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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A07C2C it is the complementary color #5F83D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A07C2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A07C2C shade: #A57C27, #B68E3A, #C7A04D, #D8B260 and #E9C473

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A07C2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A07C2C shade: #A07C2C, #8F6A19, #7E5806, #6D4600 and #5C3400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A07C2C shade: #A07C2C, #A05D2C, #A03D2C and #A02C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A07C2C shade: #A07C2C, #A09B2C, #86A02C, #66A02C and #47A02C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A07C2C shade matches the following richer shades: #A07C2C, #B1821B and #C1890B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A07C2C shade: #A07C2C, #90763C, #7F704D, #6F695D and #5E636E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A07C2C shade: #A03D2C, #A05C2C, #A07B2C, #A09A2C and #87A02C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A07C2C shade: #5F4A1A, #806323, #A07C2C, #C19535 and #CFA750

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A07C2C shade: #A07C2C, #39A02C and #4D2CA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A07C2C shade: #A07C2C, #2CA07B and #7B2CA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A07C2C shade: #A07C2C, #39A02C, #2C51A0 and #932CA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A07C2C shade: #A07C2C, #2CA041, #2C51A0 and #A02C8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 73 / 37

HEX #A07C2C

RGB 160 124 44

HSL 41.38, 0.57%, 0.4%

LAB 54.1, 5.57, 47.05

 

Complementary color

CMYK 55 / 38 / 0 / 17

HEX #5F83D3

RGB 95 131 211

HSL 221.38, 0.57%, 0.6%

LAB 55.45, 10.64, -45.08

 

CMYK 0 / 25 / 76 / 35

HEX #A57C27

RGB 165 124 39

HSL 40.48, 0.62%, 0.4%

LAB 54.62, 7.6, 49.86

 

CMYK 0 / 22 / 68 / 29

HEX #B68E3A

RGB 182 142 58

HSL 40.65, 0.52%, 0.47%

LAB 61.3, 6.19, 49

 

CMYK 0 / 20 / 61 / 22

HEX #C7A04D

RGB 199 160 77

HSL 40.82, 0.52%, 0.54%

LAB 67.89, 5.02, 47.83

 

CMYK 0 / 18 / 56 / 15

HEX #D8B260

RGB 216 178 96

HSL 41, 0.61%, 0.61%

LAB 74.37, 4.03, 46.56

 

CMYK 0 / 16 / 51 / 9

HEX #E9C473

RGB 233 196 115

HSL 41.19, 0.73%, 0.68%

LAB 80.76, 3.18, 45.27

 

CMYK 0 / 23 / 73 / 37

HEX #A07C2C

RGB 160 124 44

HSL 41.38, 0.57%, 0.4%

LAB 54.1, 5.57, 47.05

 

CMYK 0 / 26 / 83 / 44

HEX #8F6A19

RGB 143 106 25

HSL 41.19, 0.7%, 0.33%

LAB 47.26, 7.14, 47.53

 

CMYK 0 / 30 / 95 / 51

HEX #7E5806

RGB 126 88 6

HSL 41, 0.91%, 0.26%

LAB 40.29, 9.07, 46.69

 

CMYK 0 / 36 / 100 / 57

HEX #6D4600

RGB 109 70 0

HSL 38.53, 1%, 0.21%

LAB 33.2, 11.48, 42.6

 

CMYK 0 / 43 / 100 / 64

HEX #5C3400

RGB 92 52 0

HSL 33.91, 1%, 0.18%

LAB 25.96, 14.2, 35.94

 

CMYK 0 / 23 / 73 / 37

HEX #A07C2C

RGB 160 124 44

HSL 41.38, 0.57%, 0.4%

LAB 54.1, 5.57, 47.05

 

CMYK 0 / 42 / 73 / 37

HEX #A05D2C

RGB 160 93 44

HSL 25.34, 0.57%, 0.4%

LAB 46.29, 23.17, 38.88

 

