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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67F0A7 it is the complementary color #980F58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67F0A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67F0A7 shade: #6CF0A2, #7DFFB5, #8EFFC8, #9FFFDB and #B0FFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67F0A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67F0A7 shade: #67F0A7, #56DE94, #45CC81, #34BA6E and #23A85B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67F0A7 shade: #66F0A6, #66F081, #70F066, #95F066 and #BAF066

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67F0A7 shade: #66F0A6, #66F0CC, #66EFF0, #66CAF0 and #66A5F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67F0A7 shade matches the following richer shades: #66F0A6 and #58FDA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67F0A7 shade: #66F0A6, #73E2A7, #81D5A8, #8FC7A9 and #9CB9AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67F0A7 shade: #6FF066, #66F081, #66F0A6, #66F0CB and #66F0F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67F0A7 shade: #1BE87B, #40EC91, #66F0A6, #8BF4BC and #B1F7D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67F0A7 shade: #67F0A7, #6694F0 and #F06F66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67F0A7 shade: #67F0A7, #A666F0 and #F0A666

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67F0A7 shade: #67F0A7, #6694F0, #F066AF and #F0C266

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67F0A7 shade: #67F0A7, #666AF0, #F066AF and #F0EB66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 30 / 6

HEX #67F0A7

RGB 103 240 167

HSL 148.03, 0.82%, 0.67%

LAB 86, -53.68, 24.31

 

Complementary color

CMYK 0 / 90 / 42 / 40

HEX #980F58

RGB 152 15 88

HSL 328.03, 0.82%, 0.33%

LAB 33.4, 56.57, -4.88

 

CMYK 55 / 0 / 33 / 6

HEX #6CF0A2

RGB 108 240 162

HSL 144.55, 0.81%, 0.68%

LAB 86.06, -53.54, 26.98

 

CMYK 51 / 0 / 29 / 0

HEX #7DFFB5

RGB 125 255 181

HSL 145.85, 1%, 0.75%

LAB 91.33, -52.24, 24.59

 

CMYK 44 / 0 / 22 / 0

HEX #8EFFC8

RGB 142 255 200

HSL 150.8, 1%, 0.78%

LAB 92.33, -44.44, 16.37

 

CMYK 38 / 0 / 14 / 0

HEX #9FFFDB

RGB 159 255 219

HSL 157.5, 1%, 0.81%

LAB 93.45, -36.19, 8.3

 

CMYK 31 / 0 / 7 / 0

HEX #B0FFEE

RGB 176 255 238

HSL 167.09, 1%, 0.85%

LAB 94.71, -27.6, 0.42

 

CMYK 57 / 0 / 30 / 6

HEX #67F0A7

RGB 103 240 167

HSL 148.03, 0.82%, 0.67%

LAB 86, -53.68, 24.31

 

CMYK 61 / 0 / 33 / 13

HEX #56DE94

RGB 86 222 148

HSL 147.35, 0.67%, 0.6%

LAB 79.82, -53.59, 25.59

 

CMYK 66 / 0 / 37 / 20

HEX #45CC81

RGB 69 204 129

HSL 146.67, 0.57%, 0.54%

LAB 73.57, -53.34, 26.98

 

CMYK 72 / 0 / 41 / 27

HEX #34BA6E

RGB 52 186 110

HSL 145.97, 0.56%, 0.47%

LAB 67.26, -52.85, 28.47

 

CMYK 79 / 0 / 46 / 34

HEX #23A85B

RGB 35 168 91

HSL 145.26, 0.66%, 0.4%

LAB 60.89, -52.01, 30.09

 

CMYK 58 / 0 / 31 / 6

HEX #66F0A6

RGB 102 240 166

HSL 147.83, 0.82%, 0.67%

LAB 85.96, -54.08, 24.75

 

CMYK 58 / 0 / 46 / 6

HEX #66F081

RGB 102 240 129

HSL 131.74, 0.82%, 0.67%

LAB 85.37, -60.36, 42.48

 

