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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #677C8C it is the complementary color #988373. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #677C8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #677C8C: #6C7C87, #7D8E9A, #8EA0AD, #9FB2C0 and #B0C4D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #677C8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #677C8C: #677C8C, #566A79, #455866, #344653 and #233440

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 11 / 0 / 45

HEX #677C8C

RGB 103 124 140

HSL 205.95, 0.15%, 0.48%

LAB 50.91, -3.77, -11.2

 

Complementary color

CMYK 0 / 14 / 24 / 40

HEX #988373

RGB 152 131 115

HSL 25.95, 0.15%, 0.52%

LAB 56.23, 5.38, 11.6

 

CMYK 20 / 8 / 0 / 47

HEX #6C7C87

RGB 108 124 135

HSL 204.44, 0.11%, 0.48%

LAB 51.1, -3.33, -7.95

 

CMYK 19 / 8 / 0 / 40

HEX #7D8E9A

RGB 125 142 154

HSL 204.83, 0.13%, 0.55%

LAB 58.07, -3.42, -8.42

 

CMYK 18 / 8 / 0 / 32

HEX #8EA0AD

RGB 142 160 173

HSL 205.16, 0.16%, 0.62%

LAB 64.89, -3.5, -8.88

 

CMYK 17 / 7 / 0 / 25

HEX #9FB2C0

RGB 159 178 192

HSL 205.45, 0.21%, 0.69%

LAB 71.57, -3.58, -9.34

 

CMYK 17 / 7 / 0 / 17

HEX #B0C4D3

RGB 176 196 211

HSL 205.71, 0.28%, 0.76%

LAB 78.12, -3.67, -9.79

 

CMYK 26 / 11 / 0 / 45

HEX #677C8C

RGB 103 124 140

HSL 205.95, 0.15%, 0.48%

LAB 50.91, -3.77, -11.2

 

CMYK 29 / 12 / 0 / 53

HEX #566A79

RGB 86 106 121

HSL 205.71, 0.17%, 0.41%

LAB 43.75, -3.67, -10.8

 

CMYK 32 / 14 / 0 / 60

HEX #455866

RGB 69 88 102

HSL 205.45, 0.19%, 0.34%

LAB 36.37, -3.55, -10.42

 

CMYK 37 / 16 / 0 / 67

HEX #344653

RGB 52 70 83

HSL 205.16, 0.23%, 0.26%

LAB 28.73, -3.4, -10.05

 

CMYK 45 / 19 / 0 / 75

HEX #233440

RGB 35 52 64

HSL 204.83, 0.29%, 0.19%

LAB 20.76, -3.19, -9.71

 

CMYK 26 / 11 / 0 / 45

HEX #677C8C

RGB 103 124 140

HSL 205.95, 0.15%, 0.48%

LAB 50.91, -3.77, -11.2

 

CMYK 26 / 15 / 0 / 45

HEX #68778C

RGB 104 119 140

HSL 215, 0.15%, 0.48%

LAB 49.53, -0.54, -13.27

 

CMYK 26 / 19 / 0 / 45

HEX #68718C

RGB 104 113 140

HSL 225, 0.15%, 0.48%

LAB 47.81, 3.01, -15.88

 

CMYK 26 / 24 / 0 / 45

HEX #686B8C

RGB 104 107 140

HSL 235, 0.15%, 0.48%

LAB 46.11, 6.62, -18.48

 

CMYK 24 / 26 / 0 / 45

HEX #6B688C

RGB 107 104 140

HSL 245, 0.15%, 0.48%

LAB 45.52, 9.43, -19.36

 

CMYK 26 / 11 / 0 / 45

HEX #677C8C

RGB 103 124 140

HSL 205.95, 0.15%, 0.48%

LAB 50.91, -3.77, -11.2

 

CMYK 26 / 12 / 0 / 25

HEX #8DA9BF

RGB 141 169 191

HSL 206.4, 0.28%, 0.65%

LAB 67.87, -4.59, -14.44

 

CMYK 26 / 12 / 0 / 5

HEX #B2D6F2

RGB 178 214 242

HSL 206.25, 0.71%, 0.82%

LAB 83.95, -5.66, -17.62

 

CMYK 26 / 11 / 0 / 85

HEX #1C2226

RGB 28 34 38

HSL 204, 0.15%, 0.13%

LAB 12.8, -1.56, -3.59

 

CMYK 27 / 11 / 0 / 65

HEX #414F59

RGB 65 79 89

HSL 205, 0.16%, 0.3%

LAB 32.78, -2.91, -7.69

 

CMYK 26 / 11 / 0 / 45

HEX #677C8C

RGB 103 124 140

HSL 205.95, 0.15%, 0.48%

LAB 50.91, -3.77, -11.2

 

CMYK 10 / 26 / 0 / 45

HEX #7E688C

RGB 126 104 140

HSL 276.67, 0.15%, 0.48%

LAB 47.27, 15.92, -16.53

 

CMYK 0 / 0 / 26 / 45

HEX #8C8C68

RGB 140 140 104

HSL 60, 0.15%, 0.48%

LAB 57.4, -6.18, 19.3

 

CMYK 26 / 11 / 0 / 45

HEX #677C8C

RGB 103 124 140

HSL 205.95, 0.15%, 0.48%

LAB 50.91, -3.77, -11.2

 

CMYK 0 / 26 / 11 / 45

HEX #8C687D

RGB 140 104 125

HSL 325, 0.15%, 0.48%

LAB 48.21, 17.98, -6.03

 

CMYK 11 / 0 / 26 / 45

HEX #7D8C68

RGB 125 140 104

HSL 85, 0.15%, 0.48%

LAB 56.2, -12.18, 17.47

 

CMYK 26 / 11 / 0 / 45

HEX #677C8C

RGB 103 124 140

HSL 205.95, 0.15%, 0.48%

LAB 50.91, -3.77, -11.2

 

CMYK 10 / 26 / 0 / 45

HEX #7E688C

RGB 126 104 140

HSL 276.67, 0.15%, 0.48%

LAB 47.27, 15.92, -16.53

 

CMYK 0 / 15 / 26 / 45

HEX #8C7768

RGB 140 119 104

HSL 25, 0.15%, 0.48%

LAB 51.57, 5.68, 11.27

 

CMYK 16 / 0 / 26 / 45

HEX #768C68

RGB 118 140 104

HSL 96.67, 0.15%, 0.48%

LAB 55.69, -14.89, 16.69

 

CMYK 26 / 11 / 0 / 45

HEX #677C8C

RGB 103 124 140

HSL 205.95, 0.15%, 0.48%

LAB 50.91, -3.77, -11.2

 

CMYK 2 / 26 / 0 / 45

HEX #89688C

RGB 137 104 140

HSL 295, 0.15%, 0.48%

LAB 48.4, 19.81, -14.71

 

CMYK 0 / 15 / 26 / 45

HEX #8C7768

RGB 140 119 104

HSL 25, 0.15%, 0.48%

LAB 51.57, 5.68, 11.27

 

CMYK 24 / 0 / 26 / 45

HEX #6B8C68

RGB 107 140 104

HSL 115, 0.15%, 0.48%

LAB 54.95, -19.01, 15.55

 

Description

Color code: HEX #677C8C | qconv.com Color code: HEX #677C8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 124 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 124 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 11 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 11% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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