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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67A12C it is the complementary color #985ED3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67A12C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67A12C shade: #6CA127, #7DB33A, #8EC54D, #9FD760 and #B0E973

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67A12C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67A12C shade: #67A12C, #568F19, #457D06, #346B00 and #235900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67A12C shade: #67A02C, #86A02C, #A09B2C, #A07C2C and #A05C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67A12C shade: #67A02C, #47A02C, #2CA030, #2CA04F and #2CA06F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67A12C shade matches the following richer shades: #67A02C, #67B11B and #67C10B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67A12C shade: #67A02C, #66903C, #667F4D, #666F5D and #665E6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67A12C shade: #A09A2C, #87A02C, #68A02C, #49A02C and #2CA02E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67A12C shade: #3D5F1A, #528023, #67A02C, #7BC135 and #90CF50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67A12C shade: #67A12C, #2CA07B and #A02C96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67A12C shade: #67A12C, #2C68A0 and #A02C68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67A12C shade: #67A12C, #2CA07B, #642CA0 and #A02C51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67A12C shade: #67A12C, #2CA09E, #642CA0 and #A02C2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 73 / 37

HEX #67A12C

RGB 103 161 44

HSL 89.74, 0.57%, 0.4%

LAB 60.39, -37.97, 51.95

 

Complementary color

CMYK 28 / 55 / 0 / 17

HEX #985ED3

RGB 152 94 211

HSL 269.74, 0.57%, 0.6%

LAB 51.13, 46.11, -51.66

 

CMYK 33 / 0 / 76 / 37

HEX #6CA127

RGB 108 161 39

HSL 86.07, 0.61%, 0.39%

LAB 60.63, -36.42, 54.08

 

CMYK 30 / 0 / 68 / 30

HEX #7DB33A

RGB 125 179 58

HSL 86.78, 0.51%, 0.46%

LAB 67.21, -36.84, 53.86

 

CMYK 28 / 0 / 61 / 23

HEX #8EC54D

RGB 142 197 77

HSL 87.5, 0.51%, 0.54%

LAB 73.69, -37.09, 53.14

 

CMYK 26 / 0 / 55 / 16

HEX #9FD760

RGB 159 215 96

HSL 88.24, 0.6%, 0.61%

LAB 80.08, -37.22, 52.17

 

CMYK 24 / 0 / 51 / 9

HEX #B0E973

RGB 176 233 115

HSL 88.98, 0.73%, 0.68%

LAB 86.38, -37.29, 51.1

 

CMYK 36 / 0 / 73 / 37

HEX #67A12C

RGB 103 161 44

HSL 89.74, 0.57%, 0.4%

LAB 60.39, -37.97, 51.95

 

CMYK 40 / 0 / 83 / 44

HEX #568F19

RGB 86 143 25

HSL 88.98, 0.7%, 0.33%

LAB 53.7, -37.41, 51.66

 

CMYK 45 / 0 / 95 / 51

HEX #457D06

RGB 69 125 6

HSL 88.24, 0.91%, 0.26%

LAB 46.9, -36.51, 49.9

 

CMYK 51 / 0 / 100 / 58

HEX #346B00

RGB 52 107 0

HSL 90.84, 1%, 0.21%

LAB 39.99, -35.06, 45.41

 

CMYK 61 / 0 / 100 / 65

HEX #235900

RGB 35 89 0

HSL 96.4, 1%, 0.17%

LAB 32.92, -33.19, 39.56

 

CMYK 36 / 0 / 73 / 37

HEX #67A02C

RGB 103 160 44

HSL 89.48, 0.57%, 0.4%

LAB 60.08, -37.52, 51.64

 

CMYK 16 / 0 / 73 / 37

HEX #86A02C

RGB 134 160 44

HSL 73.45, 0.57%, 0.4%

LAB 61.99, -25.24, 54.18

 

CMYK 0 / 3 / 73 / 37

HEX #A09B2C

RGB 160 155 44

HSL 57.41, 0.57%, 0.4%

LAB 62.59, -11.4, 55.46

 

