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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 44 / 4 / 0 / 27 it is the complementary color CMYK 0 / 50 / 54 / 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 44 / 4 / 0 / 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 44 / 4 / 0 / 27: CMYK 40 / 1 / 0 / 29, CMYK 37 / 1 / 0 / 22, CMYK 35 / 2 / 0 / 14, CMYK 33 / 2 / 0 / 7 and CMYK 31 / 2 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 44 / 4 / 0 / 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 44 / 4 / 0 / 27: CMYK 44 / 4 / 0 / 27, CMYK 48 / 4 / 0 / 35, CMYK 53 / 3 / 0 / 42, CMYK 59 / 3 / 0 / 49 and CMYK 67 / 3 / 0 / 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 4 / 0 / 27

HEX #68B3BA

RGB 104 179 186

HSL 185.12, 0.37%, 0.57%

LAB 68.55, -21.43, -10.86

 

Complementary color

CMYK 0 / 50 / 54 / 41

HEX #974C45

RGB 151 76 69

HSL 5.12, 0.37%, 0.43%

LAB 41.5, 30.64, 18.58

 

CMYK 40 / 1 / 0 / 29

HEX #6DB3B5

RGB 109 179 181

HSL 181.67, 0.33%, 0.57%

LAB 68.63, -21.46, -7.97

 

CMYK 37 / 1 / 0 / 22

HEX #7EC5C8

RGB 126 197 200

HSL 182.43, 0.4%, 0.64%

LAB 75.16, -21.41, -8.55

 

CMYK 35 / 2 / 0 / 14

HEX #8FD7DB

RGB 143 215 219

HSL 183.16, 0.51%, 0.71%

LAB 81.6, -21.36, -9.11

 

CMYK 33 / 2 / 0 / 7

HEX #A0E9EE

RGB 160 233 238

HSL 183.85, 0.7%, 0.78%

LAB 87.93, -21.3, -9.65

 

CMYK 31 / 2 / 0 / 0

HEX #B1FBFF

RGB 177 251 255

HSL 183.08, 1%, 0.85%

LAB 94.12, -21.69, -9.22

 

CMYK 44 / 4 / 0 / 27

HEX #68B3BA

RGB 104 179 186

HSL 185.12, 0.37%, 0.57%

LAB 68.55, -21.43, -10.86

 

CMYK 48 / 4 / 0 / 35

HEX #57A1A7

RGB 87 161 167

HSL 184.5, 0.31%, 0.5%

LAB 61.92, -21.36, -10.27

 

CMYK 53 / 3 / 0 / 42

HEX #468F94

RGB 70 143 148

HSL 183.85, 0.36%, 0.43%

LAB 55.16, -21.23, -9.64

 

CMYK 59 / 3 / 0 / 49

HEX #357D81

RGB 53 125 129

HSL 183.16, 0.42%, 0.36%

LAB 48.27, -20.98, -8.95

 

CMYK 67 / 3 / 0 / 57

HEX #246B6E

RGB 36 107 110

HSL 182.43, 0.51%, 0.29%

LAB 41.24, -20.54, -8.17

 

CMYK 44 / 4 / 0 / 27

HEX #68B3BA

RGB 104 179 186

HSL 185.12, 0.37%, 0.57%

LAB 68.55, -21.43, -10.86

 

CMYK 44 / 11 / 0 / 27

HEX #68A5B9

RGB 104 165 185

HSL 194.81, 0.37%, 0.57%

LAB 64.45, -14.38, -16.48

 

CMYK 44 / 18 / 0 / 27

HEX #6898B9

RGB 104 152 185

HSL 204.44, 0.37%, 0.57%

LAB 60.7, -7.29, -22.19

 

CMYK 44 / 25 / 0 / 27

HEX #688AB9

RGB 104 138 185

HSL 214.81, 0.37%, 0.57%

LAB 56.71, 0.67, -28.34

 

CMYK 44 / 32 / 0 / 27

HEX #687DB9

RGB 104 125 185

HSL 224.44, 0.37%, 0.57%

LAB 53.07, 8.33, -33.99

 