CMYK 53 / 0 / 58 / 6

HEX #70F066

RGB 112 240 102

HSL 115.65, 0.82%, 0.67%

LAB 85.36, -61.47, 55.09

 

CMYK 38 / 0 / 58 / 6

HEX #95F066

RGB 149 240 102

HSL 99.57, 0.82%, 0.67%

LAB 86.83, -50.82, 57.17

 

CMYK 23 / 0 / 58 / 6

HEX #BAF066

RGB 186 240 102

HSL 83.48, 0.82%, 0.67%

LAB 88.79, -38.05, 59.92

 

CMYK 58 / 0 / 31 / 6

HEX #66F0A6

RGB 102 240 166

HSL 147.83, 0.82%, 0.67%

LAB 85.96, -54.08, 24.75

 

CMYK 58 / 0 / 15 / 6

HEX #66F0CC

RGB 102 240 204

HSL 164.35, 0.82%, 0.67%

LAB 86.75, -46.01, 6.18

 

CMYK 58 / 0 / 0 / 6

HEX #66EFF0

RGB 102 239 240

HSL 180.43, 0.82%, 0.67%

LAB 87.41, -36.61, -11.71

 

CMYK 58 / 16 / 0 / 6

HEX #66CAF0

RGB 102 202 240

HSL 196.52, 0.82%, 0.67%

LAB 76.89, -18.58, -27.62

 

CMYK 58 / 31 / 0 / 6

HEX #66A5F0

RGB 102 165 240

HSL 212.61, 0.82%, 0.67%

LAB 66.54, 1.45, -43.68

 

CMYK 58 / 0 / 31 / 6

HEX #66F0A6

RGB 102 240 166

HSL 147.83, 0.82%, 0.67%

LAB 85.96, -54.08, 24.75

 

CMYK 65 / 0 / 35 / 1

HEX #58FDA5

RGB 88 253 165

HSL 148, 0.98%, 0.67%

LAB 89.41, -61.97, 29.89

 

CMYK 58 / 0 / 31 / 6

HEX #66F0A6

RGB 102 240 166

HSL 147.83, 0.82%, 0.67%

LAB 85.96, -54.08, 24.75

 

CMYK 49 / 0 / 26 / 11

HEX #73E2A7

RGB 115 226 167

HSL 148.11, 0.66%, 0.67%

LAB 82.29, -45.11, 19.25

 

CMYK 39 / 0 / 21 / 16

HEX #81D5A8

RGB 129 213 168

HSL 147.86, 0.5%, 0.67%

LAB 79.09, -35.44, 14.34

 

CMYK 28 / 0 / 15 / 22

HEX #8FC7A9

RGB 143 199 169

HSL 147.86, 0.33%, 0.67%

LAB 75.79, -24.39, 9.23

 

CMYK 16 / 0 / 8 / 27

HEX #9CB9AA

RGB 156 185 170

HSL 148.97, 0.17%, 0.67%

LAB 72.67, -12.85, 4.32

 

CMYK 54 / 0 / 58 / 6

HEX #6FF066

RGB 111 240 102

HSL 116.09, 0.82%, 0.67%

LAB 85.33, -61.72, 55.04

 

CMYK 58 / 0 / 46 / 6

HEX #66F081

RGB 102 240 129

HSL 131.74, 0.82%, 0.67%

LAB 85.37, -60.36, 42.48

 

CMYK 58 / 0 / 31 / 6

HEX #66F0A6

RGB 102 240 166

HSL 147.83, 0.82%, 0.67%

LAB 85.96, -54.08, 24.75

 

CMYK 58 / 0 / 15 / 6

HEX #66F0CB

RGB 102 240 203

HSL 163.91, 0.82%, 0.67%

LAB 86.73, -46.24, 6.66

 

CMYK 58 / 0 / 0 / 6

HEX #66F0F0

RGB 102 240 240

HSL 180, 0.82%, 0.67%

LAB 87.7, -37.07, -11.29

 