CMYK 0 / 23 / 73 / 37

HEX #A07C2C

RGB 160 124 44

HSL 41.38, 0.57%, 0.4%

LAB 54.1, 5.57, 47.05

 

CMYK 0 / 43 / 73 / 37

HEX #A05C2C

RGB 160 92 44

HSL 24.83, 0.57%, 0.4%

LAB 46.06, 23.73, 38.63

 

CMYK 36 / 0 / 73 / 37

HEX #67A02C

RGB 103 160 44

HSL 89.48, 0.57%, 0.4%

LAB 60.08, -37.52, 51.64

 

CMYK 56 / 0 / 73 / 37

HEX #47A02C

RGB 71 160 44

HSL 106.03, 0.57%, 0.4%

LAB 58.66, -47.92, 49.74

 

CMYK 73 / 0 / 70 / 37

HEX #2CA030

RGB 44 160 48

HSL 122.07, 0.57%, 0.4%

LAB 57.93, -53.72, 47.17

 

CMYK 73 / 0 / 51 / 37

HEX #2CA04F

RGB 44 160 79

HSL 138.1, 0.57%, 0.4%

LAB 58.27, -49.78, 33.04

 

CMYK 73 / 0 / 31 / 37

HEX #2CA06F

RGB 44 160 111

HSL 154.66, 0.57%, 0.4%

LAB 58.81, -43.66, 16.55

 

CMYK 36 / 0 / 73 / 37

HEX #67A02C

RGB 103 160 44

HSL 89.48, 0.57%, 0.4%

LAB 60.08, -37.52, 51.64

 

CMYK 42 / 0 / 85 / 31

HEX #67B11B

RGB 103 177 27

HSL 89.6, 0.74%, 0.4%

LAB 65.28, -45.65, 61.8

 

CMYK 47 / 0 / 94 / 24

HEX #67C10B

RGB 103 193 11

HSL 89.67, 0.89%, 0.4%

LAB 70.21, -52.42, 68.76

 

CMYK 36 / 0 / 73 / 37

HEX #67A02C

RGB 103 160 44

HSL 89.48, 0.57%, 0.4%

LAB 60.08, -37.52, 51.64

 

CMYK 29 / 0 / 58 / 44

HEX #66903C

RGB 102 144 60

HSL 90, 0.41%, 0.4%

LAB 55.17, -29.17, 39.38

 

CMYK 20 / 0 / 39 / 50

HEX #667F4D

RGB 102 127 77

HSL 90, 0.25%, 0.4%

LAB 50.14, -18.5, 24.29

 

CMYK 8 / 0 / 16 / 56

HEX #666F5D

RGB 102 111 93

HSL 90, 0.09%, 0.4%

LAB 45.61, -7.04, 8.88

 

CMYK 7 / 15 / 0 / 57

HEX #665E6E

RGB 102 94 110

HSL 270, 0.08%, 0.4%

LAB 41.15, 6.56, -7.91

 

CMYK 0 / 4 / 73 / 37

HEX #A09A2C

RGB 160 154 44

HSL 56.9, 0.57%, 0.4%

LAB 62.31, -10.87, 55.19

 

CMYK 16 / 0 / 73 / 37

HEX #87A02C

RGB 135 160 44

HSL 72.93, 0.57%, 0.4%

LAB 62.06, -24.82, 54.27

 

CMYK 35 / 0 / 73 / 37

HEX #68A02C

RGB 104 160 44

HSL 88.97, 0.57%, 0.4%

LAB 60.13, -37.16, 51.71

 

CMYK 54 / 0 / 73 / 37

HEX #49A02C

RGB 73 160 44

HSL 105, 0.57%, 0.4%

LAB 58.73, -47.36, 49.84

 

CMYK 73 / 0 / 71 / 37

HEX #2CA02E

RGB 44 160 46

HSL 121.03, 0.57%, 0.4%

LAB 57.92, -53.91, 47.96

 

