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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #668E38 it is the complementary color #9971C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #668E38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #668E38: #6B8E33, #7CA046, #8DB259, #9EC46C and #AFD67F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #668E38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #668E38: #668E38, #557C25, #446A12, #335800 and #224600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 61 / 44

HEX #668E38

RGB 102 142 56

HSL 87.91, 0.43%, 0.39%

LAB 54.51, -28.61, 40.54

 

Complementary color

CMYK 23 / 43 / 0 / 22

HEX #9971C7

RGB 153 113 199

HSL 267.91, 0.43%, 0.61%

LAB 54.77, 32.92, -39.05

 

CMYK 25 / 0 / 64 / 44

HEX #6B8E33

RGB 107 142 51

HSL 83.08, 0.47%, 0.38%

LAB 54.77, -27.07, 43.24

 

CMYK 23 / 0 / 56 / 37

HEX #7CA046

RGB 124 160 70

HSL 84, 0.39%, 0.45%

LAB 61.54, -27.29, 42.27

 

CMYK 21 / 0 / 50 / 30

HEX #8DB259

RGB 141 178 89

HSL 84.94, 0.37%, 0.52%

LAB 68.19, -27.4, 41.13

 

CMYK 19 / 0 / 45 / 23

HEX #9EC46C

RGB 158 196 108

HSL 85.91, 0.43%, 0.6%

LAB 74.72, -27.44, 39.96

 

CMYK 18 / 0 / 41 / 16

HEX #AFD67F

RGB 175 214 127

HSL 86.9, 0.51%, 0.67%

LAB 81.15, -27.44, 38.79

 

CMYK 28 / 0 / 61 / 44

HEX #668E38

RGB 102 142 56

HSL 87.91, 0.43%, 0.39%

LAB 54.51, -28.61, 40.54

 

CMYK 31 / 0 / 70 / 51

HEX #557C25

RGB 85 124 37

HSL 86.9, 0.54%, 0.32%

LAB 47.6, -28.36, 41.35

 

CMYK 36 / 0 / 83 / 58

HEX #446A12

RGB 68 106 18

HSL 85.91, 0.71%, 0.24%

LAB 40.54, -27.86, 41.37

 

CMYK 42 / 0 / 100 / 65

HEX #335800

RGB 51 88 0

HSL 85.23, 1%, 0.17%

LAB 33.31, -27.04, 40.18

 

CMYK 51 / 0 / 100 / 73

HEX #224600

RGB 34 70 0

HSL 90.86, 1%, 0.14%

LAB 25.92, -25.37, 33.81

 

CMYK 28 / 0 / 61 / 44

HEX #668E38

RGB 102 142 56

HSL 87.91, 0.43%, 0.39%

LAB 54.51, -28.61, 40.54

 

CMYK 37 / 0 / 61 / 44

HEX #598E38

RGB 89 142 56

HSL 96.98, 0.43%, 0.39%

LAB 53.77, -33.51, 39.5

 

CMYK 47 / 0 / 61 / 44

HEX #4B8E38

RGB 75 142 56

HSL 106.74, 0.43%, 0.39%

LAB 53.09, -38.29, 38.55

 

CMYK 58 / 0 / 61 / 44

HEX #3C8E38

RGB 60 142 56

HSL 117.21, 0.43%, 0.39%

LAB 52.5, -42.69, 37.72

 

CMYK 61 / 0 / 54 / 44

HEX #388E42

RGB 56 142 66

HSL 126.98, 0.43%, 0.39%

LAB 52.49, -42.38, 32.67

 

CMYK 28 / 0 / 61 / 44

HEX #668E38

RGB 102 142 56

HSL 87.91, 0.43%, 0.39%

LAB 54.51, -28.61, 40.54

 

CMYK 28 / 0 / 61 / 24

HEX #8BC14C

RGB 139 193 76

HSL 87.69, 0.49%, 0.53%

LAB 72.33, -36.47, 52.01

 

CMYK 28 / 0 / 61 / 4

HEX #AFF460

RGB 175 244 96

HSL 87.97, 0.87%, 0.67%

LAB 89.23, -44.28, 62.8

 

CMYK 28 / 0 / 60 / 84

HEX #1D2810

RGB 29 40 16

HSL 87.5, 0.43%, 0.11%

LAB 14.49, -10.07, 13.98

 

CMYK 29 / 0 / 60 / 64

HEX #415B24

RGB 65 91 36

HSL 88.36, 0.43%, 0.25%

LAB 35.47, -20.13, 28.15

 

CMYK 28 / 0 / 61 / 44

HEX #668E38

RGB 102 142 56

HSL 87.91, 0.43%, 0.39%

LAB 54.51, -28.61, 40.54

 

CMYK 61 / 0 / 21 / 44

HEX #388E70

RGB 56 142 112

HSL 159.07, 0.43%, 0.39%

LAB 53.34, -33.38, 8.37

 

CMYK 0 / 61 / 4 / 44

HEX #8E3889

RGB 142 56 137

HSL 303.49, 0.43%, 0.39%

LAB 38.53, 47.16, -28.08

 

CMYK 28 / 0 / 61 / 44

HEX #668E38

RGB 102 142 56

HSL 87.91, 0.43%, 0.39%

LAB 54.51, -28.61, 40.54

 

CMYK 61 / 27 / 0 / 44

HEX #38678E

RGB 56 103 142

HSL 207.21, 0.43%, 0.39%

LAB 41.99, -3.64, -26.29

 

CMYK 0 / 61 / 27 / 44

HEX #8E3867

RGB 142 56 103

HSL 327.21, 0.43%, 0.39%

LAB 37.04, 41.7, -9.22

 

CMYK 28 / 0 / 61 / 44

HEX #668E38

RGB 102 142 56

HSL 87.91, 0.43%, 0.39%

LAB 54.51, -28.61, 40.54

 

CMYK 61 / 0 / 21 / 44

HEX #388E70

RGB 56 142 112

HSL 159.07, 0.43%, 0.39%

LAB 53.34, -33.38, 8.37

 

CMYK 33 / 61 / 0 / 44

HEX #5F388E

RGB 95 56 142

HSL 267.21, 0.43%, 0.39%

LAB 32.29, 35.63, -41.46

 

CMYK 0 / 61 / 39 / 44

HEX #8E3856

RGB 142 56 86

HSL 339.07, 0.43%, 0.39%

LAB 36.46, 39.48, 0.71

 

CMYK 28 / 0 / 61 / 44

HEX #668E38

RGB 102 142 56

HSL 87.91, 0.43%, 0.39%

LAB 54.51, -28.61, 40.54

 

CMYK 61 / 0 / 4 / 44

HEX #388E89

RGB 56 142 137

HSL 176.51, 0.43%, 0.39%

LAB 54.02, -26.77, -5.05

 

CMYK 33 / 61 / 0 / 44

HEX #5F388E

RGB 95 56 142

HSL 267.21, 0.43%, 0.39%

LAB 32.29, 35.63, -41.46

 

CMYK 0 / 61 / 58 / 44

HEX #8E383C

RGB 142 56 60

HSL 357.21, 0.43%, 0.39%

LAB 35.8, 36.85, 16.34

 

Description

Color code: HEX #668E38 | qconv.com Color code: HEX #668E38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 142 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 142 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 61 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 61% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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