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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #683A80 it is the complementary color #97C57F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #683A80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #683A80: #6D3A7B, #7E4C8E, #8F5EA1, #A070B4 and #B182C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #683A80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #683A80: #683A80, #57286D, #46165A, #350447 and #240034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 55 / 0 / 50

HEX #683A80

RGB 104 58 128

HSL 279.43, 0.38%, 0.36%

LAB 32.98, 33.41, -31.63

 

Complementary color

CMYK 23 / 0 / 36 / 23

HEX #97C57F

RGB 151 197 127

HSL 99.43, 0.38%, 0.64%

LAB 74.85, -27.98, 30.34

 

CMYK 11 / 53 / 0 / 52

HEX #6D3A7B

RGB 109 58 123

HSL 287.08, 0.36%, 0.35%

LAB 33.37, 33.76, -27.86

 

CMYK 11 / 46 / 0 / 44

HEX #7E4C8E

RGB 126 76 142

HSL 285.45, 0.3%, 0.43%

LAB 40.5, 32.93, -28.19

 

CMYK 11 / 42 / 0 / 37

HEX #8F5EA1

RGB 143 94 161

HSL 283.88, 0.26%, 0.5%

LAB 47.52, 32.1, -28.45

 

CMYK 11 / 38 / 0 / 29

HEX #A070B4

RGB 160 112 180

HSL 282.35, 0.31%, 0.57%

LAB 54.4, 31.31, -28.68

 

CMYK 11 / 35 / 0 / 22

HEX #B182C7

RGB 177 130 199

HSL 280.87, 0.38%, 0.65%

LAB 61.16, 30.57, -28.89

 

CMYK 19 / 55 / 0 / 50

HEX #683A80

RGB 104 58 128

HSL 279.43, 0.38%, 0.36%

LAB 32.98, 33.41, -31.63

 

CMYK 20 / 63 / 0 / 57

HEX #57286D

RGB 87 40 109

HSL 280.87, 0.46%, 0.29%

LAB 25.71, 34.2, -31.32

 

CMYK 22 / 76 / 0 / 65

HEX #46165A

RGB 70 22 90

HSL 282.35, 0.61%, 0.22%

LAB 18.43, 34.58, -30.67

 

CMYK 25 / 94 / 0 / 72

HEX #350447

RGB 53 4 71

HSL 283.88, 0.89%, 0.15%

LAB 11.27, 34.07, -29.4

 

CMYK 31 / 100 / 0 / 80

HEX #240034

RGB 36 0 52

HSL 281.54, 1%, 0.1%

LAB 5.63, 27.79, -25.06

 

CMYK 19 / 55 / 0 / 50

HEX #683A80

RGB 104 58 128

HSL 279.43, 0.38%, 0.36%

LAB 32.98, 33.41, -31.63

 

CMYK 10 / 56 / 0 / 51

HEX #71387E

RGB 113 56 126

HSL 288.86, 0.38%, 0.36%

LAB 33.66, 36.72, -29.24

 

CMYK 1 / 56 / 0 / 51

HEX #7D387E

RGB 125 56 126

HSL 299.14, 0.38%, 0.36%

LAB 35.39, 40.25, -26.39

 

CMYK 0 / 56 / 8 / 51

HEX #7E3874

RGB 126 56 116

HSL 308.57, 0.38%, 0.36%

LAB 35.05, 38.68, -20.66

 

CMYK 0 / 56 / 17 / 51

HEX #7E3868

RGB 126 56 104

HSL 318.86, 0.38%, 0.36%

LAB 34.53, 36.6, -13.91

 

CMYK 19 / 55 / 0 / 50

HEX #683A80

RGB 104 58 128

HSL 279.43, 0.38%, 0.36%

LAB 32.98, 33.41, -31.63

 

CMYK 19 / 55 / 0 / 30

HEX #9151B3

RGB 145 81 179

HSL 279.18, 0.39%, 0.51%

LAB 45.85, 43.87, -41.64

 

CMYK 19 / 55 / 0 / 10

HEX #BB68E6

RGB 187 104 230

HSL 279.52, 0.72%, 0.65%

LAB 58.21, 53.99, -50.88

 

CMYK 19 / 54 / 0 / 90

HEX #150C1A

RGB 21 12 26

HSL 278.57, 0.37%, 0.07%

LAB 4.49, 6.34, -7.11

 

CMYK 18 / 55 / 0 / 70

HEX #3F234D

RGB 63 35 77

HSL 280, 0.38%, 0.22%

LAB 19.2, 22.05, -20.74

 

CMYK 19 / 55 / 0 / 50

HEX #683A80

RGB 104 58 128

HSL 279.43, 0.38%, 0.36%

LAB 32.98, 33.41, -31.63

 

CMYK 0 / 56 / 47 / 51

HEX #7E3843

RGB 126 56 67

HSL 350.57, 0.38%, 0.36%

LAB 33.28, 31.46, 7.99

 

CMYK 56 / 0 / 41 / 51

HEX #387E4A

RGB 56 126 74

HSL 135.43, 0.38%, 0.36%

LAB 47.31, -34.29, 21.8

 

CMYK 19 / 55 / 0 / 50

HEX #683A80

RGB 104 58 128

HSL 279.43, 0.38%, 0.36%

LAB 32.98, 33.41, -31.63

 

CMYK 0 / 19 / 56 / 51

HEX #7E6638

RGB 126 102 56

HSL 39.43, 0.38%, 0.36%

LAB 44.55, 3.49, 29.39

 

CMYK 56 / 0 / 19 / 51

HEX #387E66

RGB 56 126 102

HSL 159.43, 0.38%, 0.36%

LAB 47.91, -28.24, 6.45

 

CMYK 19 / 55 / 0 / 50

HEX #683A80

RGB 104 58 128

HSL 279.43, 0.38%, 0.36%

LAB 32.98, 33.41, -31.63

 

CMYK 0 / 56 / 47 / 51

HEX #7E3843

RGB 126 56 67

HSL 350.57, 0.38%, 0.36%

LAB 33.28, 31.46, 7.99

 

CMYK 36 / 0 / 56 / 51

HEX #517E38

RGB 81 126 56

HSL 98.57, 0.38%, 0.36%

LAB 48.21, -28.96, 32.92

 

CMYK 56 / 0 / 8 / 51

HEX #387E74

RGB 56 126 116

HSL 171.43, 0.38%, 0.36%

LAB 48.29, -24.59, -1.24

 

CMYK 19 / 55 / 0 / 50

HEX #683A80

RGB 104 58 128

HSL 279.43, 0.38%, 0.36%

LAB 32.98, 33.41, -31.63

 

CMYK 0 / 47 / 56 / 51

HEX #7E4338

RGB 126 67 56

HSL 9.43, 0.38%, 0.36%

LAB 35.47, 24.19, 17.94

 

CMYK 36 / 0 / 56 / 51

HEX #517E38

RGB 81 126 56

HSL 98.57, 0.38%, 0.36%

LAB 48.21, -28.96, 32.92

 

CMYK 56 / 8 / 0 / 51

HEX #38747E

RGB 56 116 126

HSL 188.57, 0.38%, 0.36%

LAB 45.41, -16.39, -11.46

 

Description

Color code: HEX #683A80 | qconv.com Color code: HEX #683A80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 58 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 58 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 55 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 55% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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