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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #663DFE it is the complementary color #99C201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #663DFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #663DFE shade: #6B3DF9, #7C4FFF, #8D61FF, #9E73FF and #AF85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #663DFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #663DFE shade: #663DFE, #552BEB, #4419D8, #3307C5 and #2200B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #663DFE shade: #673EFE, #9B3EFE, #CE3EFE, #FE3EFA and #FE3EC6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #663DFE shade: #673EFE and #3E3EFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #663DFE shade matches the following richer shades: #673EFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #663DFE shade: #673EFE, #704EEE, #795EDF, #826DCF and #8B7DBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #663DFE shade: #3E7EFE, #3E4BFE, #653EFE, #983EFE and #CB3EFE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #663DFE shade: #3201E9, #4715FE, #673EFE, #8767FE and #A890FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #663DFE shade: #663DFE, #FE3EB1 and #65FE3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #663DFE shade: #663DFE, #FE653E and #3EFE65

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #663DFE shade: #663DFE, #FE3EB1, #D8FE3E and #3EFE8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #663DFE shade: #663DFE, #FE3E78, #D8FE3E and #3EFEC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 76 / 0 / 0

HEX #663DFE

RGB 102 61 254

HSL 252.75, 0.99%, 0.62%

LAB 43.24, 65.18, -88.99

 

Complementary color

CMYK 21 / 0 / 99 / 24

HEX #99C201

RGB 153 194 1

HSL 72.75, 0.99%, 0.38%

LAB 73.13, -34.77, 73.26

 

CMYK 57 / 76 / 0 / 2

HEX #6B3DF9

RGB 107 61 249

HSL 254.68, 0.94%, 0.61%

LAB 43.22, 64.39, -86.21

 

CMYK 51 / 69 / 0 / 0

HEX #7C4FFF

RGB 124 79 255

HSL 255.34, 1%, 0.65%

LAB 48.38, 59.71, -81.02

 

CMYK 45 / 62 / 0 / 0

HEX #8D61FF

RGB 141 97 255

HSL 256.71, 1%, 0.69%

LAB 53.42, 53.3, -72.75

 

CMYK 38 / 55 / 0 / 0

HEX #9E73FF

RGB 158 115 255

HSL 258.43, 1%, 0.73%

LAB 58.74, 47.08, -64.07

 

CMYK 31 / 48 / 0 / 0

HEX #AF85FF

RGB 175 133 255

HSL 260.66, 1%, 0.76%

LAB 64.25, 41.23, -55.18

 

CMYK 60 / 76 / 0 / 0

HEX #663DFE

RGB 102 61 254

HSL 252.75, 0.99%, 0.62%

LAB 43.24, 65.18, -88.99

 

CMYK 64 / 82 / 0 / 8

HEX #552BEB

RGB 85 43 235

HSL 253.13, 0.83%, 0.55%

LAB 37.22, 66.03, -88.28

 

CMYK 69 / 88 / 0 / 15

HEX #4419D8

RGB 68 25 216

HSL 253.51, 0.79%, 0.47%

LAB 31.54, 66.06, -86.87

 

CMYK 74 / 96 / 0 / 23

HEX #3307C5

RGB 51 7 197

HSL 253.89, 0.93%, 0.4%

LAB 26.41, 64.63, -84.36

 

CMYK 81 / 100 / 0 / 30

HEX #2200B2

RGB 34 0 178

HSL 251.46, 1%, 0.35%

LAB 22.14, 60.9, -80.23

 

CMYK 59 / 76 / 0 / 0

HEX #673EFE

RGB 103 62 254

HSL 252.81, 0.99%, 0.62%

LAB 43.48, 64.84, -88.58

 

CMYK 39 / 76 / 0 / 0

HEX #9B3EFE

RGB 155 62 254

HSL 269.06, 0.99%, 0.62%

LAB 48.97, 71.84, -79.37

 

CMYK 19 / 76 / 0 / 0

HEX #CE3EFE

RGB 206 62 254

HSL 285, 0.99%, 0.62%

LAB 55.81, 80.36, -67.95

 

CMYK 0 / 76 / 2 / 0

HEX #FE3EFA

RGB 254 62 250

HSL 301.25, 0.99%, 0.62%

LAB 62.86, 88.65, -54.04

 

CMYK 0 / 76 / 22 / 0

HEX #FE3EC6

RGB 254 62 198

HSL 317.5, 0.99%, 0.62%

LAB 60.42, 81.6, -28.64

 

CMYK 59 / 76 / 0 / 0

HEX #673EFE

RGB 103 62 254

HSL 252.81, 0.99%, 0.62%

LAB 43.48, 64.84, -88.58

 

CMYK 76 / 76 / 0 / 0

HEX #3E3EFE

RGB 62 62 254

HSL 240, 0.99%, 0.62%

LAB 40.61, 61.09, -93.41

 

CMYK 59 / 76 / 0 / 0

HEX #673EFE

RGB 103 62 254

HSL 252.81, 0.99%, 0.62%

LAB 43.48, 64.84, -88.58

 

CMYK 59 / 76 / 0 / 0

HEX #673EFE

RGB 103 62 254

HSL 252.81, 0.99%, 0.62%

LAB 43.48, 64.84, -88.58

 

CMYK 53 / 67 / 0 / 7

HEX #704EEE

RGB 112 78 238

HSL 252.75, 0.82%, 0.62%

LAB 45.73, 53.61, -75.9

 

