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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68D54B it is the complementary color #972AB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68D54B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68D54B shade: #6DD546, #7EE759, #8FF96C, #A0FF7F and #B1FF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68D54B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68D54B shade: #68D54B, #57C338, #46B125, #359F12 and #248D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68D54B shade: #66D449, #8CD449, #B2D449, #D4D249 and #D4AC49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68D54B shade: #66D449, #49D452, #49D477, #49D49D and #49D4C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68D54B shade matches the following richer shades: #66D449, #5CE737 and #51F925

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68D54B shade: #66D449, #71C25B, #7CB06E, #869E80 and #918C92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68D54B shade: #B2D449, #8CD449, #67D449, #49D450 and #49D475

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68D54B shade: #41A427, #4EC62E, #66D449, #83DC6B and #9FE48C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68D54B shade: #68D54B, #49D4D2 and #D4499F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68D54B shade: #68D54B, #4967D4 and #D44967

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68D54B shade: #68D54B, #49D4D2, #B649D4 and #D4494C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68D54B shade: #68D54B, #49ADD4, #B649D4 and #D47149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 65 / 16

HEX #68D54B

RGB 104 213 75

HSL 107.39, 0.62%, 0.56%

LAB 76.7, -56.25, 56.8

 

Complementary color

CMYK 16 / 77 / 0 / 29

HEX #972AB4

RGB 151 42 180

HSL 287.39, 0.62%, 0.44%

LAB 40.46, 62.83, -50.8

 

CMYK 49 / 0 / 67 / 16

HEX #6DD546

RGB 109 213 70

HSL 103.64, 0.63%, 0.55%

LAB 76.85, -55.28, 59.02

 

CMYK 45 / 0 / 61 / 9

HEX #7EE759

RGB 126 231 89

HSL 104.37, 0.75%, 0.63%

LAB 83.08, -55.57, 58.24

 

CMYK 43 / 0 / 57 / 2

HEX #8FF96C

RGB 143 249 108

HSL 105.11, 0.92%, 0.7%

LAB 89.24, -55.7, 57.25

 

CMYK 37 / 0 / 50 / 0

HEX #A0FF7F

RGB 160 255 127

HSL 104.53, 1%, 0.75%

LAB 91.92, -50.83, 52.04

 

CMYK 31 / 0 / 43 / 0

HEX #B1FF92

RGB 177 255 146

HSL 102.94, 1%, 0.79%

LAB 92.99, -43.07, 44.57

 

CMYK 51 / 0 / 65 / 16

HEX #68D54B

RGB 104 213 75

HSL 107.39, 0.62%, 0.56%

LAB 76.7, -56.25, 56.8

 

CMYK 55 / 0 / 71 / 24

HEX #57C338

RGB 87 195 56

HSL 106.62, 0.55%, 0.49%

LAB 70.41, -55.75, 57.43

 

CMYK 60 / 0 / 79 / 31

HEX #46B125

RGB 70 177 37

HSL 105.86, 0.65%, 0.42%

LAB 64.06, -54.91, 57.48

 

CMYK 67 / 0 / 89 / 38

HEX #359F12

RGB 53 159 18

HSL 105.11, 0.8%, 0.35%

LAB 57.65, -53.56, 56.45

 

CMYK 74 / 0 / 100 / 45

HEX #248D00

RGB 36 141 0

HSL 104.68, 1%, 0.28%

LAB 51.18, -51.56, 54.05

 

CMYK 52 / 0 / 66 / 17

HEX #66D449

RGB 102 212 73

HSL 107.48, 0.62%, 0.56%

LAB 76.31, -56.6, 57.17

 

CMYK 34 / 0 / 66 / 17

HEX #8CD449

RGB 140 212 73

HSL 91.08, 0.62%, 0.56%

LAB 77.96, -44.71, 59.43

 

CMYK 16 / 0 / 66 / 17

HEX #B2D449

RGB 178 212 73

HSL 74.68, 0.62%, 0.56%

LAB 80.2, -30.49, 62.47

 