CMYK 0 / 62 / 73 / 37

HEX #A03D2C

RGB 160 61 44

HSL 8.79, 0.57%, 0.4%

LAB 39.57, 40.08, 31.45

 

CMYK 0 / 73 / 73 / 37

HEX #A02C2C

RGB 160 44 44

HSL 0, 0.57%, 0.4%

LAB 36.85, 47.43, 28.31

 

CMYK 0 / 23 / 73 / 37

HEX #A07C2C

RGB 160 124 44

HSL 41.38, 0.57%, 0.4%

LAB 54.1, 5.57, 47.05

 

CMYK 0 / 3 / 73 / 37

HEX #A09B2C

RGB 160 155 44

HSL 57.41, 0.57%, 0.4%

LAB 62.59, -11.4, 55.46

 

CMYK 16 / 0 / 73 / 37

HEX #86A02C

RGB 134 160 44

HSL 73.45, 0.57%, 0.4%

LAB 61.99, -25.24, 54.18

 

CMYK 36 / 0 / 73 / 37

HEX #66A02C

RGB 102 160 44

HSL 90, 0.57%, 0.4%

LAB 60.02, -37.89, 51.57

 

CMYK 56 / 0 / 73 / 37

HEX #47A02C

RGB 71 160 44

HSL 106.03, 0.57%, 0.4%

LAB 58.66, -47.92, 49.74

 

CMYK 0 / 23 / 73 / 37

HEX #A07C2C

RGB 160 124 44

HSL 41.38, 0.57%, 0.4%

LAB 54.1, 5.57, 47.05

 

CMYK 0 / 27 / 85 / 31

HEX #B1821B

RGB 177 130 27

HSL 41.2, 0.74%, 0.4%

LAB 57.45, 9.25, 57.24

 

CMYK 0 / 29 / 94 / 24

HEX #C1890B

RGB 193 137 11

HSL 41.54, 0.89%, 0.4%

LAB 61, 12.25, 64.5

 

CMYK 0 / 23 / 73 / 37

HEX #A07C2C

RGB 160 124 44

HSL 41.38, 0.57%, 0.4%

LAB 54.1, 5.57, 47.05

 

CMYK 0 / 18 / 58 / 44

HEX #90763C

RGB 144 118 60

HSL 41.43, 0.41%, 0.4%

LAB 50.93, 2.79, 35.31

 

CMYK 0 / 12 / 39 / 50

HEX #7F704D

RGB 127 112 77

HSL 42, 0.25%, 0.4%

LAB 47.8, 0.43, 21.62

 

CMYK 0 / 5 / 16 / 56

HEX #6F695D

RGB 111 105 93

HSL 40, 0.09%, 0.4%

LAB 44.62, 0.11, 7.59

 

CMYK 15 / 10 / 0 / 57

HEX #5E636E

RGB 94 99 110

HSL 221.25, 0.08%, 0.4%

LAB 41.89, 0.55, -6.87

 

CMYK 0 / 62 / 73 / 37

HEX #A03D2C

RGB 160 61 44

HSL 8.79, 0.57%, 0.4%

LAB 39.57, 40.08, 31.45

 

CMYK 0 / 43 / 73 / 37

HEX #A05C2C

RGB 160 92 44

HSL 24.83, 0.57%, 0.4%

LAB 46.06, 23.73, 38.63

 

CMYK 0 / 23 / 73 / 37

HEX #A07B2C

RGB 160 123 44

HSL 40.86, 0.57%, 0.4%

LAB 53.84, 6.14, 46.78

 

CMYK 0 / 4 / 73 / 37

HEX #A09A2C

RGB 160 154 44

HSL 56.9, 0.57%, 0.4%

LAB 62.31, -10.87, 55.19

 

CMYK 16 / 0 / 73 / 37

HEX #87A02C

RGB 135 160 44

HSL 72.93, 0.57%, 0.4%

LAB 62.06, -24.82, 54.27

 