CMYK 46 / 58 / 0 / 13

HEX #795EDF

RGB 121 94 223

HSL 252.56, 0.67%, 0.62%

LAB 48.76, 42.11, -62.46

 

CMYK 37 / 47 / 0 / 19

HEX #826DCF

RGB 130 109 207

HSL 252.86, 0.51%, 0.62%

LAB 52.05, 31, -48.05

 

CMYK 27 / 35 / 0 / 25

HEX #8B7DBF

RGB 139 125 191

HSL 252.73, 0.34%, 0.62%

LAB 56.01, 19.87, -32.65

 

CMYK 76 / 50 / 0 / 0

HEX #3E7EFE

RGB 62 126 254

HSL 220, 0.99%, 0.62%

LAB 55.18, 23.25, -69.58

 

CMYK 76 / 70 / 0 / 0

HEX #3E4BFE

RGB 62 75 254

HSL 235.94, 0.99%, 0.62%

LAB 43.08, 54.15, -89.34

 

CMYK 60 / 76 / 0 / 0

HEX #653EFE

RGB 101 62 254

HSL 252.19, 0.99%, 0.62%

LAB 43.31, 64.61, -88.87

 

CMYK 40 / 76 / 0 / 0

HEX #983EFE

RGB 152 62 254

HSL 268.13, 0.99%, 0.62%

LAB 48.61, 71.38, -79.98

 

CMYK 20 / 76 / 0 / 0

HEX #CB3EFE

RGB 203 62 254

HSL 284.06, 0.99%, 0.62%

LAB 55.38, 79.83, -68.67

 

CMYK 79 / 100 / 0 / 9

HEX #3201E9

RGB 50 1 233

HSL 252.67, 0.99%, 0.46%

LAB 30.84, 74.39, -97.83

 

CMYK 72 / 92 / 0 / 0

HEX #4715FE

RGB 71 21 254

HSL 252.88, 0.99%, 0.54%

LAB 36.05, 76.76, -100.98

 

CMYK 59 / 76 / 0 / 0

HEX #673EFE

RGB 103 62 254

HSL 252.81, 0.99%, 0.62%

LAB 43.48, 64.84, -88.58

 

CMYK 47 / 59 / 0 / 0

HEX #8767FE

RGB 135 103 254

HSL 252.72, 0.99%, 0.7%

LAB 54.03, 48.59, -71.22

 

CMYK 34 / 43 / 0 / 0

HEX #A890FE

RGB 168 144 254

HSL 253.09, 0.98%, 0.78%

LAB 66.08, 33.03, -51.77

 

CMYK 60 / 76 / 0 / 0

HEX #663DFE

RGB 102 61 254

HSL 252.75, 0.99%, 0.62%

LAB 43.24, 65.18, -88.99

 

CMYK 0 / 76 / 30 / 0

HEX #FE3EB1

RGB 254 62 177

HSL 324.06, 0.99%, 0.62%

LAB 59.61, 79.16, -17.81

 

CMYK 60 / 0 / 76 / 0

HEX #65FE3E

RGB 101 254 62

HSL 107.81, 0.99%, 0.62%

LAB 88.92, -72.39, 73.96

 

CMYK 60 / 76 / 0 / 0

HEX #663DFE

RGB 102 61 254

HSL 252.75, 0.99%, 0.62%

LAB 43.24, 65.18, -88.99

 

CMYK 0 / 60 / 76 / 0

HEX #FE653E

RGB 254 101 62

HSL 12.19, 0.99%, 0.62%

LAB 62.28, 56.29, 51.04

 

CMYK 76 / 0 / 60 / 0

HEX #3EFE65

RGB 62 254 101

HSL 132.19, 0.99%, 0.62%

LAB 88.37, -75.89, 58.68

 

CMYK 60 / 76 / 0 / 0

HEX #663DFE

RGB 102 61 254

HSL 252.75, 0.99%, 0.62%

LAB 43.24, 65.18, -88.99

 

CMYK 0 / 76 / 30 / 0

HEX #FE3EB1

RGB 254 62 177

HSL 324.06, 0.99%, 0.62%

LAB 59.61, 79.16, -17.81

 

CMYK 15 / 0 / 76 / 0

HEX #D8FE3E

RGB 216 254 62

HSL 71.88, 0.99%, 0.62%

LAB 94.24, -35.49, 80.88

 

CMYK 76 / 0 / 45 / 0

HEX #3EFE8B

RGB 62 254 139

HSL 144.06, 0.99%, 0.62%

LAB 88.81, -70.68, 41.85

 

CMYK 60 / 76 / 0 / 0

HEX #663DFE

RGB 102 61 254

HSL 252.75, 0.99%, 0.62%

LAB 43.24, 65.18, -88.99

 

CMYK 0 / 76 / 53 / 0

HEX #FE3E78

RGB 254 62 120

HSL 341.88, 0.99%, 0.62%

LAB 57.92, 73.92, 13.11

 

CMYK 15 / 0 / 76 / 0

HEX #D8FE3E

RGB 216 254 62

HSL 71.88, 0.99%, 0.62%

LAB 94.24, -35.49, 80.88

 

CMYK 76 / 0 / 23 / 0

HEX #3EFEC4

RGB 62 254 196

HSL 161.88, 0.99%, 0.62%

LAB 89.81, -59.59, 14.57

 

Description

Color code: HEX #663DFE | qconv.com Color code: HEX #663DFE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 61 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 61 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 76 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 76% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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