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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #662A7C it is the complementary color #99D583. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #662A7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #662A7C: #6B2A77, #7C3C8A, #8D4E9D, #9E60B0 and #AF72C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #662A7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #662A7C: #662A7C, #551869, #440656, #330043 and #220030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 66 / 0 / 51

HEX #662A7C

RGB 102 42 124

HSL 283.9, 0.49%, 0.33%

LAB 29.25, 40.57, -35.08

 

Complementary color

CMYK 28 / 0 / 38 / 16

HEX #99D583

RGB 153 213 131

HSL 103.9, 0.49%, 0.67%

LAB 79.61, -34.25, 34.54

 

CMYK 10 / 65 / 0 / 53

HEX #6B2A77

RGB 107 42 119

HSL 290.65, 0.48%, 0.32%

LAB 29.7, 40.8, -31.17

 

CMYK 10 / 57 / 0 / 46

HEX #7C3C8A

RGB 124 60 138

HSL 289.23, 0.39%, 0.39%

LAB 36.65, 40.31, -31.83

 

CMYK 10 / 50 / 0 / 38

HEX #8D4E9D

RGB 141 78 157

HSL 287.85, 0.34%, 0.46%

LAB 43.57, 39.59, -32.26

 

CMYK 10 / 45 / 0 / 31

HEX #9E60B0

RGB 158 96 176

HSL 286.5, 0.34%, 0.53%

LAB 50.42, 38.8, -32.59

 

CMYK 10 / 42 / 0 / 24

HEX #AF72C3

RGB 175 114 195

HSL 285.19, 0.4%, 0.61%

LAB 57.16, 38, -32.85

 

CMYK 18 / 66 / 0 / 51

HEX #662A7C

RGB 102 42 124

HSL 283.9, 0.49%, 0.33%

LAB 29.25, 40.57, -35.08

 

CMYK 19 / 77 / 0 / 59

HEX #551869

RGB 85 24 105

HSL 285.19, 0.63%, 0.25%

LAB 22.32, 40.58, -34.18

 

CMYK 21 / 93 / 0 / 66

HEX #440656

RGB 68 6 86

HSL 286.5, 0.87%, 0.18%

LAB 15.65, 39.34, -32.48

 

CMYK 24 / 100 / 0 / 74

HEX #330043

RGB 51 0 67

HSL 285.67, 1%, 0.13%

LAB 9.87, 34.74, -28.87

 

CMYK 29 / 100 / 0 / 81

HEX #220030

RGB 34 0 48

HSL 282.5, 1%, 0.09%

LAB 5, 25.69, -23.11

 

CMYK 18 / 66 / 0 / 51

HEX #662A7C

RGB 102 42 124

HSL 283.9, 0.49%, 0.33%

LAB 29.25, 40.57, -35.08

 

CMYK 8 / 66 / 0 / 51

HEX #732A7D

RGB 115 42 125

HSL 292.77, 0.5%, 0.33%

LAB 31.3, 44.12, -32.32

 

CMYK 0 / 66 / 3 / 51

HEX #7D2A79

RGB 125 42 121

HSL 302.89, 0.5%, 0.33%

LAB 32.69, 45.98, -27.51

 

CMYK 0 / 66 / 14 / 51

HEX #7D2A6B

RGB 125 42 107

HSL 313.01, 0.5%, 0.33%

LAB 31.98, 43.59, -19.75

 

CMYK 0 / 66 / 26 / 51

HEX #7D2A5D

RGB 125 42 93

HSL 323.13, 0.5%, 0.33%

LAB 31.36, 41.43, -11.7

 

CMYK 18 / 66 / 0 / 51

HEX #662A7C

RGB 102 42 124

HSL 283.9, 0.49%, 0.33%

LAB 29.25, 40.57, -35.08

 

CMYK 18 / 66 / 0 / 31

HEX #903BAF

RGB 144 59 175

HSL 283.97, 0.5%, 0.46%

LAB 41.46, 53.66, -46.3

 

CMYK 18 / 66 / 0 / 11

HEX #BA4DE2

RGB 186 77 226

HSL 283.89, 0.72%, 0.59%

LAB 53.21, 65.55, -56.61

 

CMYK 18 / 68 / 0 / 91

HEX #120716

RGB 18 7 22

HSL 284, 0.52%, 0.06%

LAB 3.06, 6.08, -6.17

 

CMYK 18 / 66 / 0 / 71

HEX #3C1949

RGB 60 25 73

HSL 283.75, 0.49%, 0.19%

LAB 16.19, 26.22, -22.81

 

CMYK 18 / 66 / 0 / 51

HEX #662A7C

RGB 102 42 124

HSL 283.9, 0.49%, 0.33%

LAB 29.25, 40.57, -35.08

 

CMYK 0 / 66 / 61 / 51

HEX #7D2A31

RGB 125 42 49

HSL 354.94, 0.5%, 0.33%

LAB 30, 36.48, 15.18

 

CMYK 66 / 0 / 45 / 51

HEX #2A7D45

RGB 42 125 69

HSL 139.52, 0.5%, 0.33%

LAB 46.43, -38.18, 23.37

 

CMYK 18 / 66 / 0 / 51

HEX #662A7C

RGB 102 42 124

HSL 283.9, 0.49%, 0.33%

LAB 29.25, 40.57, -35.08

 

CMYK 0 / 18 / 66 / 51

HEX #7D662A

RGB 125 102 42

HSL 43.37, 0.5%, 0.33%

LAB 44.28, 1.88, 36.45

 

CMYK 66 / 0 / 18 / 51

HEX #2A7D66

RGB 42 125 102

HSL 163.37, 0.5%, 0.33%

LAB 47.13, -30.79, 5.28

 

CMYK 18 / 66 / 0 / 51

HEX #662A7C

RGB 102 42 124

HSL 283.9, 0.49%, 0.33%

LAB 29.25, 40.57, -35.08

 

CMYK 0 / 66 / 61 / 51

HEX #7D2A31

RGB 125 42 49

HSL 354.94, 0.5%, 0.33%

LAB 30, 36.48, 15.18

 

CMYK 47 / 0 / 66 / 51

HEX #427D2A

RGB 66 125 42

HSL 102.65, 0.5%, 0.33%

LAB 46.96, -35.37, 38.15

 

CMYK 66 / 0 / 6 / 51

HEX #2A7D76

RGB 42 125 118

HSL 174.94, 0.5%, 0.33%

LAB 47.58, -26.34, -3.51

 

CMYK 18 / 66 / 0 / 51

HEX #662A7C

RGB 102 42 124

HSL 283.9, 0.49%, 0.33%

LAB 29.25, 40.57, -35.08

 

CMYK 0 / 52 / 66 / 51

HEX #7D3C2A

RGB 125 60 42

HSL 13.01, 0.5%, 0.33%

LAB 33.48, 26.59, 24

 

CMYK 47 / 0 / 66 / 51

HEX #427D2A

RGB 66 125 42

HSL 102.65, 0.5%, 0.33%

LAB 46.96, -35.37, 38.15

 

CMYK 66 / 14 / 0 / 51

HEX #2A6B7D

RGB 42 107 125

HSL 193.01, 0.5%, 0.33%

LAB 41.98, -14.56, -16.11

 

Description

Color code: HEX #662A7C | qconv.com Color code: HEX #662A7C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 42 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 42 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 66 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 66% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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