CMYK 36 / 0 / 73 / 63

HEX #3D5F1A

RGB 61 95 26

HSL 89.57, 0.57%, 0.24%

LAB 36.46, -24.83, 34.1

 

CMYK 36 / 0 / 73 / 50

HEX #528023

RGB 82 128 35

HSL 89.68, 0.57%, 0.32%

LAB 48.7, -31.57, 43.27

 

CMYK 36 / 0 / 73 / 37

HEX #67A02C

RGB 103 160 44

HSL 89.48, 0.57%, 0.4%

LAB 60.08, -37.52, 51.64

 

CMYK 36 / 0 / 73 / 24

HEX #7BC135

RGB 123 193 53

HSL 90, 0.57%, 0.48%

LAB 71.29, -44.02, 59.89

 

CMYK 30 / 0 / 61 / 19

HEX #90CF50

RGB 144 207 80

HSL 89.76, 0.57%, 0.56%

LAB 76.76, -40.55, 55.28

 

CMYK 36 / 0 / 73 / 37

HEX #67A12C

RGB 103 161 44

HSL 89.74, 0.57%, 0.4%

LAB 60.39, -37.97, 51.95

 

CMYK 73 / 0 / 23 / 37

HEX #2CA07B

RGB 44 160 123

HSL 160.86, 0.57%, 0.4%

LAB 59.07, -40.86, 10.21

 

CMYK 0 / 73 / 6 / 37

HEX #A02C96

RGB 160 44 150

HSL 305.17, 0.57%, 0.4%

LAB 40.37, 58.82, -32.9

 

CMYK 36 / 0 / 73 / 37

HEX #67A12C

RGB 103 161 44

HSL 89.74, 0.57%, 0.4%

LAB 60.39, -37.97, 51.95

 

CMYK 73 / 35 / 0 / 37

HEX #2C68A0

RGB 44 104 160

HSL 208.97, 0.57%, 0.4%

LAB 42.72, 0.02, -35.9

 

CMYK 0 / 73 / 35 / 37

HEX #A02C68

RGB 160 44 104

HSL 328.97, 0.57%, 0.4%

LAB 38.33, 52.4, -7.6

 

CMYK 36 / 0 / 73 / 37

HEX #67A12C

RGB 103 161 44

HSL 89.74, 0.57%, 0.4%

LAB 60.39, -37.97, 51.95

 

CMYK 73 / 0 / 23 / 37

HEX #2CA07B

RGB 44 160 123

HSL 160.86, 0.57%, 0.4%

LAB 59.07, -40.86, 10.21

 

CMYK 38 / 73 / 0 / 37

HEX #642CA0

RGB 100 44 160

HSL 268.97, 0.57%, 0.4%

LAB 31.92, 47.74, -53.02

 

CMYK 0 / 73 / 49 / 37

HEX #A02C51

RGB 160 44 81

HSL 340.86, 0.57%, 0.4%

LAB 37.61, 50, 5.95

 

CMYK 36 / 0 / 73 / 37

HEX #67A12C

RGB 103 161 44

HSL 89.74, 0.57%, 0.4%

LAB 60.39, -37.97, 51.95

 

CMYK 73 / 0 / 1 / 37

HEX #2CA09E

RGB 44 160 158

HSL 178.97, 0.57%, 0.4%

LAB 60.02, -31.37, -8.17

 

CMYK 38 / 73 / 0 / 37

HEX #642CA0

RGB 100 44 160

HSL 268.97, 0.57%, 0.4%

LAB 31.92, 47.74, -53.02

 

CMYK 0 / 73 / 71 / 37

HEX #A02C2E

RGB 160 44 46

HSL 358.97, 0.57%, 0.4%

LAB 36.88, 47.53, 27.12

 

Description

Color code: HEX #67A12C | qconv.com Color code: HEX #67A12C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 161 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 161 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 73 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 73% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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