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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67457A it is the complementary color #98BA85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67457A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67457A shade: #6C4575, #7D5788, #8E699B, #9F7BAE and #B08DC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67457A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67457A shade: #67457A, #563367, #452154, #340F41 and #23002E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67457A shade: #664479, #744479, #79446F, #794461 and #794453

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67457A shade: #664479, #584479, #494479 and #444479

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67457A shade matches the following richer shades: #664479, #6A3588, #6E2597, #7316A7 and #7707B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67457A shade: #664479, #62536A, #5D625A, #59724B and #55813C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67457A shade: #494479, #574479, #654479, #734479 and #794470

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67457A shade: #392644, #50355E, #664479, #7C5393 and #9166A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67457A shade: #67457A, #79444D and #447950

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67457A shade: #67457A, #796544 and #447965

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67457A shade: #67457A, #79444D, #577944 and #447970

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67457A shade: #67457A, #794B44, #577944 and #447279

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 43 / 0 / 52

HEX #67457A

RGB 103 69 122

HSL 278.49, 0.28%, 0.37%

LAB 35.09, 25.15, -24.58

 

Complementary color

CMYK 18 / 0 / 28 / 27

HEX #98BA85

RGB 152 186 133

HSL 98.49, 0.28%, 0.63%

LAB 71.88, -21.31, 23.21

 

CMYK 8 / 41 / 0 / 54

HEX #6C4575

RGB 108 69 117

HSL 288.75, 0.26%, 0.36%

LAB 35.46, 25.67, -20.86

 

CMYK 8 / 36 / 0 / 47

HEX #7D5788

RGB 125 87 136

HSL 286.53, 0.22%, 0.44%

LAB 42.69, 24.86, -21.16

 

CMYK 8 / 32 / 0 / 39

HEX #8E699B

RGB 142 105 155

HSL 284.4, 0.2%, 0.51%

LAB 49.76, 24.11, -21.45

 

CMYK 9 / 29 / 0 / 32

HEX #9F7BAE

RGB 159 123 174

HSL 282.35, 0.24%, 0.58%

LAB 56.68, 23.43, -21.73

 

CMYK 9 / 27 / 0 / 24

HEX #B08DC1

RGB 176 141 193

HSL 280.38, 0.3%, 0.65%

LAB 63.45, 22.81, -22.01

 

CMYK 16 / 43 / 0 / 52

HEX #67457A

RGB 103 69 122

HSL 278.49, 0.28%, 0.37%

LAB 35.09, 25.15, -24.58

 

CMYK 17 / 50 / 0 / 60

HEX #563367

RGB 86 51 103

HSL 280.38, 0.34%, 0.3%

LAB 27.64, 26.06, -24.4

 

CMYK 18 / 61 / 0 / 67

HEX #452154

RGB 69 33 84

HSL 282.35, 0.44%, 0.23%

LAB 20.02, 26.95, -24.12

 

CMYK 20 / 77 / 0 / 75

HEX #340F41

RGB 52 15 65

HSL 284.4, 0.63%, 0.16%

LAB 12.31, 27.49, -23.51

 

CMYK 24 / 100 / 0 / 82

HEX #23002E

RGB 35 0 46

HSL 285.65, 1%, 0.09%

LAB 5.01, 25.42, -21.58

 

CMYK 16 / 44 / 0 / 53

HEX #664479

RGB 102 68 121

HSL 278.49, 0.28%, 0.37%

LAB 34.68, 25.2, -24.62

 

CMYK 4 / 44 / 0 / 53

HEX #744479

RGB 116 68 121

HSL 294.34, 0.28%, 0.37%

LAB 36.42, 29.81, -21.77

 

CMYK 0 / 44 / 8 / 53

HEX #79446F

RGB 121 68 111

HSL 311.32, 0.28%, 0.37%

LAB 36.64, 29.52, -15.14

 

