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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #676956 it is the complementary color #9896A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #676956. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #676956: #6C6951, #7D7B64, #8E8D77, #9F9F8A and #B0B19D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #676956. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #676956: #676956, #565743, #454530, #34331D and #23210A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 18 / 59

HEX #676956

RGB 103 105 86

HSL 66.32, 0.1%, 0.37%

LAB 43.74, -4.42, 10.44

 

Complementary color

CMYK 10 / 11 / 0 / 34

HEX #9896A9

RGB 152 150 169

HSL 246.32, 0.1%, 0.63%

LAB 62.8, 4.56, -9.66

 

CMYK 0 / 3 / 25 / 58

HEX #6C6951

RGB 108 105 81

HSL 53.33, 0.14%, 0.37%

LAB 44.07, -3.15, 13.95

 

CMYK 0 / 2 / 20 / 51

HEX #7D7B64

RGB 125 123 100

HSL 55.2, 0.11%, 0.44%

LAB 51.2, -3.39, 12.88

 

CMYK 0 / 1 / 16 / 44

HEX #8E8D77

RGB 142 141 119

HSL 57.39, 0.09%, 0.51%

LAB 58.16, -3.59, 11.89

 

CMYK 0 / 0 / 13 / 38

HEX #9F9F8A

RGB 159 159 138

HSL 60, 0.1%, 0.58%

LAB 64.96, -3.76, 10.97

 

CMYK 1 / 0 / 11 / 31

HEX #B0B19D

RGB 176 177 157

HSL 63, 0.11%, 0.65%

LAB 71.63, -3.92, 10.12

 

CMYK 2 / 0 / 18 / 59

HEX #676956

RGB 103 105 86

HSL 66.32, 0.1%, 0.37%

LAB 43.74, -4.42, 10.44

 

CMYK 1 / 0 / 23 / 66

HEX #565743

RGB 86 87 67

HSL 63, 0.13%, 0.3%

LAB 36.37, -4.26, 11.52

 

CMYK 0 / 0 / 30 / 73

HEX #454530

RGB 69 69 48

HSL 60, 0.18%, 0.23%

LAB 28.73, -4.03, 12.74

 

CMYK 0 / 2 / 44 / 80

HEX #34331D

RGB 52 51 29

HSL 57.39, 0.28%, 0.16%

LAB 20.78, -3.69, 14.13

 

CMYK 0 / 6 / 71 / 86

HEX #23210A

RGB 35 33 10

HSL 55.2, 0.56%, 0.09%

LAB 12.4, -3.08, 14.19

 

CMYK 2 / 0 / 18 / 59

HEX #676956

RGB 103 105 86

HSL 66.32, 0.1%, 0.37%

LAB 43.74, -4.42, 10.44

 

CMYK 5 / 0 / 18 / 60

HEX #626754

RGB 98 103 84

HSL 75.79, 0.1%, 0.37%

LAB 42.67, -5.67, 10.09

 

CMYK 8 / 0 / 18 / 60

HEX #5F6754

RGB 95 103 84

HSL 85.26, 0.1%, 0.37%

LAB 42.42, -6.9, 9.7

 

CMYK 11 / 0 / 18 / 60

HEX #5C6754

RGB 92 103 84

HSL 94.74, 0.1%, 0.37%

LAB 42.18, -8.12, 9.33

 

CMYK 14 / 0 / 18 / 60

HEX #596754

RGB 89 103 84

HSL 104.21, 0.1%, 0.37%

LAB 41.94, -9.32, 8.96

 

CMYK 2 / 0 / 18 / 59

HEX #676956

RGB 103 105 86

HSL 66.32, 0.1%, 0.37%

LAB 43.74, -4.42, 10.44

 

CMYK 2 / 0 / 18 / 39

HEX #999C80

RGB 153 156 128

HSL 66.43, 0.12%, 0.56%

LAB 63.43, -6.08, 14.33

 

CMYK 2 / 0 / 18 / 19

HEX #CBCFAA

RGB 203 207 170

HSL 66.49, 0.28%, 0.74%

LAB 81.96, -7.62, 17.96

 

CMYK 0 / 0 / 33 / 99

HEX #030302

RGB 3 3 2

HSL 60, 0.2%, 0.01%

LAB 0.8, -0.14, 0.38

 

CMYK 2 / 0 / 19 / 79

HEX #35362C

RGB 53 54 44

HSL 66, 0.1%, 0.19%

LAB 22.22, -2.59, 6.15

 

CMYK 2 / 0 / 18 / 59

HEX #676956

RGB 103 105 86

HSL 66.32, 0.1%, 0.37%

LAB 43.74, -4.42, 10.44

 

CMYK 18 / 0 / 13 / 60

HEX #54675A

RGB 84 103 90

HSL 138.95, 0.1%, 0.37%

LAB 41.73, -10.04, 4.97

 

CMYK 5 / 18 / 0 / 60

HEX #625467

RGB 98 84 103

HSL 284.21, 0.1%, 0.37%

LAB 37.69, 9.66, -8.81

 

CMYK 2 / 0 / 18 / 59

HEX #676956

RGB 103 105 86

HSL 66.32, 0.1%, 0.37%

LAB 43.74, -4.42, 10.44

 

CMYK 18 / 2 / 0 / 60

HEX #546567

RGB 84 101 103

HSL 186.32, 0.1%, 0.37%

LAB 41.49, -5.93, -3.28

 

CMYK 0 / 18 / 2 / 60

HEX #675465

RGB 103 84 101

HSL 306.32, 0.1%, 0.37%

LAB 38.13, 11.15, -6.85

 

CMYK 2 / 0 / 18 / 59

HEX #676956

RGB 103 105 86

HSL 66.32, 0.1%, 0.37%

LAB 43.74, -4.42, 10.44

 

CMYK 18 / 0 / 13 / 60

HEX #54675A

RGB 84 103 90

HSL 138.95, 0.1%, 0.37%

LAB 41.73, -10.04, 4.97

 

CMYK 17 / 18 / 0 / 60

HEX #565467

RGB 86 84 103

HSL 246.32, 0.1%, 0.37%

LAB 36.55, 5.17, -10.65

 

CMYK 0 / 18 / 5 / 60

HEX #675462

RGB 103 84 98

HSL 315.79, 0.1%, 0.37%

LAB 38.03, 10.53, -5.14

 

CMYK 2 / 0 / 18 / 59

HEX #676956

RGB 103 105 86

HSL 66.32, 0.1%, 0.37%

LAB 43.74, -4.42, 10.44

 

CMYK 18 / 0 / 7 / 60

HEX #546760

RGB 84 103 96

HSL 157.89, 0.1%, 0.37%

LAB 41.89, -8.73, 1.57

 

CMYK 17 / 18 / 0 / 60

HEX #565467

RGB 86 84 103

HSL 246.32, 0.1%, 0.37%

LAB 36.55, 5.17, -10.65

 

CMYK 0 / 18 / 11 / 60

HEX #67545C

RGB 103 84 92

HSL 334.74, 0.1%, 0.37%

LAB 37.84, 9.34, -1.69

 

Description

Color code: HEX #676956 | qconv.com Color code: HEX #676956 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 105 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 105 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 18 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 18% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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