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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 106 204 0 it is the complementary color RGB 149 51 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 106 204 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 106 204 0: RGB 111 204 0, RGB 128 222 14, RGB 145 240 33, RGB 162 255 52 and RGB 179 255 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 106 204 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 106 204 0: RGB 106 204 0, RGB 89 186 0, RGB 72 168 0, RGB 55 150 0 and RGB 38 132 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 100 / 20

HEX #6ACC00

RGB 106 204 0

HSL 88.82, 1%, 0.4%

LAB 73.71, -55.82, 72.77

 

Complementary color

CMYK 42 / 80 / 0 / 0

HEX #9533FF

RGB 149 51 255

HSL 268.82, 1%, 0.6%

LAB 46.94, 75.17, -83.27

 

CMYK 46 / 0 / 100 / 20

HEX #6FCC00

RGB 111 204 0

HSL 87.35, 1%, 0.4%

LAB 73.91, -54.27, 73.02

 

CMYK 42 / 0 / 94 / 13

HEX #80DE0E

RGB 128 222 14

HSL 87.12, 0.88%, 0.46%

LAB 80.1, -55.5, 76.86

 

CMYK 40 / 0 / 86 / 6

HEX #91F021

RGB 145 240 33

HSL 87.54, 0.87%, 0.54%

LAB 86.23, -56.48, 79.37

 

CMYK 36 / 0 / 80 / 0

HEX #A2FF34

RGB 162 255 52

HSL 87.49, 1%, 0.6%

LAB 91.44, -56.05, 79.96

 

CMYK 30 / 0 / 72 / 0

HEX #B3FF47

RGB 179 255 71

HSL 84.78, 1%, 0.64%

LAB 92.38, -49.27, 75.53

 

CMYK 48 / 0 / 100 / 20

HEX #6ACC00

RGB 106 204 0

HSL 88.82, 1%, 0.4%

LAB 73.71, -55.82, 72.77

 

CMYK 52 / 0 / 100 / 27

HEX #59BA00

RGB 89 186 0

HSL 91.29, 1%, 0.36%

LAB 67.46, -54.24, 67.59

 

CMYK 57 / 0 / 100 / 34

HEX #48A800

RGB 72 168 0

HSL 94.29, 1%, 0.33%

LAB 61.12, -52.5, 62.35

 

CMYK 63 / 0 / 100 / 41

HEX #379600

RGB 55 150 0

HSL 98, 1%, 0.29%

LAB 54.68, -50.53, 57.03

 

CMYK 71 / 0 / 100 / 48

HEX #268400

RGB 38 132 0

HSL 102.73, 1%, 0.26%

LAB 48.15, -48.2, 51.66

 

CMYK 48 / 0 / 100 / 20

HEX #6ACC00

RGB 106 204 0

HSL 88.82, 1%, 0.4%

LAB 73.71, -55.82, 72.77

 

CMYK 64 / 0 / 100 / 20

HEX #4ACC00

RGB 74 204 0

HSL 98.24, 1%, 0.4%

LAB 72.66, -64.29, 71.49

 

CMYK 80 / 0 / 100 / 20

HEX #28CC00

RGB 40 204 0

HSL 108.24, 1%, 0.4%

LAB 71.99, -70.09, 70.68

 

CMYK 97 / 0 / 100 / 20

HEX #06CC00

RGB 6 204 0

HSL 118.24, 1%, 0.4%

LAB 71.71, -72.6, 70.34

 

CMYK 100 / 0 / 87 / 20

HEX #00CC1B

RGB 0 204 27

HSL 127.94, 1%, 0.4%

LAB 71.73, -72.15, 66.67

 

CMYK 48 / 0 / 100 / 20

HEX #6ACC00

RGB 106 204 0

HSL 88.82, 1%, 0.4%

LAB 73.71, -55.82, 72.77

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 47 / 0 / 100 / 80

HEX #1B3300

RGB 27 51 0

HSL 88.24, 1%, 0.1%

LAB 18.37, -19.04, 25.72

 

CMYK 48 / 0 / 100 / 60

HEX #356600

RGB 53 102 0

HSL 88.82, 1%, 0.2%

LAB 38.3, -32.59, 44.11

 

CMYK 48 / 0 / 100 / 40

HEX #509900

RGB 80 153 0

HSL 88.63, 1%, 0.3%

LAB 56.57, -44.43, 58.91

 

CMYK 48 / 0 / 100 / 20

HEX #6ACC00

RGB 106 204 0

HSL 88.82, 1%, 0.4%

LAB 73.71, -55.82, 72.77

 

CMYK 100 / 0 / 34 / 20

HEX #00CC87

RGB 0 204 135

HSL 159.71, 1%, 0.4%

LAB 72.85, -58.54, 22.72

 

CMYK 0 / 100 / 7 / 20

HEX #CC00BE

RGB 204 0 190

HSL 304.12, 1%, 0.4%

LAB 47.69, 81.07, -44.59

 

CMYK 48 / 0 / 100 / 20

HEX #6ACC00

RGB 106 204 0

HSL 88.82, 1%, 0.4%

LAB 73.71, -55.82, 72.77

 

CMYK 100 / 47 / 0 / 20

HEX #006CCC

RGB 0 108 204

HSL 208.24, 1%, 0.4%

LAB 45.75, 11.41, -56.75

 

CMYK 0 / 100 / 47 / 20

HEX #CC006C

RGB 204 0 108

HSL 328.24, 1%, 0.4%

LAB 44.12, 72.01, -0.59

 

CMYK 48 / 0 / 100 / 20

HEX #6ACC00

RGB 106 204 0

HSL 88.82, 1%, 0.4%

LAB 73.71, -55.82, 72.77

 

CMYK 100 / 0 / 34 / 20

HEX #00CC87

RGB 0 204 135

HSL 159.71, 1%, 0.4%

LAB 72.85, -58.54, 22.72

 

CMYK 53 / 100 / 0 / 20

HEX #5F00CC

RGB 95 0 204

HSL 267.94, 1%, 0.4%

LAB 31.33, 69.86, -80.16

 

CMYK 0 / 100 / 67 / 20

HEX #CC0043

RGB 204 0 67

HSL 340.29, 1%, 0.4%

LAB 43.13, 69.36, 23.78

 

CMYK 48 / 0 / 100 / 20

HEX #6ACC00

RGB 106 204 0

HSL 88.82, 1%, 0.4%

LAB 73.71, -55.82, 72.77

 

CMYK 100 / 0 / 3 / 20

HEX #00CCC5

RGB 0 204 197

HSL 177.94, 1%, 0.4%

LAB 74.33, -42.71, -8.47

 

CMYK 53 / 100 / 0 / 20

HEX #5F00CC

RGB 95 0 204

HSL 267.94, 1%, 0.4%

LAB 31.33, 69.86, -80.16

 

CMYK 0 / 100 / 97 / 20

HEX #CC0006

RGB 204 0 6

HSL 358.24, 1%, 0.4%

LAB 42.54, 67.76, 54.77

 

Description

Color code: RGB 106 204 0 | qconv.com Color code: RGB 106 204 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 204 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 204 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 100 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 100% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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