CMYK 0 / 44 / 20 / 53

HEX #794461

RGB 121 68 97

HSL 327.17, 0.28%, 0.37%

LAB 36.1, 27.01, -7.16

 

CMYK 0 / 44 / 31 / 53

HEX #794453

RGB 121 68 83

HSL 343.02, 0.28%, 0.37%

LAB 35.64, 24.8, 1.02

 

CMYK 16 / 44 / 0 / 53

HEX #664479

RGB 102 68 121

HSL 278.49, 0.28%, 0.37%

LAB 34.68, 25.2, -24.62

 

CMYK 27 / 44 / 0 / 53

HEX #584479

RGB 88 68 121

HSL 262.64, 0.28%, 0.37%

LAB 33.11, 20.7, -27.19

 

CMYK 40 / 44 / 0 / 53

HEX #494479

RGB 73 68 121

HSL 245.66, 0.28%, 0.37%

LAB 31.65, 16.14, -29.59

 

CMYK 44 / 44 / 0 / 53

HEX #444479

RGB 68 68 121

HSL 240, 0.28%, 0.37%

LAB 31.22, 14.71, -30.3

 

CMYK 16 / 44 / 0 / 53

HEX #664479

RGB 102 68 121

HSL 278.49, 0.28%, 0.37%

LAB 34.68, 25.2, -24.62

 

CMYK 22 / 61 / 0 / 47

HEX #6A3588

RGB 106 53 136

HSL 278.31, 0.44%, 0.37%

LAB 32.67, 38.64, -37.07

 

CMYK 27 / 75 / 0 / 41

HEX #6E2597

RGB 110 37 151

HSL 278.42, 0.61%, 0.37%

LAB 31.51, 50.66, -48.13

 

CMYK 31 / 87 / 0 / 35

HEX #7316A7

RGB 115 22 167

HSL 278.48, 0.77%, 0.37%

LAB 31.83, 59.98, -57.3

 

CMYK 35 / 96 / 0 / 29

HEX #7707B6

RGB 119 7 182

HSL 278.4, 0.93%, 0.37%

LAB 32.81, 66.41, -64.64

 

CMYK 16 / 44 / 0 / 53

HEX #664479

RGB 102 68 121

HSL 278.49, 0.28%, 0.37%

LAB 34.68, 25.2, -24.62

 

CMYK 8 / 22 / 0 / 58

HEX #62536A

RGB 98 83 106

HSL 279.13, 0.12%, 0.37%

LAB 37.52, 10.96, -10.93

 

CMYK 5 / 0 / 8 / 62

HEX #5D625A

RGB 93 98 90

HSL 97.5, 0.04%, 0.37%

LAB 40.9, -3.62, 3.88

 

CMYK 22 / 0 / 34 / 55

HEX #59724B

RGB 89 114 75

HSL 98.46, 0.21%, 0.37%

LAB 45.17, -17.05, 18.72

 

CMYK 34 / 0 / 53 / 49

HEX #55813C

RGB 85 129 60

HSL 98.26, 0.37%, 0.37%

LAB 49.45, -28.42, 32.39

 

CMYK 40 / 44 / 0 / 53

HEX #494479

RGB 73 68 121

HSL 245.66, 0.28%, 0.37%

LAB 31.65, 16.14, -29.59

 

CMYK 28 / 44 / 0 / 53

HEX #574479

RGB 87 68 121

HSL 261.51, 0.28%, 0.37%

LAB 33.01, 20.38, -27.36

 

CMYK 17 / 44 / 0 / 53

HEX #654479

RGB 101 68 121

HSL 277.36, 0.28%, 0.37%

LAB 34.56, 24.87, -24.81

 

CMYK 5 / 44 / 0 / 53

HEX #734479

RGB 115 68 121

HSL 293.21, 0.28%, 0.37%

LAB 36.29, 29.48, -21.99

 