CMYK 88 / 0 / 47 / 9

HEX #1BE87B

RGB 27 232 123

HSL 148.1, 0.82%, 0.51%

LAB 81.5, -69.24, 40.21

 

CMYK 73 / 0 / 39 / 7

HEX #40EC91

RGB 64 236 145

HSL 148.26, 0.82%, 0.59%

LAB 83.51, -63.11, 31.99

 

CMYK 58 / 0 / 31 / 6

HEX #66F0A6

RGB 102 240 166

HSL 147.83, 0.82%, 0.67%

LAB 85.96, -54.08, 24.75

 

CMYK 43 / 0 / 23 / 4

HEX #8BF4BC

RGB 139 244 188

HSL 148, 0.83%, 0.75%

LAB 88.84, -42.75, 17.63

 

CMYK 28 / 0 / 15 / 3

HEX #B1F7D2

RGB 177 247 210

HSL 148.29, 0.81%, 0.83%

LAB 91.92, -29.16, 10.87

 

CMYK 57 / 0 / 30 / 6

HEX #67F0A7

RGB 103 240 167

HSL 148.03, 0.82%, 0.67%

LAB 86, -53.68, 24.31

 

CMYK 58 / 38 / 0 / 6

HEX #6694F0

RGB 102 148 240

HSL 220, 0.82%, 0.67%

LAB 61.91, 11.29, -50.98

 

CMYK 0 / 54 / 58 / 6

HEX #F06F66

RGB 240 111 102

HSL 3.91, 0.82%, 0.67%

LAB 62.38, 48.98, 29.15

 

CMYK 57 / 0 / 30 / 6

HEX #67F0A7

RGB 103 240 167

HSL 148.03, 0.82%, 0.67%

LAB 86, -53.68, 24.31

 

CMYK 31 / 58 / 0 / 6

HEX #A666F0

RGB 166 102 240

HSL 267.83, 0.82%, 0.67%

LAB 55.99, 52.15, -60.14

 

CMYK 0 / 31 / 58 / 6

HEX #F0A666

RGB 240 166 102

HSL 27.83, 0.82%, 0.67%

LAB 74.03, 20.78, 43.75

 

CMYK 57 / 0 / 30 / 6

HEX #67F0A7

RGB 103 240 167

HSL 148.03, 0.82%, 0.67%

LAB 86, -53.68, 24.31

 

CMYK 58 / 38 / 0 / 6

HEX #6694F0

RGB 102 148 240

HSL 220, 0.82%, 0.67%

LAB 61.91, 11.29, -50.98

 

CMYK 0 / 58 / 27 / 6

HEX #F066AF

RGB 240 102 175

HSL 328.26, 0.82%, 0.67%

LAB 62.61, 60.5, -12.34

 

CMYK 0 / 19 / 58 / 6

HEX #F0C266

RGB 240 194 102

HSL 40, 0.82%, 0.67%

LAB 80.78, 6.04, 51.78

 

CMYK 57 / 0 / 30 / 6

HEX #67F0A7

RGB 103 240 167

HSL 148.03, 0.82%, 0.67%

LAB 86, -53.68, 24.31

 

CMYK 58 / 56 / 0 / 6

HEX #666AF0

RGB 102 106 240

HSL 238.26, 0.82%, 0.67%

LAB 51.18, 36.51, -68.18

 

CMYK 0 / 58 / 27 / 6

HEX #F066AF

RGB 240 102 175

HSL 328.26, 0.82%, 0.67%

LAB 62.61, 60.5, -12.34

 

CMYK 0 / 2 / 58 / 6

HEX #F0EB66

RGB 240 235 102

HSL 57.83, 0.82%, 0.67%

LAB 91.19, -14.74, 63.64

 

Description

Color code: HEX #67F0A7 | qconv.com Color code: HEX #67F0A7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 240 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 240 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 30 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 30% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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