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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #674ADD it is the complementary color #98B522. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #674ADD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #674ADD: #6C4AD8, #7D5CEB, #8E6EFE, #9F80FF and #B092FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #674ADD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #674ADD: #674ADD, #5638CA, #4526B7, #3414A4 and #230291

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 67 / 0 / 13

HEX #674ADD

RGB 103 74 221

HSL 251.84, 0.68%, 0.58%

LAB 42.77, 49.42, -71.13

 

Complementary color

CMYK 16 / 0 / 81 / 29

HEX #98B522

RGB 152 181 34

HSL 71.84, 0.68%, 0.42%

LAB 69.35, -28.38, 64.69

 

CMYK 50 / 66 / 0 / 15

HEX #6C4AD8

RGB 108 74 216

HSL 254.37, 0.65%, 0.57%

LAB 42.83, 48.83, -68.15

 

CMYK 47 / 61 / 0 / 8

HEX #7D5CEB

RGB 125 92 235

HSL 253.85, 0.78%, 0.64%

LAB 49.51, 47.44, -68

 

CMYK 44 / 57 / 0 / 0

HEX #8E6EFE

RGB 142 110 254

HSL 253.33, 0.99%, 0.71%

LAB 56.15, 46.11, -67.78

 

CMYK 38 / 50 / 0 / 0

HEX #9F80FF

RGB 159 128 255

HSL 254.65, 1%, 0.75%

LAB 61.68, 40.08, -59.36

 

CMYK 31 / 43 / 0 / 0

HEX #B092FF

RGB 176 146 255

HSL 256.51, 1%, 0.79%

LAB 67.28, 34.25, -50.37

 

CMYK 53 / 67 / 0 / 13

HEX #674ADD

RGB 103 74 221

HSL 251.84, 0.68%, 0.58%

LAB 42.77, 49.42, -71.13

 

CMYK 57 / 72 / 0 / 21

HEX #5638CA

RGB 86 56 202

HSL 252.33, 0.58%, 0.51%

LAB 36.12, 50.92, -71.13

 

CMYK 62 / 79 / 0 / 28

HEX #4526B7

RGB 69 38 183

HSL 252.83, 0.66%, 0.43%

LAB 29.59, 52.18, -70.76

 

CMYK 68 / 88 / 0 / 36

HEX #3414A4

RGB 52 20 164

HSL 253.33, 0.78%, 0.36%

LAB 23.37, 52.71, -69.68

 

CMYK 76 / 99 / 0 / 43

HEX #230291

RGB 35 2 145

HSL 253.85, 0.97%, 0.29%

LAB 17.67, 52.02, -67.53

 

CMYK 53 / 67 / 0 / 13

HEX #674ADD

RGB 103 74 221

HSL 251.84, 0.68%, 0.58%

LAB 42.77, 49.42, -71.13

 

CMYK 43 / 66 / 0 / 14

HEX #7E4BDC

RGB 126 75 220

HSL 261.1, 0.67%, 0.58%

LAB 45.13, 52.71, -66.61

 

CMYK 32 / 66 / 0 / 14

HEX #964BDC

RGB 150 75 220

HSL 271.03, 0.67%, 0.58%

LAB 47.86, 57.49, -62.06

 

CMYK 21 / 66 / 0 / 14

HEX #AE4BDC

RGB 174 75 220

HSL 280.97, 0.67%, 0.58%

LAB 50.92, 62.59, -56.98

 

CMYK 10 / 66 / 0 / 14

HEX #C64BDC

RGB 198 75 220

HSL 290.9, 0.67%, 0.58%

LAB 54.24, 67.89, -51.47

 

CMYK 53 / 67 / 0 / 13

HEX #674ADD

RGB 103 74 221

HSL 251.84, 0.68%, 0.58%

LAB 42.77, 49.42, -71.13

 

CMYK 53 / 65 / 0 / 93

HEX #080611

RGB 8 6 17

HSL 250.91, 0.48%, 0.05%

LAB 2.01, 2.26, -4.54

 

CMYK 53 / 66 / 0 / 73

HEX #201744

RGB 32 23 68

HSL 252, 0.49%, 0.18%

LAB 11.53, 18.09, -27.01

 

CMYK 54 / 66 / 0 / 53

HEX #372877

RGB 55 40 119

HSL 251.39, 0.5%, 0.31%

LAB 22.52, 29.27, -43.07

 

CMYK 54 / 66 / 0 / 33

HEX #4F39AA

RGB 79 57 170

HSL 251.68, 0.5%, 0.45%

LAB 32.9, 39.67, -57.54

 

CMYK 53 / 67 / 0 / 13

HEX #674ADD

RGB 103 74 221

HSL 251.84, 0.68%, 0.58%

LAB 42.77, 49.42, -71.13

 

CMYK 0 / 66 / 25 / 14

HEX #DC4BA4

RGB 220 75 164

HSL 323.17, 0.67%, 0.58%

LAB 55, 64.67, -17.79

 

CMYK 52 / 0 / 66 / 14

HEX #6ADC4B

RGB 106 220 75

HSL 107.17, 0.67%, 0.58%

LAB 78.9, -58.32, 59.2

 

CMYK 53 / 67 / 0 / 13

HEX #674ADD

RGB 103 74 221

HSL 251.84, 0.68%, 0.58%

LAB 42.77, 49.42, -71.13

 

CMYK 0 / 54 / 66 / 14

HEX #DC654B

RGB 220 101 75

HSL 10.76, 0.67%, 0.58%

LAB 57.11, 44.76, 36.97

 

CMYK 66 / 0 / 54 / 14

HEX #4BDC65

RGB 75 220 101

HSL 130.76, 0.67%, 0.58%

LAB 78.24, -62.62, 46.86

 

CMYK 53 / 67 / 0 / 13

HEX #674ADD

RGB 103 74 221

HSL 251.84, 0.68%, 0.58%

LAB 42.77, 49.42, -71.13

 

CMYK 0 / 66 / 25 / 14

HEX #DC4BA4

RGB 220 75 164

HSL 323.17, 0.67%, 0.58%

LAB 55, 64.67, -17.79

 

CMYK 12 / 0 / 66 / 14

HEX #C2DC4B

RGB 194 220 75

HSL 70.76, 0.67%, 0.58%

LAB 83.53, -27.78, 65.49

 

CMYK 66 / 0 / 41 / 14

HEX #4BDC82

RGB 75 220 130

HSL 142.76, 0.67%, 0.58%

LAB 78.63, -58.18, 33.19

 

CMYK 53 / 67 / 0 / 13

HEX #674ADD

RGB 103 74 221

HSL 251.84, 0.68%, 0.58%

LAB 42.77, 49.42, -71.13

 

CMYK 0 / 66 / 45 / 14

HEX #DC4B79

RGB 220 75 121

HSL 340.97, 0.67%, 0.58%

LAB 53.63, 59.89, 5.62

 

CMYK 12 / 0 / 66 / 14

HEX #C2DC4B

RGB 194 220 75

HSL 70.76, 0.67%, 0.58%

LAB 83.53, -27.78, 65.49

 

CMYK 66 / 0 / 21 / 14

HEX #4BDCAE

RGB 75 220 174

HSL 160.97, 0.67%, 0.58%

LAB 79.46, -49.27, 11.44

 

Description

Color code: HEX #674ADD | qconv.com Color code: HEX #674ADD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 74 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 74 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 67 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 67% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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