CMYK 44 / 4 / 0 / 27

HEX #68B3BA

RGB 104 179 186

HSL 185.12, 0.37%, 0.57%

LAB 68.55, -21.43, -10.86

 

CMYK 44 / 4 / 0 / 7

HEX #85E4ED

RGB 133 228 237

HSL 185.19, 0.74%, 0.73%

LAB 85.3, -25.85, -13.19

 

CMYK 45 / 3 / 0 / 87

HEX #122021

RGB 18 32 33

HSL 184, 0.29%, 0.1%

LAB 11.07, -5.68, -2.61

 

CMYK 44 / 4 / 0 / 67

HEX #2F5154

RGB 47 81 84

HSL 184.86, 0.28%, 0.26%

LAB 32.1, -11.44, -5.66

 

CMYK 44 / 4 / 0 / 47

HEX #4B8287

RGB 75 130 135

HSL 185, 0.29%, 0.41%

LAB 50.93, -16.76, -8.4

 

CMYK 44 / 4 / 0 / 27

HEX #68B3BA

RGB 104 179 186

HSL 185.12, 0.37%, 0.57%

LAB 68.55, -21.43, -10.86

 

CMYK 31 / 44 / 0 / 27

HEX #7F68B9

RGB 127 104 185

HSL 257.04, 0.37%, 0.57%

LAB 49.39, 27.25, -39.65

 

CMYK 0 / 14 / 44 / 27

HEX #B9A068

RGB 185 160 104

HSL 41.48, 0.37%, 0.57%

LAB 66.87, 1.46, 32.53

 

CMYK 44 / 4 / 0 / 27

HEX #68B3BA

RGB 104 179 186

HSL 185.12, 0.37%, 0.57%

LAB 68.55, -21.43, -10.86

 

CMYK 0 / 44 / 3 / 27

HEX #B968B3

RGB 185 104 179

HSL 304.44, 0.37%, 0.57%

LAB 55.55, 43.34, -26.09

 

CMYK 3 / 0 / 44 / 27

HEX #B3B968

RGB 179 185 104

HSL 64.44, 0.37%, 0.57%

LAB 73.08, -14.2, 40.25

 

CMYK 44 / 4 / 0 / 27

HEX #68B3BA

RGB 104 179 186

HSL 185.12, 0.37%, 0.57%

LAB 68.55, -21.43, -10.86

 

CMYK 31 / 44 / 0 / 27

HEX #7F68B9

RGB 127 104 185

HSL 257.04, 0.37%, 0.57%

LAB 49.39, 27.25, -39.65

 

CMYK 0 / 40 / 44 / 27

HEX #B96F68

RGB 185 111 104

HSL 5.19, 0.37%, 0.57%

LAB 54.74, 28.52, 16.46

 

CMYK 12 / 0 / 44 / 27

HEX #A2B968

RGB 162 185 104

HSL 77.04, 0.37%, 0.57%

LAB 71.81, -20.98, 38.4

 

CMYK 44 / 4 / 0 / 27

HEX #68B3BA

RGB 104 179 186

HSL 185.12, 0.37%, 0.57%

LAB 68.55, -21.43, -10.86

 

CMYK 18 / 44 / 0 / 27

HEX #9868B9

RGB 152 104 185

HSL 275.56, 0.37%, 0.57%

LAB 51.93, 34.5, -35.49

 

CMYK 0 / 40 / 44 / 27

HEX #B96F68

RGB 185 111 104

HSL 5.19, 0.37%, 0.57%

LAB 54.74, 28.52, 16.46

 

CMYK 25 / 0 / 44 / 27

HEX #8AB968

RGB 138 185 104

HSL 94.81, 0.37%, 0.57%

LAB 70.25, -30.08, 36.1

 

Description

Color code: CMYK 44 / 4 / 0 / 27 | qconv.com Color code: CMYK 44 / 4 / 0 / 27 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 179 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 179 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 4 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 4% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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