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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6749C4 it is the complementary color #98B63B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6749C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #6749C4: #6C49BF, #7D5BD2, #8E6DE5, #9F7FF8 and #B091FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6749C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #6749C4: #6749C4, #5637B1, #45259E, #34138B and #230178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 63 / 0 / 23

HEX #6749C4

RGB 103 73 196

HSL 254.63, 0.51%, 0.53%

LAB 40.63, 42.72, -60.21

 

Complementary color

CMYK 16 / 0 / 68 / 29

HEX #98B63B

RGB 152 182 59

HSL 74.63, 0.51%, 0.47%

LAB 69.79, -27.58, 56.66

 

CMYK 43 / 62 / 0 / 25

HEX #6C49BF

RGB 108 73 191

HSL 257.8, 0.48%, 0.52%

LAB 40.76, 42.32, -57.06

 

CMYK 40 / 57 / 0 / 18

HEX #7D5BD2

RGB 125 91 210

HSL 257.14, 0.57%, 0.59%

LAB 47.62, 41.07, -56.88

 

CMYK 38 / 52 / 0 / 10

HEX #8E6DE5

RGB 142 109 229

HSL 256.5, 0.7%, 0.66%

LAB 54.39, 39.9, -56.68

 

CMYK 36 / 49 / 0 / 3

HEX #9F7FF8

RGB 159 127 248

HSL 255.87, 0.9%, 0.74%

LAB 61.07, 38.81, -56.49

 

CMYK 31 / 43 / 0 / 0

HEX #B091FF

RGB 176 145 255

HSL 256.91, 1%, 0.78%

LAB 67.05, 34.81, -50.73

 

CMYK 47 / 63 / 0 / 23

HEX #6749C4

RGB 103 73 196

HSL 254.63, 0.51%, 0.53%

LAB 40.63, 42.72, -60.21

 

CMYK 51 / 69 / 0 / 31

HEX #5637B1

RGB 86 55 177

HSL 255.25, 0.53%, 0.45%

LAB 33.74, 44.13, -60.31

 

CMYK 56 / 77 / 0 / 38

HEX #45259E

RGB 69 37 158

HSL 255.87, 0.62%, 0.38%

LAB 26.9, 45.4, -60.16

 

CMYK 63 / 86 / 0 / 45

HEX #34138B

RGB 52 19 139

HSL 256.5, 0.76%, 0.31%

LAB 20.28, 46.06, -59.39

 

CMYK 71 / 99 / 0 / 53

HEX #230178

RGB 35 1 120

HSL 257.14, 0.98%, 0.24%

LAB 14.03, 45.83, -57.76

 

CMYK 47 / 63 / 0 / 23

HEX #6749C4

RGB 103 73 196

HSL 254.63, 0.51%, 0.53%

LAB 40.63, 42.72, -60.21

 

CMYK 38 / 62 / 0 / 23

HEX #7A4AC4

RGB 122 74 196

HSL 263.61, 0.51%, 0.53%

LAB 42.79, 46.13, -56.61

 

CMYK 27 / 62 / 0 / 23

HEX #8F4AC4

RGB 143 74 196

HSL 273.93, 0.51%, 0.53%

LAB 45.25, 50.87, -52.52

 

CMYK 17 / 62 / 0 / 23

HEX #A34AC4

RGB 163 74 196

HSL 283.77, 0.51%, 0.53%

LAB 47.84, 55.59, -48.23

 

CMYK 6 / 62 / 0 / 23

HEX #B84AC4

RGB 184 74 196

HSL 294.1, 0.51%, 0.53%

LAB 50.77, 60.67, -43.39

 

CMYK 47 / 63 / 0 / 23

HEX #6749C4

RGB 103 73 196

HSL 254.63, 0.51%, 0.53%

LAB 40.63, 42.72, -60.21

 

CMYK 47 / 63 / 0 / 3

HEX #825CF7

RGB 130 92 247

HSL 254.71, 0.91%, 0.66%

LAB 50.82, 51.73, -72.57

 

CMYK 47 / 63 / 0 / 83

HEX #17102B

RGB 23 16 43

HSL 255.56, 0.46%, 0.12%

LAB 6.57, 11.35, -16.97

 

CMYK 48 / 63 / 0 / 63

HEX #31235E

RGB 49 35 94

HSL 254.24, 0.46%, 0.25%

LAB 18.64, 22.96, -33.14

 

CMYK 48 / 63 / 0 / 43

HEX #4C3691

RGB 76 54 145

HSL 254.51, 0.46%, 0.39%

LAB 29.96, 33.21, -47.17

 

CMYK 47 / 63 / 0 / 23

HEX #6749C4

RGB 103 73 196

HSL 254.63, 0.51%, 0.53%

LAB 40.63, 42.72, -60.21

 

CMYK 0 / 62 / 27 / 23

HEX #C44A8F

RGB 196 74 143

HSL 326.07, 0.51%, 0.53%

LAB 50.24, 55.58, -12.97

 

CMYK 52 / 0 / 62 / 23

HEX #5EC44A

RGB 94 196 74

HSL 110.16, 0.51%, 0.53%

LAB 71.11, -52.62, 50.95

 

CMYK 47 / 63 / 0 / 23

HEX #6749C4

RGB 103 73 196

HSL 254.63, 0.51%, 0.53%

LAB 40.63, 42.72, -60.21

 

CMYK 0 / 48 / 62 / 23

HEX #C4664A

RGB 196 102 74

HSL 13.77, 0.51%, 0.53%

LAB 53.74, 35.03, 32.62

 

CMYK 62 / 0 / 48 / 23

HEX #4AC466

RGB 74 196 102

HSL 133.77, 0.51%, 0.53%

LAB 70.8, -53.93, 37.23

 

CMYK 47 / 63 / 0 / 23

HEX #6749C4

RGB 103 73 196

HSL 254.63, 0.51%, 0.53%

LAB 40.63, 42.72, -60.21

 

CMYK 0 / 62 / 27 / 23

HEX #C44A8F

RGB 196 74 143

HSL 326.07, 0.51%, 0.53%

LAB 50.24, 55.58, -12.97

 

CMYK 15 / 0 / 62 / 23

HEX #A7C44A

RGB 167 196 74

HSL 74.26, 0.51%, 0.53%

LAB 74.94, -27.21, 56.25

 

CMYK 62 / 0 / 35 / 23

HEX #4AC47F

RGB 74 196 127

HSL 146.07, 0.51%, 0.53%

LAB 71.19, -49.62, 24.86

 

CMYK 47 / 63 / 0 / 23

HEX #6749C4

RGB 103 73 196

HSL 254.63, 0.51%, 0.53%

LAB 40.63, 42.72, -60.21

 

CMYK 0 / 62 / 46 / 23

HEX #C44A6A

RGB 196 74 106

HSL 344.26, 0.51%, 0.53%

LAB 49.1, 51.36, 7.63

 

CMYK 15 / 0 / 62 / 23

HEX #A7C44A

RGB 167 196 74

HSL 74.26, 0.51%, 0.53%

LAB 74.94, -27.21, 56.25

 

CMYK 62 / 0 / 17 / 23

HEX #4AC4A3

RGB 74 196 163

HSL 163.77, 0.51%, 0.53%

LAB 71.95, -41.8, 6.6

 

Description

Color code: HEX #6749C4 | qconv.com Color code: HEX #6749C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 73 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 73 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 63 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 63% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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