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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #66645F it is the complementary color #999BA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #66645F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #66645F: #6B645A, #7C766D, #8D8880, #9E9A93 and #AFACA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #66645F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #66645F: #66645F, #55524C, #444039, #332E26 and #221C13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 7 / 60

HEX #66645F

RGB 102 100 95

HSL 42.86, 0.04%, 0.39%

LAB 42.41, -0.21, 3.11

 

Complementary color

CMYK 4 / 3 / 0 / 37

HEX #999BA0

RGB 153 155 160

HSL 222.86, 0.04%, 0.61%

LAB 63.96, 0.27, -2.87

 

CMYK 0 / 7 / 16 / 58

HEX #6B645A

RGB 107 100 90

HSL 35.29, 0.09%, 0.39%

LAB 42.73, 0.89, 6.66

 

CMYK 0 / 5 / 12 / 51

HEX #7C766D

RGB 124 118 109

HSL 36, 0.06%, 0.46%

LAB 49.91, 0.62, 5.77

 

CMYK 0 / 4 / 9 / 45

HEX #8D8880

RGB 141 136 128

HSL 36.92, 0.05%, 0.53%

LAB 56.91, 0.38, 4.95

 

CMYK 0 / 3 / 7 / 38

HEX #9E9A93

RGB 158 154 147

HSL 38.18, 0.05%, 0.6%

LAB 63.74, 0.17, 4.18

 

CMYK 0 / 2 / 5 / 31

HEX #AFACA6

RGB 175 172 166

HSL 40, 0.05%, 0.67%

LAB 70.44, -0.03, 3.45

 

CMYK 0 / 2 / 7 / 60

HEX #66645F

RGB 102 100 95

HSL 42.86, 0.04%, 0.39%

LAB 42.41, -0.21, 3.11

 

CMYK 0 / 4 / 11 / 67

HEX #55524C

RGB 85 82 76

HSL 40, 0.06%, 0.32%

LAB 34.98, 0.01, 3.95

 

CMYK 0 / 6 / 16 / 73

HEX #444039

RGB 68 64 57

HSL 38.18, 0.09%, 0.25%

LAB 27.27, 0.27, 4.89

 

CMYK 0 / 10 / 25 / 80

HEX #332E26

RGB 51 46 38

HSL 36.92, 0.15%, 0.17%

LAB 19.21, 0.62, 5.98

 

CMYK 0 / 18 / 44 / 87

HEX #221C13

RGB 34 28 19

HSL 36, 0.28%, 0.1%

LAB 10.69, 1.15, 7.15

 

CMYK 0 / 2 / 7 / 60

HEX #66645F

RGB 102 100 95

HSL 42.86, 0.04%, 0.39%

LAB 42.41, -0.21, 3.11

 

CMYK 0 / 1 / 8 / 60

HEX #67665F

RGB 103 102 95

HSL 52.5, 0.04%, 0.39%

LAB 43.08, -1, 4.09

 

CMYK 0 / 0 / 8 / 60

HEX #67675F

RGB 103 103 95

HSL 60, 0.04%, 0.39%

LAB 43.38, -1.59, 4.51

 

CMYK 2 / 0 / 8 / 60

HEX #65675F

RGB 101 103 95

HSL 75, 0.04%, 0.39%

LAB 43.2, -2.39, 4.24

 

CMYK 3 / 0 / 8 / 60

HEX #64675F

RGB 100 103 95

HSL 82.5, 0.04%, 0.39%

LAB 43.12, -2.79, 4.1

 

CMYK 0 / 2 / 7 / 60

HEX #66645F

RGB 102 100 95

HSL 42.86, 0.04%, 0.39%

LAB 42.41, -0.21, 3.11

 

CMYK 0 / 2 / 7 / 40

HEX #99968F

RGB 153 150 143

HSL 42, 0.05%, 0.58%

LAB 62.14, -0.2, 4.07

 

CMYK 0 / 2 / 7 / 20

HEX #CCC8BE

RGB 204 200 190

HSL 42.86, 0.12%, 0.77%

LAB 80.66, -0.37, 5.48

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 2 / 6 / 80

HEX #333230

RGB 51 50 48

HSL 40, 0.03%, 0.19%

LAB 20.82, -0.01, 1.42

 

CMYK 0 / 2 / 7 / 60

HEX #66645F

RGB 102 100 95

HSL 42.86, 0.04%, 0.39%

LAB 42.41, -0.21, 3.11

 

CMYK 7 / 0 / 8 / 60

HEX #60675F

RGB 96 103 95

HSL 112.5, 0.04%, 0.39%

LAB 42.78, -4.37, 3.58

 

CMYK 6 / 8 / 0 / 60

HEX #615F67

RGB 97 95 103

HSL 255, 0.04%, 0.39%

LAB 40.74, 2.5, -4.27

 

CMYK 0 / 2 / 7 / 60

HEX #66645F

RGB 102 100 95

HSL 42.86, 0.04%, 0.39%

LAB 42.41, -0.21, 3.11

 

CMYK 8 / 0 / 2 / 60

HEX #5F6765

RGB 95 103 101

HSL 165, 0.04%, 0.39%

LAB 42.87, -3.5, 0.06

 

CMYK 2 / 8 / 0 / 60

HEX #655F67

RGB 101 95 103

HSL 285, 0.04%, 0.39%

LAB 41.11, 4.04, -3.69

 

CMYK 0 / 2 / 7 / 60

HEX #66645F

RGB 102 100 95

HSL 42.86, 0.04%, 0.39%

LAB 42.41, -0.21, 3.11

 

CMYK 7 / 0 / 8 / 60

HEX #60675F

RGB 96 103 95

HSL 112.5, 0.04%, 0.39%

LAB 42.78, -4.37, 3.58

 

CMYK 8 / 6 / 0 / 60

HEX #5F6167

RGB 95 97 103

HSL 225, 0.04%, 0.39%

LAB 41.15, 0.53, -3.68

 

CMYK 1 / 8 / 0 / 60

HEX #665F67

RGB 102 95 103

HSL 292.5, 0.04%, 0.39%

LAB 41.2, 4.43, -3.55

 

CMYK 0 / 2 / 7 / 60

HEX #66645F

RGB 102 100 95

HSL 42.86, 0.04%, 0.39%

LAB 42.41, -0.21, 3.11

 

CMYK 8 / 0 / 6 / 60

HEX #5F6761

RGB 95 103 97

HSL 135, 0.04%, 0.39%

LAB 42.76, -4.35, 2.32

 

CMYK 8 / 6 / 0 / 60

HEX #5F6167

RGB 95 97 103

HSL 225, 0.04%, 0.39%

LAB 41.15, 0.53, -3.68

 

CMYK 0 / 8 / 2 / 60

HEX #675F65

RGB 103 95 101

HSL 315, 0.04%, 0.39%

LAB 41.23, 4.4, -2.26

 

Description

Color code: HEX #66645F | qconv.com Color code: HEX #66645F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 100 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 100 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 7 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 7% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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