CMYK 0 / 1 / 66 / 17

HEX #D4D249

RGB 212 210 73

HSL 59.14, 0.62%, 0.56%

LAB 82.15, -15.69, 65.27

 

CMYK 0 / 19 / 66 / 17

HEX #D4AC49

RGB 212 172 73

HSL 42.73, 0.62%, 0.56%

LAB 72.22, 3.91, 54.84

 

CMYK 52 / 0 / 66 / 17

HEX #66D449

RGB 102 212 73

HSL 107.48, 0.62%, 0.56%

LAB 76.31, -56.6, 57.17

 

CMYK 66 / 0 / 61 / 17

HEX #49D452

RGB 73 212 82

HSL 123.88, 0.62%, 0.56%

LAB 75.52, -62.53, 52.26

 

CMYK 66 / 0 / 44 / 17

HEX #49D477

RGB 73 212 119

HSL 139.86, 0.62%, 0.56%

LAB 75.97, -57.42, 35.27

 

CMYK 66 / 0 / 26 / 17

HEX #49D49D

RGB 73 212 157

HSL 156.26, 0.62%, 0.56%

LAB 76.64, -50.12, 16.46

 

CMYK 66 / 0 / 8 / 17

HEX #49D4C2

RGB 73 212 194

HSL 172.23, 0.62%, 0.56%

LAB 77.52, -41.24, -2.05

 

CMYK 52 / 0 / 66 / 17

HEX #66D449

RGB 102 212 73

HSL 107.48, 0.62%, 0.56%

LAB 76.31, -56.6, 57.17

 

CMYK 60 / 0 / 76 / 9

HEX #5CE737

RGB 92 231 55

HSL 107.39, 0.79%, 0.56%

LAB 81.68, -67.2, 69.02

 

CMYK 67 / 0 / 85 / 2

HEX #51F925

RGB 81 249 37

HSL 107.55, 0.95%, 0.56%

LAB 86.82, -76.12, 78.26

 

CMYK 52 / 0 / 66 / 17

HEX #66D449

RGB 102 212 73

HSL 107.48, 0.62%, 0.56%

LAB 76.31, -56.6, 57.17

 

CMYK 42 / 0 / 53 / 24

HEX #71C25B

RGB 113 194 91

HSL 107.18, 0.46%, 0.56%

LAB 71.45, -44.3, 43.74

 

CMYK 30 / 0 / 38 / 31

HEX #7CB06E

RGB 124 176 110

HSL 107.27, 0.29%, 0.56%

LAB 66.87, -29.94, 28.47

 

CMYK 15 / 0 / 19 / 38

HEX #869E80

RGB 134 158 128

HSL 108, 0.13%, 0.56%

LAB 62.58, -14.3, 12.92

 

CMYK 1 / 4 / 0 / 43

HEX #918C92

RGB 145 140 146

HSL 290, 0.03%, 0.56%

LAB 58.84, 3.01, -2.54

 

CMYK 16 / 0 / 66 / 17

HEX #B2D449

RGB 178 212 73

HSL 74.68, 0.62%, 0.56%

LAB 80.2, -30.49, 62.47

 

CMYK 34 / 0 / 66 / 17

HEX #8CD449

RGB 140 212 73

HSL 91.08, 0.62%, 0.56%

LAB 77.96, -44.71, 59.43

 

CMYK 51 / 0 / 66 / 17

HEX #67D449

RGB 103 212 73

HSL 107.05, 0.62%, 0.56%

LAB 76.35, -56.33, 57.22

 

CMYK 66 / 0 / 62 / 17

HEX #49D450

RGB 73 212 80

HSL 123.02, 0.62%, 0.56%

LAB 75.5, -62.75, 53.11

 

CMYK 66 / 0 / 45 / 17

HEX #49D475

RGB 73 212 117

HSL 138.99, 0.62%, 0.56%

LAB 75.94, -57.75, 36.24

 

