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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #667E52 it is the complementary color #9981AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #667E52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #667E52: #6B7E4D, #7C9060, #8DA273, #9EB486 and #AFC699

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #667E52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #667E52: #667E52, #556C3F, #445A2C, #334819 and #223606

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 35 / 51

HEX #667E52

RGB 102 126 82

HSL 92.73, 0.21%, 0.41%

LAB 49.92, -17.22, 21.19

 

Complementary color

CMYK 12 / 25 / 0 / 32

HEX #9981AD

RGB 153 129 173

HSL 272.73, 0.21%, 0.59%

LAB 57.55, 17.75, -19.87

 

CMYK 15 / 0 / 39 / 51

HEX #6B7E4D

RGB 107 126 77

HSL 83.27, 0.24%, 0.4%

LAB 50.2, -15.95, 24.43

 

CMYK 14 / 0 / 33 / 44

HEX #7C9060

RGB 124 144 96

HSL 85, 0.2%, 0.47%

LAB 57.15, -15.95, 23.21

 

CMYK 13 / 0 / 29 / 36

HEX #8DA273

RGB 141 162 115

HSL 86.81, 0.2%, 0.54%

LAB 63.95, -15.93, 22.08

 

CMYK 12 / 0 / 26 / 29

HEX #9EB486

RGB 158 180 134

HSL 88.7, 0.23%, 0.62%

LAB 70.62, -15.91, 21.02

 

CMYK 12 / 0 / 23 / 22

HEX #AFC699

RGB 175 198 153

HSL 90.67, 0.28%, 0.69%

LAB 77.16, -15.88, 20.02

 

CMYK 19 / 0 / 35 / 51

HEX #667E52

RGB 102 126 82

HSL 92.73, 0.21%, 0.41%

LAB 49.92, -17.22, 21.19

 

CMYK 21 / 0 / 42 / 58

HEX #556C3F

RGB 85 108 63

HSL 90.67, 0.26%, 0.34%

LAB 42.79, -17.3, 22.45

 

CMYK 24 / 0 / 51 / 65

HEX #445A2C

RGB 68 90 44

HSL 88.7, 0.34%, 0.26%

LAB 35.45, -17.33, 23.78

 

CMYK 29 / 0 / 65 / 72

HEX #334819

RGB 51 72 25

HSL 86.81, 0.48%, 0.19%

LAB 27.87, -17.25, 25.06

 

CMYK 37 / 0 / 89 / 79

HEX #223606

RGB 34 54 6

HSL 85, 0.8%, 0.12%

LAB 20.01, -16.91, 25.29

 

CMYK 19 / 0 / 35 / 51

HEX #667E52

RGB 102 126 82

HSL 92.73, 0.21%, 0.41%

LAB 49.92, -17.22, 21.19

 

CMYK 25 / 0 / 35 / 51

HEX #5F7E52

RGB 95 126 82

HSL 102.27, 0.21%, 0.41%

LAB 49.45, -19.94, 20.48

 

CMYK 30 / 0 / 35 / 51

HEX #587E52

RGB 88 126 82

HSL 111.82, 0.21%, 0.41%

LAB 49.01, -22.56, 19.81

 

CMYK 35 / 0 / 33 / 51

HEX #527E54

RGB 82 126 84

HSL 122.73, 0.21%, 0.41%

LAB 48.71, -24.36, 18.2

 

CMYK 35 / 0 / 28 / 51

HEX #527E5B

RGB 82 126 91

HSL 132.27, 0.21%, 0.41%

LAB 48.85, -23.04, 14.36

 

CMYK 19 / 0 / 35 / 51

HEX #667E52

RGB 102 126 82

HSL 92.73, 0.21%, 0.41%

LAB 49.92, -17.22, 21.19

 

CMYK 19 / 0 / 35 / 31

HEX #8FB173

RGB 143 177 115

HSL 92.9, 0.28%, 0.57%

LAB 68.4, -22.83, 28.05

 

CMYK 19 / 0 / 35 / 11

HEX #B9E494

RGB 185 228 148

HSL 92.25, 0.6%, 0.74%

LAB 85.98, -27.76, 34.6

 

CMYK 21 / 0 / 33 / 91

HEX #131810

RGB 19 24 16

HSL 97.5, 0.2%, 0.08%

LAB 7.49, -4.07, 4.13

 

CMYK 19 / 0 / 35 / 71

HEX #3D4B31

RGB 61 75 49

HSL 92.31, 0.21%, 0.24%

LAB 30.02, -11.1, 13.72

 

CMYK 19 / 0 / 35 / 51

HEX #667E52

RGB 102 126 82

HSL 92.73, 0.21%, 0.41%

LAB 49.92, -17.22, 21.19

 

CMYK 35 / 0 / 10 / 51

HEX #527E72

RGB 82 126 114

HSL 163.64, 0.21%, 0.41%

LAB 49.41, -18.03, 1.72

 

CMYK 0 / 35 / 5 / 51

HEX #7E5278

RGB 126 82 120

HSL 308.18, 0.21%, 0.41%

LAB 40.94, 24.85, -14.1

 

CMYK 19 / 0 / 35 / 51

HEX #667E52

RGB 102 126 82

HSL 92.73, 0.21%, 0.41%

LAB 49.92, -17.22, 21.19

 

CMYK 35 / 18 / 0 / 51

HEX #52677E

RGB 82 103 126

HSL 211.36, 0.21%, 0.41%

LAB 42.76, -1.8, -15.34

 

CMYK 0 / 35 / 18 / 51

HEX #7E5267

RGB 126 82 103

HSL 331.36, 0.21%, 0.41%

LAB 40.33, 21.7, -4.55

 

CMYK 19 / 0 / 35 / 51

HEX #667E52

RGB 102 126 82

HSL 92.73, 0.21%, 0.41%

LAB 49.92, -17.22, 21.19

 

CMYK 35 / 0 / 10 / 51

HEX #527E72

RGB 82 126 114

HSL 163.64, 0.21%, 0.41%

LAB 49.41, -18.03, 1.72

 

CMYK 16 / 35 / 0 / 51

HEX #6A527E

RGB 106 82 126

HSL 272.73, 0.21%, 0.41%

LAB 38.91, 19.13, -21.1

 

CMYK 0 / 35 / 25 / 51

HEX #7E525E

RGB 126 82 94

HSL 343.64, 0.21%, 0.41%

LAB 40.05, 20.21, 0.61

 

CMYK 19 / 0 / 35 / 51

HEX #667E52

RGB 102 126 82

HSL 92.73, 0.21%, 0.41%

LAB 49.92, -17.22, 21.19

 

CMYK 35 / 1 / 0 / 51

HEX #527D7E

RGB 82 125 126

HSL 181.36, 0.21%, 0.41%

LAB 49.46, -14.49, -5.28

 

CMYK 16 / 35 / 0 / 51

HEX #6A527E

RGB 106 82 126

HSL 272.73, 0.21%, 0.41%

LAB 38.91, 19.13, -21.1

 

CMYK 0 / 33 / 35 / 51

HEX #7E5452

RGB 126 84 82

HSL 2.73, 0.21%, 0.41%

LAB 40.22, 17.23, 8.29

 

Description

Color code: HEX #667E52 | qconv.com Color code: HEX #667E52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 126 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 126 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 35 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 35% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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