CMYK 0 / 22 / 73 / 63

HEX #5F4A1A

RGB 95 74 26

HSL 41.74, 0.57%, 0.24%

LAB 32.71, 3.1, 31.05

 

CMYK 0 / 23 / 73 / 50

HEX #806323

RGB 128 99 35

HSL 41.29, 0.57%, 0.32%

LAB 43.7, 4.61, 39.34

 

CMYK 0 / 23 / 73 / 37

HEX #A07C2C

RGB 160 124 44

HSL 41.38, 0.57%, 0.4%

LAB 54.1, 5.57, 47.05

 

CMYK 0 / 23 / 73 / 24

HEX #C19535

RGB 193 149 53

HSL 41.14, 0.57%, 0.48%

LAB 64.23, 6.94, 54.58

 

CMYK 0 / 19 / 61 / 19

HEX #CFA750

RGB 207 167 80

HSL 41.1, 0.57%, 0.56%

LAB 70.51, 4.89, 49.59

 

CMYK 0 / 23 / 73 / 37

HEX #A07C2C

RGB 160 124 44

HSL 41.38, 0.57%, 0.4%

LAB 54.1, 5.57, 47.05

 

CMYK 64 / 0 / 73 / 37

HEX #39A02C

RGB 57 160 44

HSL 113.28, 0.57%, 0.4%

LAB 58.22, -51.45, 49.15

 

CMYK 52 / 73 / 0 / 37

HEX #4D2CA0

RGB 77 44 160

HSL 257.07, 0.57%, 0.4%

LAB 29.2, 43.59, -57.56

 

CMYK 0 / 23 / 73 / 37

HEX #A07C2C

RGB 160 124 44

HSL 41.38, 0.57%, 0.4%

LAB 54.1, 5.57, 47.05

 

CMYK 73 / 0 / 23 / 37

HEX #2CA07B

RGB 44 160 123

HSL 160.86, 0.57%, 0.4%

LAB 59.07, -40.86, 10.21

 

CMYK 23 / 73 / 0 / 37

HEX #7B2CA0

RGB 123 44 160

HSL 280.86, 0.57%, 0.4%

LAB 35.1, 52.39, -47.7

 

CMYK 0 / 23 / 73 / 37

HEX #A07C2C

RGB 160 124 44

HSL 41.38, 0.57%, 0.4%

LAB 54.1, 5.57, 47.05

 

CMYK 64 / 0 / 73 / 37

HEX #39A02C

RGB 57 160 44

HSL 113.28, 0.57%, 0.4%

LAB 58.22, -51.45, 49.15

 

CMYK 73 / 49 / 0 / 37

HEX #2C51A0

RGB 44 81 160

HSL 220.86, 0.57%, 0.4%

LAB 35.9, 14.86, -46.78

 

CMYK 8 / 73 / 0 / 37

HEX #932CA0

RGB 147 44 160

HSL 293.28, 0.57%, 0.4%

LAB 38.8, 57.57, -41.57

 

CMYK 0 / 23 / 73 / 37

HEX #A07C2C

RGB 160 124 44

HSL 41.38, 0.57%, 0.4%

LAB 54.1, 5.57, 47.05

 

CMYK 73 / 0 / 59 / 37

HEX #2CA041

RGB 44 160 65

HSL 130.86, 0.57%, 0.4%

LAB 58.09, -51.81, 39.78

 

CMYK 73 / 49 / 0 / 37

HEX #2C51A0

RGB 44 81 160

HSL 220.86, 0.57%, 0.4%

LAB 35.9, 14.86, -46.78

 

CMYK 0 / 73 / 13 / 37

HEX #A02C8B

RGB 160 44 139

HSL 310.86, 0.57%, 0.4%

LAB 39.81, 57.11, -27.08

 

Description

Color code: HEX #A07C2C | qconv.com Color code: HEX #A07C2C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 124 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 124 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 73 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 73% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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