CMYK 60 / 0 / 76 / 36

HEX #41A427

RGB 65 164 39

HSL 107.52, 0.62%, 0.4%

LAB 59.73, -51.36, 52.58

 

CMYK 61 / 0 / 77 / 22

HEX #4EC62E

RGB 78 198 46

HSL 107.37, 0.62%, 0.48%

LAB 71.01, -59.77, 61.39

 

CMYK 52 / 0 / 66 / 17

HEX #66D449

RGB 102 212 73

HSL 107.48, 0.62%, 0.56%

LAB 76.31, -56.6, 57.17

 

CMYK 40 / 0 / 51 / 14

HEX #83DC6B

RGB 131 220 107

HSL 107.26, 0.62%, 0.64%

LAB 80.22, -47.68, 46.88

 

CMYK 30 / 0 / 39 / 11

HEX #9FE48C

RGB 159 228 140

HSL 107.05, 0.62%, 0.72%

LAB 84.36, -37.81, 36.23

 

CMYK 51 / 0 / 65 / 16

HEX #68D54B

RGB 104 213 75

HSL 107.39, 0.62%, 0.56%

LAB 76.7, -56.25, 56.8

 

CMYK 66 / 0 / 1 / 17

HEX #49D4D2

RGB 73 212 210

HSL 179.14, 0.62%, 0.56%

LAB 77.97, -36.94, -9.97

 

CMYK 0 / 66 / 25 / 17

HEX #D4499F

RGB 212 73 159

HSL 322.88, 0.62%, 0.56%

LAB 53.24, 62.62, -17.65

 

CMYK 51 / 0 / 65 / 16

HEX #68D54B

RGB 104 213 75

HSL 107.39, 0.62%, 0.56%

LAB 76.7, -56.25, 56.8

 

CMYK 66 / 51 / 0 / 17

HEX #4967D4

RGB 73 103 212

HSL 227.05, 0.62%, 0.56%

LAB 46.8, 24.1, -59.53

 

CMYK 0 / 66 / 51 / 17

HEX #D44967

RGB 212 73 103

HSL 347.05, 0.62%, 0.56%

LAB 51.54, 56.63, 13.26

 

CMYK 51 / 0 / 65 / 16

HEX #68D54B

RGB 104 213 75

HSL 107.39, 0.62%, 0.56%

LAB 76.7, -56.25, 56.8

 

CMYK 66 / 0 / 1 / 17

HEX #49D4D2

RGB 73 212 210

HSL 179.14, 0.62%, 0.56%

LAB 77.97, -36.94, -9.97

 

CMYK 14 / 66 / 0 / 17

HEX #B649D4

RGB 182 73 212

HSL 287.05, 0.62%, 0.56%

LAB 51.23, 63.63, -51.87

 

CMYK 0 / 66 / 64 / 17

HEX #D4494C

RGB 212 73 76

HSL 358.71, 0.62%, 0.56%

LAB 51.02, 54.71, 28.64

 

CMYK 51 / 0 / 65 / 16

HEX #68D54B

RGB 104 213 75

HSL 107.39, 0.62%, 0.56%

LAB 76.7, -56.25, 56.8

 

CMYK 66 / 18 / 0 / 17

HEX #49ADD4

RGB 73 173 212

HSL 196.83, 0.62%, 0.56%

LAB 66.56, -17.06, -28.34

 

CMYK 14 / 66 / 0 / 17

HEX #B649D4

RGB 182 73 212

HSL 287.05, 0.62%, 0.56%

LAB 51.23, 63.63, -51.87

 

CMYK 0 / 47 / 66 / 17

HEX #D47149

RGB 212 113 73

HSL 17.27, 0.62%, 0.56%

LAB 58.31, 35.53, 39.19

 

Description

Color code: HEX #68D54B | qconv.com Color code: HEX #68D54B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 213 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 213 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 65 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 65% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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