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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6785BA it is the complementary color #987A45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6785BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6785BA shade: #6C85B5, #7D97C8, #8EA9DB, #9FBBEE and #B0CDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6785BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6785BA shade: #6785BA, #5673A7, #456194, #344F81 and #233D6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6785BA shade: #6886BB, #686FBB, #7768BB, #8D68BB and #A368BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6785BA shade: #6886BB, #686FBB and #6868BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6785BA shade matches the following richer shades: #6886BB, #5681CD, #447CDE and #3277F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6785BA shade: #6886BB, #798BA9, #8B9098, #9D9586 and #AF9974

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6785BA shade: #68B3BB, #689CBB, #6886BB, #6870BB and #7668BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6785BA shade: #415D90, #4D70AC, #6886BB, #849DC8 and #A1B3D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6785BA shade: #6785BA, #AD68BB and #A8BB68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6785BA shade: #6785BA, #BB6886 and #86BB68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6785BA shade: #6785BA, #AD68BB, #BB9C68 and #76BB68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6785BA shade: #6785BA, #BB68B0, #BB9C68 and #68BB73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 28 / 0 / 27

HEX #6785BA

RGB 103 133 186

HSL 218.31, 0.38%, 0.57%

LAB 55.28, 3.62, -31.12

 

Complementary color

CMYK 0 / 20 / 55 / 40

HEX #987A45

RGB 152 122 69

HSL 38.31, 0.38%, 0.43%

LAB 52.98, 4.88, 33.17

 

CMYK 40 / 27 / 0 / 29

HEX #6C85B5

RGB 108 133 181

HSL 219.45, 0.33%, 0.57%

LAB 55.38, 3.51, -28.09

 

CMYK 38 / 25 / 0 / 22

HEX #7D97C8

RGB 125 151 200

HSL 219.2, 0.41%, 0.64%

LAB 62.22, 3.08, -28.17

 

CMYK 35 / 23 / 0 / 14

HEX #8EA9DB

RGB 142 169 219

HSL 218.96, 0.52%, 0.71%

LAB 68.93, 2.7, -28.29

 

CMYK 33 / 21 / 0 / 7

HEX #9FBBEE

RGB 159 187 238

HSL 218.73, 0.7%, 0.78%

LAB 75.5, 2.37, -28.43

 

CMYK 31 / 20 / 0 / 0

HEX #B0CDFF

RGB 176 205 255

HSL 217.97, 1%, 0.85%

LAB 81.9, 1.6, -27.64

 

CMYK 45 / 28 / 0 / 27

HEX #6785BA

RGB 103 133 186

HSL 218.31, 0.38%, 0.57%

LAB 55.28, 3.62, -31.12

 

CMYK 49 / 31 / 0 / 35

HEX #5673A7

RGB 86 115 167

HSL 218.52, 0.32%, 0.5%

LAB 48.3, 4.26, -31.12

 

CMYK 53 / 34 / 0 / 42

HEX #456194

RGB 69 97 148

HSL 218.73, 0.36%, 0.43%

LAB 41.14, 5.05, -31.17

 

CMYK 60 / 39 / 0 / 49

HEX #344F81

RGB 52 79 129

HSL 218.96, 0.43%, 0.35%

LAB 33.79, 6.1, -31.28

 

CMYK 68 / 45 / 0 / 57

HEX #233D6E

RGB 35 61 110

HSL 219.2, 0.52%, 0.28%

LAB 26.22, 7.55, -31.44

 

CMYK 44 / 28 / 0 / 27

HEX #6886BB

RGB 104 134 187

HSL 218.31, 0.38%, 0.57%

LAB 55.67, 3.59, -31.09

 

CMYK 44 / 41 / 0 / 27

HEX #686FBB

RGB 104 111 187

HSL 234.94, 0.38%, 0.57%

LAB 49.37, 17.4, -40.96

 

