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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #678942 it is the complementary color #9876BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #678942. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #678942 shade: #6C893D, #7D9B50, #8EAD63, #9FBF76 and #B0D189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #678942. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #678942 shade: #678942, #56772F, #45651C, #345309 and #234100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #678942 shade: #688A42, #7B8A42, #8A8542, #8A7242 and #8A5F42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #678942 shade: #688A42, #548A42, #428A44, #428A57 and #428A6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #678942 shade matches the following richer shades: #688A42, #689A32, #69AB21, #6ABB11 and #6ACC00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #678942 shade: #688A42, #677953, #666963, #655874 and #654884

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #678942 shade: #8A8542, #7B8A42, #688A42, #558A42 and #428A42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #678942 shade: #3E5227, #536E35, #688A42, #7CA650 and #91B668

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #678942 shade: #678942, #428A72 and #8A4285

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #678942 shade: #678942, #42688A and #8A4268

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #678942 shade: #678942, #428A72, #64428A and #8A425A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #678942 shade: #678942, #428A87, #64428A and #8A4245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 52 / 46

HEX #678942

RGB 103 137 66

HSL 88.73, 0.35%, 0.4%

LAB 53.13, -24.68, 33.98

 

Complementary color

CMYK 20 / 38 / 0 / 26

HEX #9876BD

RGB 152 118 189

HSL 268.73, 0.35%, 0.6%

LAB 55.39, 27.4, -32.38

 

CMYK 21 / 0 / 55 / 46

HEX #6C893D

RGB 108 137 61

HSL 82.89, 0.38%, 0.39%

LAB 53.4, -23.23, 36.93

 

CMYK 19 / 0 / 48 / 39

HEX #7D9B50

RGB 125 155 80

HSL 84, 0.32%, 0.46%

LAB 60.23, -23.34, 35.74

 

CMYK 18 / 0 / 43 / 32

HEX #8EAD63

RGB 142 173 99

HSL 85.14, 0.31%, 0.53%

LAB 66.93, -23.38, 34.53

 

CMYK 17 / 0 / 38 / 25

HEX #9FBF76

RGB 159 191 118

HSL 86.3, 0.36%, 0.61%

LAB 73.51, -23.38, 33.34

 

CMYK 16 / 0 / 34 / 18

HEX #B0D189

RGB 176 209 137

HSL 87.5, 0.44%, 0.68%

LAB 79.98, -23.35, 32.2

 

CMYK 25 / 0 / 52 / 46

HEX #678942

RGB 103 137 66

HSL 88.73, 0.35%, 0.4%

LAB 53.13, -24.68, 33.98

 

CMYK 28 / 0 / 61 / 53

HEX #56772F

RGB 86 119 47

HSL 87.5, 0.43%, 0.33%

LAB 46.15, -24.6, 35.15

 

CMYK 32 / 0 / 72 / 60

HEX #45651C

RGB 69 101 28

HSL 86.3, 0.57%, 0.25%

LAB 39, -24.34, 36

 

CMYK 37 / 0 / 89 / 67

HEX #345309

RGB 52 83 9

HSL 85.14, 0.8%, 0.18%

LAB 31.66, -23.77, 35.8

 

CMYK 46 / 0 / 100 / 75

HEX #234100

RGB 35 65 0

HSL 87.69, 1%, 0.13%

LAB 24.12, -22.61, 32.11

 

CMYK 25 / 0 / 52 / 46

HEX #688A42

RGB 104 138 66

HSL 88.33, 0.35%, 0.4%

LAB 53.51, -24.79, 34.45

 

CMYK 11 / 0 / 52 / 46

HEX #7B8A42

RGB 123 138 66

HSL 72.5, 0.35%, 0.4%

LAB 54.85, -16.97, 36.37

 

CMYK 0 / 4 / 52 / 46

HEX #8A8542

RGB 138 133 66

HSL 55.83, 0.35%, 0.4%

LAB 54.63, -7.77, 36.41

 

