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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 1 / 66 / 17 it is the complementary color CMYK 77 / 75 / 0 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 1 / 66 / 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 1 / 66 / 17: CMYK 0 / 3 / 69 / 15, CMYK 0 / 3 / 63 / 8, CMYK 0 / 2 / 58 / 2, CMYK 0 / 0 / 51 / 0 and CMYK 0 / 0 / 44 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 1 / 66 / 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 1 / 66 / 17: CMYK 0 / 1 / 66 / 17, CMYK 0 / 2 / 73 / 24, CMYK 0 / 2 / 81 / 30, CMYK 0 / 3 / 91 / 37 and CMYK 0 / 4 / 100 / 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 66 / 17

HEX #D4D248

RGB 212 210 72

HSL 59.14, 0.62%, 0.56%

LAB 82.14, -15.75, 65.66

 

Complementary color

CMYK 77 / 75 / 0 / 28

HEX #2B2DB7

RGB 43 45 183

HSL 239.14, 0.62%, 0.44%

LAB 28.93, 46.13, -71.92

 

CMYK 0 / 3 / 69 / 15

HEX #D9D243

RGB 217 210 67

HSL 57.2, 0.66%, 0.56%

LAB 82.51, -13.92, 68.06

 

CMYK 0 / 3 / 63 / 8

HEX #EAE456

RGB 234 228 86

HSL 57.57, 0.78%, 0.63%

LAB 88.76, -14.77, 67.53

 

CMYK 0 / 2 / 58 / 2

HEX #FBF669

RGB 251 246 105

HSL 57.95, 0.95%, 0.7%

LAB 94.92, -15.49, 66.74

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7C

RGB 255 255 124

HSL 60, 1%, 0.74%

LAB 97.73, -16.86, 61.73

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 1 / 66 / 17

HEX #D4D248

RGB 212 210 72

HSL 59.14, 0.62%, 0.56%

LAB 82.14, -15.75, 65.66

 

CMYK 0 / 2 / 73 / 24

HEX #C3C035

RGB 195 192 53

HSL 58.73, 0.57%, 0.49%

LAB 75.8, -14.85, 65.92

 

CMYK 0 / 2 / 81 / 30

HEX #B2AE22

RGB 178 174 34

HSL 58.33, 0.68%, 0.42%

LAB 69.36, -13.76, 65.47

 

CMYK 0 / 3 / 91 / 37

HEX #A19C0F

RGB 161 156 15

HSL 57.95, 0.83%, 0.35%

LAB 62.83, -12.45, 63.8

 

CMYK 0 / 4 / 100 / 44

HEX #908A00

RGB 144 138 0

HSL 57.5, 1%, 0.28%

LAB 56.19, -10.89, 60.47

 

CMYK 0 / 1 / 66 / 17

HEX #D4D248

RGB 212 210 72

HSL 59.14, 0.62%, 0.56%

LAB 82.14, -15.75, 65.66

 

CMYK 10 / 0 / 66 / 17

HEX #BFD449

RGB 191 212 73

HSL 69.06, 0.62%, 0.56%

LAB 81.1, -25.29, 63.69

 

CMYK 21 / 0 / 66 / 17

HEX #A8D449

RGB 168 212 73

HSL 78.99, 0.62%, 0.56%

LAB 79.55, -34.4, 61.6

 

CMYK 32 / 0 / 66 / 17

HEX #91D449

RGB 145 212 73

HSL 88.92, 0.62%, 0.56%

LAB 78.22, -42.95, 59.79

 

CMYK 43 / 0 / 66 / 17

HEX #79D449

RGB 121 212 73

HSL 99.28, 0.62%, 0.56%

LAB 77.06, -51.02, 58.2

 

CMYK 0 / 1 / 66 / 17

HEX #D4D248

RGB 212 210 72

HSL 59.14, 0.62%, 0.56%

LAB 82.14, -15.75, 65.66

 

CMYK 0 / 0 / 63 / 97

HEX #080803

RGB 8 8 3

HSL 60, 0.45%, 0.02%

LAB 2.09, -0.7, 1.89

 

CMYK 0 / 2 / 66 / 77

HEX #3B3A14

RGB 59 58 20

HSL 58.46, 0.49%, 0.15%

LAB 23.69, -5.65, 23.27

 

CMYK 0 / 1 / 66 / 57

HEX #6E6D25

RGB 110 109 37

HSL 59.18, 0.5%, 0.29%

LAB 44.78, -9.54, 38.97

 

CMYK 0 / 1 / 66 / 37

HEX #A19F37

RGB 161 159 55

HSL 58.87, 0.49%, 0.42%

LAB 63.88, -12.45, 52.4

 

CMYK 0 / 1 / 66 / 17

HEX #D4D248

RGB 212 210 72

HSL 59.14, 0.62%, 0.56%

LAB 82.14, -15.75, 65.66

 

CMYK 66 / 0 / 54 / 17

HEX #49D462

RGB 73 212 98

HSL 130.79, 0.62%, 0.56%

LAB 75.69, -60.57, 45.19

 

CMYK 27 / 66 / 0 / 17

HEX #9A49D4

RGB 154 73 212

HSL 274.96, 0.62%, 0.56%

LAB 47.48, 57.45, -58.08

 

CMYK 0 / 1 / 66 / 17

HEX #D4D248

RGB 212 210 72

HSL 59.14, 0.62%, 0.56%

LAB 82.14, -15.75, 65.66

 

CMYK 66 / 0 / 1 / 17

HEX #49D4D2

RGB 73 212 210

HSL 179.14, 0.62%, 0.56%

LAB 77.97, -36.94, -9.97

 

CMYK 1 / 66 / 0 / 17

HEX #D249D4

RGB 210 73 212

HSL 299.14, 0.62%, 0.56%

LAB 55.3, 69.99, -45.14

 

CMYK 0 / 1 / 66 / 17

HEX #D4D248

RGB 212 210 72

HSL 59.14, 0.62%, 0.56%

LAB 82.14, -15.75, 65.66

 

CMYK 66 / 0 / 54 / 17

HEX #49D462

RGB 73 212 98

HSL 130.79, 0.62%, 0.56%

LAB 75.69, -60.57, 45.19

 

CMYK 66 / 65 / 0 / 17

HEX #494BD4

RGB 73 75 212

HSL 239.14, 0.62%, 0.56%

LAB 39.92, 41.5, -70.73

 

CMYK 0 / 66 / 12 / 17

HEX #D449BA

RGB 212 73 186

HSL 311.22, 0.62%, 0.56%

LAB 54.35, 66.38, -31.69

 

CMYK 0 / 1 / 66 / 17

HEX #D4D248

RGB 212 210 72

HSL 59.14, 0.62%, 0.56%

LAB 82.14, -15.75, 65.66

 

CMYK 66 / 0 / 34 / 17

HEX #49D48C

RGB 73 212 140

HSL 148.92, 0.62%, 0.56%

LAB 76.31, -53.63, 24.95

 

CMYK 66 / 65 / 0 / 17

HEX #494BD4

RGB 73 75 212

HSL 239.14, 0.62%, 0.56%

LAB 39.92, 41.5, -70.73

 

CMYK 0 / 66 / 32 / 17

HEX #D44991

RGB 212 73 145

HSL 328.92, 0.62%, 0.56%

LAB 52.74, 60.89, -10.14

 

Description

Color code: CMYK 0 / 1 / 66 / 17 | qconv.com Color code: CMYK 0 / 1 / 66 / 17 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 210 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 210 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 66 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 66% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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