CMYK 36 / 44 / 0 / 27

HEX #7768BB

RGB 119 104 187

HSL 250.84, 0.38%, 0.57%

LAB 48.77, 25.59, -41.84

 

CMYK 25 / 44 / 0 / 27

HEX #8D68BB

RGB 141 104 187

HSL 266.75, 0.38%, 0.57%

LAB 50.86, 31.75, -38.4

 

CMYK 13 / 44 / 0 / 27

HEX #A368BB

RGB 163 104 187

HSL 282.65, 0.38%, 0.57%

LAB 53.25, 38.21, -34.48

 

CMYK 44 / 28 / 0 / 27

HEX #6886BB

RGB 104 134 187

HSL 218.31, 0.38%, 0.57%

LAB 55.67, 3.59, -31.09

 

CMYK 44 / 41 / 0 / 27

HEX #686FBB

RGB 104 111 187

HSL 234.94, 0.38%, 0.57%

LAB 49.37, 17.4, -40.96

 

CMYK 44 / 44 / 0 / 27

HEX #6868BB

RGB 104 104 187

HSL 240, 0.38%, 0.57%

LAB 47.54, 21.68, -43.88

 

CMYK 44 / 28 / 0 / 27

HEX #6886BB

RGB 104 134 187

HSL 218.31, 0.38%, 0.57%

LAB 55.67, 3.59, -31.09

 

CMYK 58 / 37 / 0 / 20

HEX #5681CD

RGB 86 129 205

HSL 218.32, 0.54%, 0.57%

LAB 54.12, 8.01, -43.82

 

CMYK 69 / 44 / 0 / 13

HEX #447CDE

RGB 68 124 222

HSL 218.18, 0.7%, 0.57%

LAB 52.86, 13.76, -55.47

 

CMYK 79 / 50 / 0 / 6

HEX #3277F0

RGB 50 119 240

HSL 218.21, 0.86%, 0.57%

LAB 52.02, 21.25, -66.94

 

CMYK 44 / 28 / 0 / 27

HEX #6886BB

RGB 104 134 187

HSL 218.31, 0.38%, 0.57%

LAB 55.67, 3.59, -31.09

 

CMYK 28 / 18 / 0 / 34

HEX #798BA9

RGB 121 139 169

HSL 217.5, 0.22%, 0.57%

LAB 57.46, 0.62, -17.96

 

CMYK 9 / 5 / 0 / 40

HEX #8B9098

RGB 139 144 152

HSL 216.92, 0.06%, 0.57%

LAB 59.62, -0.17, -4.86

 

CMYK 0 / 5 / 15 / 38

HEX #9D9586

RGB 157 149 134

HSL 39.13, 0.11%, 0.57%

LAB 61.98, 0.29, 8.97

 

CMYK 0 / 13 / 34 / 31

HEX #AF9974

RGB 175 153 116

HSL 37.63, 0.27%, 0.57%

LAB 64.29, 2.57, 22.46

 

CMYK 44 / 4 / 0 / 27

HEX #68B3BB

RGB 104 179 187

HSL 185.78, 0.38%, 0.57%

LAB 68.59, -21.16, -11.37

 

CMYK 44 / 17 / 0 / 27

HEX #689CBB

RGB 104 156 187

HSL 202.41, 0.38%, 0.57%

LAB 61.92, -8.94, -21.45

 

CMYK 44 / 28 / 0 / 27

HEX #6886BB

RGB 104 134 187

HSL 218.31, 0.38%, 0.57%

LAB 55.67, 3.59, -31.09

 

CMYK 44 / 40 / 0 / 27

HEX #6870BB

RGB 104 112 187

HSL 234.22, 0.38%, 0.57%

LAB 49.64, 16.79, -40.54

 

CMYK 37 / 44 / 0 / 27

HEX #7668BB

RGB 118 104 187

HSL 250.12, 0.38%, 0.57%

LAB 48.69, 25.32, -41.98

 