CMYK 0 / 17 / 52 / 46

HEX #8A7242

RGB 138 114 66

HSL 40, 0.35%, 0.4%

LAB 49.29, 2.92, 29.95

 

CMYK 0 / 31 / 52 / 46

HEX #8A5F42

RGB 138 95 66

HSL 24.17, 0.35%, 0.4%

LAB 44.21, 14, 23.56

 

CMYK 25 / 0 / 52 / 46

HEX #688A42

RGB 104 138 66

HSL 88.33, 0.35%, 0.4%

LAB 53.51, -24.79, 34.45

 

CMYK 39 / 0 / 52 / 46

HEX #548A42

RGB 84 138 66

HSL 105, 0.35%, 0.4%

LAB 52.35, -32.27, 32.77

 

CMYK 52 / 0 / 51 / 46

HEX #428A44

RGB 66 138 68

HSL 121.67, 0.35%, 0.4%

LAB 51.56, -37.75, 30.57

 

CMYK 52 / 0 / 37 / 46

HEX #428A57

RGB 66 138 87

HSL 137.5, 0.35%, 0.4%

LAB 51.86, -34.53, 20.6

 

CMYK 52 / 0 / 23 / 46

HEX #428A6A

RGB 66 138 106

HSL 153.33, 0.35%, 0.4%

LAB 52.26, -30.56, 10.35

 

CMYK 25 / 0 / 52 / 46

HEX #688A42

RGB 104 138 66

HSL 88.33, 0.35%, 0.4%

LAB 53.51, -24.79, 34.45

 

CMYK 32 / 0 / 68 / 40

HEX #689A32

RGB 104 154 50

HSL 88.85, 0.51%, 0.4%

LAB 58.31, -34.01, 47.42

 

CMYK 39 / 0 / 81 / 33

HEX #69AB21

RGB 105 171 33

HSL 88.7, 0.68%, 0.4%

LAB 63.54, -42.2, 58.68

 

CMYK 43 / 0 / 91 / 27

HEX #6ABB11

RGB 106 187 17

HSL 88.59, 0.83%, 0.4%

LAB 68.49, -48.98, 66.58

 

CMYK 48 / 0 / 100 / 20

HEX #6ACC00

RGB 106 204 0

HSL 88.82, 1%, 0.4%

LAB 73.71, -55.82, 72.77

 

CMYK 25 / 0 / 52 / 46

HEX #688A42

RGB 104 138 66

HSL 88.33, 0.35%, 0.4%

LAB 53.51, -24.79, 34.45

 

CMYK 15 / 0 / 31 / 53

HEX #677953

RGB 103 121 83

HSL 88.42, 0.19%, 0.4%

LAB 48.49, -13.96, 18.72

 

CMYK 3 / 0 / 6 / 59

HEX #666963

RGB 102 105 99

HSL 90, 0.03%, 0.4%

LAB 43.99, -2.39, 2.96

 

CMYK 13 / 24 / 0 / 55

HEX #655874

RGB 101 88 116

HSL 267.86, 0.14%, 0.4%

LAB 39.59, 11.27, -13.95

 

CMYK 23 / 45 / 0 / 48

HEX #654884

RGB 101 72 132

HSL 269, 0.29%, 0.4%

LAB 36.11, 25.15, -29.18

 

CMYK 0 / 4 / 52 / 46

HEX #8A8542

RGB 138 133 66

HSL 55.83, 0.35%, 0.4%

LAB 54.63, -7.77, 36.41

 

CMYK 11 / 0 / 52 / 46

HEX #7B8A42

RGB 123 138 66

HSL 72.5, 0.35%, 0.4%

LAB 54.85, -16.97, 36.37

 

CMYK 25 / 0 / 52 / 46

HEX #688A42

RGB 104 138 66

HSL 88.33, 0.35%, 0.4%

LAB 53.51, -24.79, 34.45

 

CMYK 38 / 0 / 52 / 46

HEX #558A42

RGB 85 138 66

HSL 104.17, 0.35%, 0.4%

LAB 52.4, -31.92, 32.85

 