CMYK 0 / 44 / 7 / 53

HEX #794470

RGB 121 68 112

HSL 310.19, 0.28%, 0.37%

LAB 36.69, 29.71, -15.7

 

CMYK 16 / 44 / 0 / 73

HEX #392644

RGB 57 38 68

HSL 278, 0.28%, 0.21%

LAB 18.69, 15.62, -15.47

 

CMYK 15 / 44 / 0 / 63

HEX #50355E

RGB 80 53 94

HSL 279.51, 0.28%, 0.29%

LAB 26.9, 20.6, -19.79

 

CMYK 16 / 44 / 0 / 53

HEX #664479

RGB 102 68 121

HSL 278.49, 0.28%, 0.37%

LAB 34.68, 25.2, -24.62

 

CMYK 16 / 44 / 0 / 42

HEX #7C5393

RGB 124 83 147

HSL 278.44, 0.28%, 0.45%

LAB 42.12, 29.37, -28.7

 

CMYK 14 / 40 / 0 / 34

HEX #9166A9

RGB 145 102 169

HSL 278.51, 0.28%, 0.53%

LAB 49.96, 29.9, -29.32

 

CMYK 16 / 43 / 0 / 52

HEX #67457A

RGB 103 69 122

HSL 278.49, 0.28%, 0.37%

LAB 35.09, 25.15, -24.58

 

CMYK 0 / 44 / 36 / 53

HEX #79444D

RGB 121 68 77

HSL 349.81, 0.28%, 0.37%

LAB 35.47, 23.95, 4.58

 

CMYK 44 / 0 / 34 / 53

HEX #447950

RGB 68 121 80

HSL 133.58, 0.28%, 0.37%

LAB 46.29, -27.29, 17.11

 

CMYK 16 / 43 / 0 / 52

HEX #67457A

RGB 103 69 122

HSL 278.49, 0.28%, 0.37%

LAB 35.09, 25.15, -24.58

 

CMYK 0 / 17 / 44 / 53

HEX #796544

RGB 121 101 68

HSL 37.36, 0.28%, 0.37%

LAB 43.93, 3.09, 21.66

 

CMYK 44 / 0 / 17 / 53

HEX #447965

RGB 68 121 101

HSL 157.36, 0.28%, 0.37%

LAB 46.77, -22.75, 5.48

 

CMYK 16 / 43 / 0 / 52

HEX #67457A

RGB 103 69 122

HSL 278.49, 0.28%, 0.37%

LAB 35.09, 25.15, -24.58

 

CMYK 0 / 44 / 36 / 53

HEX #79444D

RGB 121 68 77

HSL 349.81, 0.28%, 0.37%

LAB 35.47, 23.95, 4.58

 

CMYK 28 / 0 / 44 / 53

HEX #577944

RGB 87 121 68

HSL 98.49, 0.28%, 0.37%

LAB 47.13, -22.6, 25.23

 

CMYK 44 / 0 / 7 / 53

HEX #447970

RGB 68 121 112

HSL 169.81, 0.28%, 0.37%

LAB 47.07, -20.01, -0.6

 

CMYK 16 / 43 / 0 / 52

HEX #67457A

RGB 103 69 122

HSL 278.49, 0.28%, 0.37%

LAB 35.09, 25.15, -24.58

 

CMYK 0 / 38 / 44 / 53

HEX #794B44

RGB 121 75 68

HSL 7.92, 0.28%, 0.37%

LAB 36.96, 18.64, 12.34

 

CMYK 28 / 0 / 44 / 53

HEX #577944

RGB 87 121 68

HSL 98.49, 0.28%, 0.37%

LAB 47.13, -22.6, 25.23

 

CMYK 44 / 6 / 0 / 53

HEX #447279

RGB 68 114 121

HSL 187.92, 0.28%, 0.37%

LAB 45.14, -13.75, -8.82

 

Description

Color code: HEX #67457A | qconv.com Color code: HEX #67457A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 69 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 69 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 43 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 43% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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