CMYK 55 / 35 / 0 / 44

HEX #415D90

RGB 65 93 144

HSL 218.73, 0.38%, 0.41%

LAB 39.52, 5.28, -31.33

 

CMYK 55 / 35 / 0 / 33

HEX #4D70AC

RGB 77 112 172

HSL 217.89, 0.38%, 0.49%

LAB 47.16, 5.54, -35.86

 

CMYK 44 / 28 / 0 / 27

HEX #6886BB

RGB 104 134 187

HSL 218.31, 0.38%, 0.57%

LAB 55.67, 3.59, -31.09

 

CMYK 34 / 22 / 0 / 22

HEX #849DC8

RGB 132 157 200

HSL 217.94, 0.38%, 0.65%

LAB 64.31, 1.65, -24.91

 

CMYK 24 / 16 / 0 / 16

HEX #A1B3D5

RGB 161 179 213

HSL 219.23, 0.38%, 0.73%

LAB 72.64, 1.25, -19.21

 

CMYK 45 / 28 / 0 / 27

HEX #6785BA

RGB 103 133 186

HSL 218.31, 0.38%, 0.57%

LAB 55.28, 3.62, -31.12

 

CMYK 7 / 44 / 0 / 27

HEX #AD68BB

RGB 173 104 187

HSL 289.88, 0.38%, 0.57%

LAB 54.42, 41.21, -32.57

 

CMYK 10 / 0 / 44 / 27

HEX #A8BB68

RGB 168 187 104

HSL 73.73, 0.38%, 0.57%

LAB 72.8, -19.61, 39.73

 

CMYK 45 / 28 / 0 / 27

HEX #6785BA

RGB 103 133 186

HSL 218.31, 0.38%, 0.57%

LAB 55.28, 3.62, -31.12

 

CMYK 0 / 44 / 28 / 27

HEX #BB6886

RGB 187 104 134

HSL 338.31, 0.38%, 0.57%

LAB 54.22, 36.78, -1.83

 

CMYK 28 / 0 / 44 / 27

HEX #86BB68

RGB 134 187 104

HSL 98.31, 0.38%, 0.57%

LAB 70.6, -32.46, 36.5

 

CMYK 45 / 28 / 0 / 27

HEX #6785BA

RGB 103 133 186

HSL 218.31, 0.38%, 0.57%

LAB 55.28, 3.62, -31.12

 

CMYK 7 / 44 / 0 / 27

HEX #AD68BB

RGB 173 104 187

HSL 289.88, 0.38%, 0.57%

LAB 54.42, 41.21, -32.57

 

CMYK 0 / 17 / 44 / 27

HEX #BB9C68

RGB 187 156 104

HSL 37.59, 0.38%, 0.57%

LAB 66.01, 4.47, 31.47

 

CMYK 37 / 0 / 44 / 27

HEX #76BB68

RGB 118 187 104

HSL 109.88, 0.38%, 0.57%

LAB 69.75, -37.94, 35.24

 

CMYK 45 / 28 / 0 / 27

HEX #6785BA

RGB 103 133 186

HSL 218.31, 0.38%, 0.57%

LAB 55.28, 3.62, -31.12

 

CMYK 0 / 44 / 6 / 27

HEX #BB68B0

RGB 187 104 176

HSL 307.95, 0.38%, 0.57%

LAB 55.69, 43.43, -24.13

 

CMYK 0 / 17 / 44 / 27

HEX #BB9C68

RGB 187 156 104

HSL 37.59, 0.38%, 0.57%

LAB 66.01, 4.47, 31.47

 

CMYK 44 / 0 / 39 / 27

HEX #68BB73

RGB 104 187 115

HSL 127.95, 0.38%, 0.57%

LAB 69.27, -40.6, 28.8

 

Description

Color code: HEX #6785BA | qconv.com Color code: HEX #6785BA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 133 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 133 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 28 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 28% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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