.91%, 0.49%

LAB 55.83, 90.48, -50.26

 

CMYK 56 / 95 / 0 / 7

HEX #690BEE

RGB 105 11 238

HSL 264.85, 0.91%, 0.49%

LAB 36.77, 76.61, -90.66

 

CMYK 56 / 94 / 0 / 87

HEX #0F0222

RGB 15 2 34

HSL 264.38, 0.89%, 0.07%

LAB 2.35, 10.65, -16.69

 

CMYK 55 / 95 / 0 / 67

HEX #260455

RGB 38 4 85

HSL 265.19, 0.91%, 0.17%

LAB 10.22, 35.33, -40.89

 

CMYK 56 / 96 / 0 / 47

HEX #3C0688

RGB 60 6 136

HSL 264.92, 0.92%, 0.28%

LAB 19.51, 50.07, -58.76

 

CMYK 56 / 95 / 0 / 27

HEX #5309BB

RGB 83 9 187

HSL 264.94, 0.91%, 0.38%

LAB 28.44, 63.63, -74.99

 

CMYK 56 / 95 / 0 / 7

HEX #690BEE

RGB 105 11 238

HSL 264.85, 0.91%, 0.49%

LAB 36.77, 76.61, -90.66

 

CMYK 0 / 95 / 57 / 7

HEX #EE0B66

RGB 238 11 102

HSL 335.95, 0.91%, 0.49%

LAB 51.12, 78.3, 14.02

 

CMYK 95 / 0 / 95 / 7

HEX #0BEE0B

RGB 11 238 11

HSL 120, 0.91%, 0.49%

LAB 82.51, -81.28, 78.08

 

CMYK 56 / 95 / 0 / 7

HEX #690BEE

RGB 105 11 238

HSL 264.85, 0.91%, 0.49%

LAB 36.77, 76.61, -90.66

 

CMYK 0 / 57 / 95 / 7

HEX #EE660B

RGB 238 102 11

HSL 24.05, 0.91%, 0.49%

LAB 59.62, 48.97, 66.48

 

CMYK 95 / 0 / 57 / 7

HEX #0BEE66

RGB 11 238 102

HSL 144.05, 0.91%, 0.49%

LAB 83.01, -74.95, 51.89

 

CMYK 56 / 95 / 0 / 7

HEX #690BEE

RGB 105 11 238

HSL 264.85, 0.91%, 0.49%

LAB 36.77, 76.61, -90.66

 

CMYK 0 / 95 / 57 / 7

HEX #EE0B66

RGB 238 11 102

HSL 335.95, 0.91%, 0.49%

LAB 51.12, 78.3, 14.02

 

CMYK 38 / 0 / 95 / 7

HEX #93EE0B

RGB 147 238 11

HSL 84.05, 0.91%, 0.49%

LAB 85.69, -55.49, 81.98

 

CMYK 95 / 0 / 38 / 7

HEX #0BEE93

RGB 11 238 147

HSL 155.95, 0.91%, 0.49%

LAB 83.61, -67.68, 31.02

 

CMYK 56 / 95 / 0 / 7

HEX #690BEE

RGB 105 11 238

HSL 264.85, 0.91%, 0.49%

LAB 36.77, 76.61, -90.66

 

CMYK 0 / 95 / 86 / 7

HEX #EE0B21

RGB 238 11 33

HSL 354.19, 0.91%, 0.49%

LAB 50.13, 75.57, 52.71

 

CMYK 38 / 0 / 95 / 7

HEX #93EE0B

RGB 147 238 11

HSL 84.05, 0.91%, 0.49%

LAB 85.69, -55.49, 81.98

 

CMYK 95 / 0 / 10 / 7

HEX #0BEED7

RGB 11 238 215

HSL 173.92, 0.91%, 0.49%

LAB 85.06, -51.84, -2.22

 

Description

Color code: HEX #690BEE | qconv.com Color code: HEX #690BEE | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 11 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 11 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 95 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 95% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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