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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #66309B it is the complementary color #99CF64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #66309B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #66309B: #6B3096, #7C42A9, #8D54BC, #9E66CF and #AF78E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #66309B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #66309B: #66309B, #551E88, #440C75, #330062 and #22004F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 69 / 0 / 39

HEX #66309B

RGB 102 48 155

HSL 270.28, 0.53%, 0.4%

LAB 32.49, 44.93, -49.04

 

Complementary color

CMYK 26 / 0 / 52 / 19

HEX #99CF64

RGB 153 207 100

HSL 90.28, 0.53%, 0.6%

LAB 77.47, -35.36, 47.15

 

CMYK 29 / 68 / 0 / 41

HEX #6B3096

RGB 107 48 150

HSL 274.71, 0.52%, 0.39%

LAB 32.79, 44.81, -45.47

 

CMYK 27 / 61 / 0 / 34

HEX #7C42A9

RGB 124 66 169

HSL 273.79, 0.44%, 0.46%

LAB 39.66, 44.12, -45.77

 

CMYK 25 / 55 / 0 / 26

HEX #8D54BC

RGB 141 84 188

HSL 272.88, 0.44%, 0.53%

LAB 46.49, 43.26, -45.91

 

CMYK 24 / 51 / 0 / 19

HEX #9E66CF

RGB 158 102 207

HSL 272, 0.52%, 0.61%

LAB 53.25, 42.37, -45.97

 

CMYK 23 / 47 / 0 / 11

HEX #AF78E2

RGB 175 120 226

HSL 271.13, 0.65%, 0.68%

LAB 59.92, 41.49, -46.01

 

CMYK 34 / 69 / 0 / 39

HEX #66309B

RGB 102 48 155

HSL 270.28, 0.53%, 0.4%

LAB 32.49, 44.93, -49.04

 

CMYK 38 / 78 / 0 / 47

HEX #551E88

RGB 85 30 136

HSL 271.13, 0.64%, 0.33%

LAB 25.68, 45.31, -48.51

 

CMYK 42 / 90 / 0 / 54

HEX #440C75

RGB 68 12 117

HSL 272, 0.81%, 0.25%

LAB 19.12, 44.61, -47.27

 

CMYK 48 / 100 / 0 / 62

HEX #330062

RGB 51 0 98

HSL 271.22, 1%, 0.19%

LAB 13.14, 41.83, -44.77

 

CMYK 57 / 100 / 0 / 69

HEX #22004F

RGB 34 0 79

HSL 265.82, 1%, 0.15%

LAB 8.17, 35.47, -40.18

 

CMYK 34 / 69 / 0 / 39

HEX #66309B

RGB 102 48 155

HSL 270.28, 0.53%, 0.4%

LAB 32.49, 44.93, -49.04

 

CMYK 23 / 70 / 0 / 39

HEX #782F9C

RGB 120 47 156

HSL 280.18, 0.54%, 0.4%

LAB 34.86, 49.57, -45.71

 

CMYK 12 / 70 / 0 / 39

HEX #8A2F9C

RGB 138 47 156

HSL 290.09, 0.54%, 0.4%

LAB 37.55, 53.63, -41.24

 

CMYK 0 / 70 / 0 / 39

HEX #9C2F9C

RGB 156 47 156

HSL 300, 0.54%, 0.4%

LAB 40.41, 57.8, -36.51

 

CMYK 0 / 70 / 12 / 39

HEX #9C2F8A

RGB 156 47 138

HSL 309.91, 0.54%, 0.4%

LAB 39.47, 54.85, -27.05

 

CMYK 34 / 69 / 0 / 39

HEX #66309B

RGB 102 48 155

HSL 270.28, 0.53%, 0.4%

LAB 32.49, 44.93, -49.04

 

CMYK 34 / 69 / 0 / 19

HEX #8840CE

RGB 136 64 206

HSL 270.42, 0.59%, 0.53%

LAB 43.3, 56.56, -61.51

 

CMYK 50 / 50 / 0 / 99

HEX #010102

RGB 1 1 2

HSL 240, 0.33%, 0.01%

LAB 0.29, 0.14, -0.38

 

CMYK 34 / 70 / 0 / 79

HEX #231035

RGB 35 16 53

HSL 270.81, 0.54%, 0.14%

LAB 8.87, 18.82, -20.59

 

CMYK 35 / 69 / 0 / 59

HEX #442068

RGB 68 32 104

HSL 270, 0.53%, 0.27%

LAB 21.06, 32.46, -35.69

 

CMYK 34 / 69 / 0 / 39

HEX #66309B

RGB 102 48 155

HSL 270.28, 0.53%, 0.4%

LAB 32.49, 44.93, -49.04

 

CMYK 0 / 70 / 49 / 39

HEX #9C2F50

RGB 156 47 80

HSL 341.83, 0.54%, 0.4%

LAB 37.26, 47.5, 6

 

CMYK 70 / 0 / 63 / 39

HEX #2F9C3A

RGB 47 156 58

HSL 126.06, 0.54%, 0.4%

LAB 56.77, -50.71, 41.56

 

CMYK 34 / 69 / 0 / 39

HEX #66309B

RGB 102 48 155

HSL 270.28, 0.53%, 0.4%

LAB 32.49, 44.93, -49.04

 

CMYK 0 / 35 / 70 / 39

HEX #9C662F

RGB 156 102 47

HSL 30.28, 0.54%, 0.4%

LAB 47.98, 16.46, 39.03

 

CMYK 70 / 0 / 35 / 39

HEX #2F9C66

RGB 47 156 102

HSL 150.28, 0.54%, 0.4%

LAB 57.41, -43.47, 19.62

 

CMYK 34 / 69 / 0 / 39

HEX #66309B

RGB 102 48 155

HSL 270.28, 0.53%, 0.4%

LAB 32.49, 44.93, -49.04

 

CMYK 0 / 70 / 49 / 39

HEX #9C2F50

RGB 156 47 80

HSL 341.83, 0.54%, 0.4%

LAB 37.26, 47.5, 6

 

CMYK 35 / 0 / 70 / 39

HEX #669C2F

RGB 102 156 47

HSL 89.72, 0.54%, 0.4%

LAB 58.8, -35.9, 49.14

 

CMYK 70 / 0 / 21 / 39

HEX #2F9C7B

RGB 47 156 123

HSL 161.83, 0.54%, 0.4%

LAB 57.86, -38.66, 8.5

 

CMYK 34 / 69 / 0 / 39

HEX #66309B

RGB 102 48 155

HSL 270.28, 0.53%, 0.4%

LAB 32.49, 44.93, -49.04

 

CMYK 0 / 70 / 70 / 39

HEX #9C2F2F

RGB 156 47 47

HSL 0, 0.54%, 0.4%

LAB 36.57, 45.05, 25.96

 

CMYK 35 / 0 / 70 / 39

HEX #669C2F

RGB 102 156 47

HSL 89.72, 0.54%, 0.4%

LAB 58.8, -35.9, 49.14

 

CMYK 70 / 0 / 0 / 39

HEX #2F9C9C

RGB 47 156 156

HSL 180, 0.54%, 0.4%

LAB 58.77, -29.62, -8.89

 

Description

Color code: HEX #66309B | qconv.com Color code: HEX #66309B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 48 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 48 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 69 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 69% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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