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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #66F698 it is the complementary color #990967. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #66F698. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #66F698: #6BF693, #7CFFA6, #8DFFB9, #9EFFCC and #AFFFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #66F698. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #66F698: #66F698, #55E485, #44D272, #33C05F and #22AE4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 38 / 4

HEX #66F698

RGB 102 246 152

HSL 140.83, 0.89%, 0.68%

LAB 87.49, -58.97, 33.9

 

Complementary color

CMYK 0 / 94 / 33 / 40

HEX #990967

RGB 153 9 103

HSL 320.83, 0.89%, 0.32%

LAB 33.87, 59.27, -13.84

 

CMYK 57 / 0 / 40 / 4

HEX #6BF693

RGB 107 246 147

HSL 137.27, 0.89%, 0.69%

LAB 87.55, -58.73, 36.5

 

CMYK 51 / 0 / 35 / 0

HEX #7CFFA6

RGB 124 255 166

HSL 139.24, 1%, 0.74%

LAB 91.03, -55.17, 31.74

 

CMYK 45 / 0 / 27 / 0

HEX #8DFFB9

RGB 141 255 185

HSL 143.16, 1%, 0.78%

LAB 91.99, -47.56, 23.56

 

CMYK 38 / 0 / 20 / 0

HEX #9EFFCC

RGB 158 255 204

HSL 148.45, 1%, 0.81%

LAB 93.08, -39.45, 15.48

 

CMYK 31 / 0 / 13 / 0

HEX #AFFFDF

RGB 175 255 223

HSL 156, 1%, 0.84%

LAB 94.3, -30.96, 7.55

 

CMYK 59 / 0 / 38 / 4

HEX #66F698

RGB 102 246 152

HSL 140.83, 0.89%, 0.68%

LAB 87.49, -58.97, 33.9

 

CMYK 63 / 0 / 42 / 11

HEX #55E485

RGB 85 228 133

HSL 140.14, 0.73%, 0.61%

LAB 81.35, -58.79, 35.27

 

CMYK 68 / 0 / 46 / 18

HEX #44D272

RGB 68 210 114

HSL 139.44, 0.61%, 0.55%

LAB 75.16, -58.41, 36.72

 

CMYK 73 / 0 / 51 / 25

HEX #33C05F

RGB 51 192 95

HSL 138.72, 0.58%, 0.48%

LAB 68.92, -57.73, 38.24

 

CMYK 80 / 0 / 56 / 32

HEX #22AE4C

RGB 34 174 76

HSL 138, 0.67%, 0.41%

LAB 62.62, -56.62, 39.81

 

CMYK 59 / 0 / 38 / 4

HEX #66F698

RGB 102 246 152

HSL 140.83, 0.89%, 0.68%

LAB 87.49, -58.97, 33.9

 

CMYK 59 / 0 / 30 / 4

HEX #64F6AD

RGB 100 246 173

HSL 150, 0.89%, 0.68%

LAB 87.79, -55.53, 23.68

 

CMYK 59 / 0 / 20 / 4

HEX #64F6C5

RGB 100 246 197

HSL 159.86, 0.89%, 0.68%

LAB 88.28, -50.52, 12

 

CMYK 59 / 0 / 10 / 4

HEX #64F6DD

RGB 100 246 221

HSL 169.73, 0.89%, 0.68%

LAB 88.85, -44.93, 0.33

 

CMYK 59 / 0 / 0 / 4

HEX #64F6F6

RGB 100 246 246

HSL 180, 0.89%, 0.68%

LAB 89.52, -38.57, -11.71

 

CMYK 59 / 0 / 38 / 4

HEX #66F698

RGB 102 246 152

HSL 140.83, 0.89%, 0.68%

LAB 87.49, -58.97, 33.9

 

CMYK 60 / 0 / 38 / 84

HEX #112A1A

RGB 17 42 26

HSL 141.6, 0.42%, 0.12%

LAB 14.68, -14.35, 7.55

 

CMYK 58 / 0 / 39 / 64

HEX #275D39

RGB 39 93 57

HSL 140, 0.41%, 0.26%

LAB 35.11, -27.05, 15.41

 

CMYK 58 / 0 / 38 / 44

HEX #3C9059

RGB 60 144 89

HSL 140.71, 0.41%, 0.4%

LAB 53.63, -38.36, 21.81

 

CMYK 58 / 0 / 38 / 24

HEX #51C378

RGB 81 195 120

HSL 140.53, 0.49%, 0.54%

LAB 70.96, -49.03, 28.27

 

CMYK 59 / 0 / 38 / 4

HEX #66F698

RGB 102 246 152

HSL 140.83, 0.89%, 0.68%

LAB 87.49, -58.97, 33.9

 

CMYK 59 / 32 / 0 / 4

HEX #64A8F6

RGB 100 168 246

HSL 212.05, 0.89%, 0.68%

LAB 67.55, 1.26, -45.37

 

CMYK 0 / 59 / 55 / 4

HEX #F6646E

RGB 246 100 110

HSL 355.89, 0.89%, 0.68%

LAB 61.51, 56.69, 23.63

 

CMYK 59 / 0 / 38 / 4

HEX #66F698

RGB 102 246 152

HSL 140.83, 0.89%, 0.68%

LAB 87.49, -58.97, 33.9

 

CMYK 39 / 59 / 0 / 4

HEX #9564F6

RGB 149 100 246

HSL 260.14, 0.89%, 0.68%

LAB 54.19, 50.93, -66.46

 

CMYK 0 / 39 / 59 / 4

HEX #F69564

RGB 246 149 100

HSL 20.14, 0.89%, 0.68%

LAB 70.88, 31.98, 41.1

 

CMYK 59 / 0 / 38 / 4

HEX #66F698

RGB 102 246 152

HSL 140.83, 0.89%, 0.68%

LAB 87.49, -58.97, 33.9

 

CMYK 59 / 32 / 0 / 4

HEX #64A8F6

RGB 100 168 246

HSL 212.05, 0.89%, 0.68%

LAB 67.55, 1.26, -45.37

 

CMYK 0 / 59 / 20 / 4

HEX #F664C5

RGB 246 100 197

HSL 320.14, 0.89%, 0.68%

LAB 63.95, 66.01, -22.75

 

CMYK 0 / 28 / 59 / 4

HEX #F6B264

RGB 246 178 100

HSL 32.05, 0.89%, 0.68%

LAB 77.49, 16.75, 49.04

 

CMYK 59 / 0 / 38 / 4

HEX #66F698

RGB 102 246 152

HSL 140.83, 0.89%, 0.68%

LAB 87.49, -58.97, 33.9

 

CMYK 59 / 50 / 0 / 4

HEX #647CF6

RGB 100 124 246

HSL 230.14, 0.89%, 0.68%

LAB 55.87, 27.22, -63.96

 

CMYK 0 / 59 / 20 / 4

HEX #F664C5

RGB 246 100 197

HSL 320.14, 0.89%, 0.68%

LAB 63.95, 66.01, -22.75

 

CMYK 0 / 10 / 59 / 4

HEX #F6DD64

RGB 246 221 100

HSL 49.73, 0.89%, 0.68%

LAB 88.08, -5.48, 61.18

 

Description

Color code: HEX #66F698 | qconv.com Color code: HEX #66F698 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 246 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 246 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 38 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 38% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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