CMYK 52 / 0 / 52 / 46

HEX #428A42

RGB 66 138 66

HSL 120, 0.35%, 0.4%

LAB 51.53, -38.04, 31.58

 

CMYK 24 / 0 / 52 / 68

HEX #3E5227

RGB 62 82 39

HSL 87.91, 0.36%, 0.24%

LAB 32.27, -16.2, 22.64

 

CMYK 25 / 0 / 52 / 57

HEX #536E35

RGB 83 110 53

HSL 88.42, 0.35%, 0.32%

LAB 43.13, -20.54, 28.43

 

CMYK 25 / 0 / 52 / 46

HEX #688A42

RGB 104 138 66

HSL 88.33, 0.35%, 0.4%

LAB 53.51, -24.79, 34.45

 

CMYK 25 / 0 / 52 / 35

HEX #7CA650

RGB 124 166 80

HSL 89.3, 0.35%, 0.48%

LAB 63.46, -29.12, 39.64

 

CMYK 20 / 0 / 43 / 29

HEX #91B668

RGB 145 182 104

HSL 88.46, 0.35%, 0.56%

LAB 69.81, -26.04, 35.63

 

CMYK 25 / 0 / 52 / 46

HEX #678942

RGB 103 137 66

HSL 88.73, 0.35%, 0.4%

LAB 53.13, -24.68, 33.98

 

CMYK 52 / 0 / 17 / 46

HEX #428A72

RGB 66 138 114

HSL 160, 0.35%, 0.4%

LAB 52.45, -28.68, 6.01

 

CMYK 0 / 52 / 4 / 46

HEX #8A4285

RGB 138 66 133

HSL 304.17, 0.35%, 0.4%

LAB 39.57, 40.32, -24.05

 

CMYK 25 / 0 / 52 / 46

HEX #678942

RGB 103 137 66

HSL 88.73, 0.35%, 0.4%

LAB 53.13, -24.68, 33.98

 

CMYK 52 / 25 / 0 / 46

HEX #42688A

RGB 66 104 138

HSL 208.33, 0.35%, 0.4%

LAB 42.6, -3.28, -22.9

 

CMYK 0 / 52 / 25 / 46

HEX #8A4268

RGB 138 66 104

HSL 328.33, 0.35%, 0.4%

LAB 38.37, 35.4, -7.91

 

CMYK 25 / 0 / 52 / 46

HEX #678942

RGB 103 137 66

HSL 88.73, 0.35%, 0.4%

LAB 53.13, -24.68, 33.98

 

CMYK 52 / 0 / 17 / 46

HEX #428A72

RGB 66 138 114

HSL 160, 0.35%, 0.4%

LAB 52.45, -28.68, 6.01

 

CMYK 28 / 52 / 0 / 46

HEX #64428A

RGB 100 66 138

HSL 268.33, 0.35%, 0.4%

LAB 34.88, 30.04, -34.82

 

CMYK 0 / 52 / 35 / 46

HEX #8A425A

RGB 138 66 90

HSL 340, 0.35%, 0.4%

LAB 37.91, 33.4, 0.2

 

CMYK 25 / 0 / 52 / 46

HEX #678942

RGB 103 137 66

HSL 88.73, 0.35%, 0.4%

LAB 53.13, -24.68, 33.98

 

CMYK 52 / 0 / 2 / 46

HEX #428A87

RGB 66 138 135

HSL 177.5, 0.35%, 0.4%

LAB 53.04, -23.2, -5.3

 

CMYK 28 / 52 / 0 / 46

HEX #64428A

RGB 100 66 138

HSL 268.33, 0.35%, 0.4%

LAB 34.88, 30.04, -34.82

 

CMYK 0 / 52 / 50 / 46

HEX #8A4245

RGB 138 66 69

HSL 357.5, 0.35%, 0.4%

LAB 37.35, 30.93, 12.65

 

Description

Color code: HEX #678942 | qconv.com Color code: HEX #678942 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 137 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 137 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 52 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 52% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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