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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #65D018 it is the complementary color #9A2FE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #65D018. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #65D018 shade: #6AD013, #7BE226, #8CF439, #9DFF4C and #AEFF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #65D018. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #65D018 shade: #65D018, #54BE05, #43AC00, #329A00 and #218800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #65D018 shade: #64CD18, #95CD18, #C6CD18, #CDA418 and #CD7318

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #65D018 shade: #64CD18, #33CD18, #18CD2E, #18CD5F and #18CD90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #65D018 shade matches the following richer shades: #64CD18 and #61E006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #65D018 shade: #64CD18, #67BB2B, #6AA83D, #6D9650 and #708362

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #65D018 shade: #C7CD18, #97CD18, #67CD18, #36CD18 and #18CD2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #65D018 shade: #40840F, #52A814, #64CD18, #78E629 and #8FEA4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #65D018 shade: #65D018, #18CDA3 and #CD18AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #65D018 shade: #65D018, #1867CD and #CD1867

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #65D018 shade: #65D018, #18CDA3, #7F18CD and #CD1842

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #65D018 shade: #65D018, #18C1CD, #7F18CD and #CD2418

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 88 / 18

HEX #65D018

RGB 101 208 24

HSL 94.89, 0.79%, 0.45%

LAB 74.79, -58.3, 70.6

 

Complementary color

CMYK 33 / 80 / 0 / 9

HEX #9A2FE7

RGB 154 47 231

HSL 274.89, 0.79%, 0.55%

LAB 45.18, 71.98, -72.64

 

CMYK 49 / 0 / 91 / 18

HEX #6AD013

RGB 106 208 19

HSL 92.38, 0.83%, 0.45%

LAB 74.97, -56.97, 71.64

 

CMYK 46 / 0 / 83 / 11

HEX #7BE226

RGB 123 226 38

HSL 92.87, 0.76%, 0.52%

LAB 81.15, -57.95, 73.54

 

CMYK 43 / 0 / 77 / 4

HEX #8CF439

RGB 140 244 57

HSL 93.37, 0.89%, 0.59%

LAB 87.28, -58.65, 74.36

 

CMYK 38 / 0 / 70 / 0

HEX #9DFF4C

RGB 157 255 76

HSL 92.85, 1%, 0.65%

LAB 91.33, -56.41, 72.43

 

CMYK 32 / 0 / 63 / 0

HEX #AEFF5F

RGB 174 255 95

HSL 90.38, 1%, 0.69%

LAB 92.28, -49.38, 66.54

 

CMYK 51 / 0 / 88 / 18

HEX #65D018

RGB 101 208 24

HSL 94.89, 0.79%, 0.45%

LAB 74.79, -58.3, 70.6

 

CMYK 56 / 0 / 97 / 25

HEX #54BE05

RGB 84 190 5

HSL 94.38, 0.95%, 0.38%

LAB 68.55, -56.99, 67.8

 

CMYK 61 / 0 / 100 / 33

HEX #43AC00

RGB 67 172 0

HSL 96.63, 1%, 0.34%

LAB 62.25, -55.21, 63.17

 

CMYK 68 / 0 / 100 / 40

HEX #329A00

RGB 50 154 0

HSL 100.52, 1%, 0.3%

LAB 55.88, -53.05, 57.92

 

CMYK 76 / 0 / 100 / 47

HEX #218800

RGB 33 136 0

HSL 105.44, 1%, 0.27%

LAB 49.41, -50.47, 52.62

 

CMYK 51 / 0 / 88 / 20

HEX #64CD18

RGB 100 205 24

HSL 94.81, 0.79%, 0.45%

LAB 73.83, -57.49, 69.77

 

CMYK 27 / 0 / 88 / 20

HEX #95CD18

RGB 149 205 24

HSL 78.56, 0.79%, 0.45%

LAB 76.14, -40.87, 72.64

 

CMYK 3 / 0 / 88 / 20

HEX #C6CD18

RGB 198 205 24

HSL 62.32, 0.79%, 0.45%

LAB 79.46, -20.96, 76.72

 

CMYK 0 / 20 / 88 / 20

HEX #CDA418

RGB 205 164 24

HSL 46.41, 0.79%, 0.45%

LAB 69.18, 3.17, 68.81

 

CMYK 0 / 44 / 88 / 20

HEX #CD7318

RGB 205 115 24

HSL 30.17, 0.79%, 0.45%

LAB 57.37, 29.65, 59.52

 

CMYK 51 / 0 / 88 / 20

HEX #64CD18

RGB 100 205 24

HSL 94.81, 0.79%, 0.45%

LAB 73.83, -57.49, 69.77

 

CMYK 75 / 0 / 88 / 20

HEX #33CD18

RGB 51 205 24

HSL 111.05, 0.79%, 0.45%

LAB 72.52, -68.34, 68.12

 

CMYK 88 / 0 / 78 / 20

HEX #18CD2E

RGB 24 205 46

HSL 127.29, 0.79%, 0.45%

LAB 72.26, -70.23, 62.27

 

CMYK 88 / 0 / 54 / 20

HEX #18CD5F

RGB 24 205 95

HSL 143.54, 0.79%, 0.45%

LAB 72.68, -65.03, 42.79

 

CMYK 88 / 0 / 30 / 20

HEX #18CD90

RGB 24 205 144

HSL 159.78, 0.79%, 0.45%

LAB 73.46, -55.95, 18.82

 

CMYK 51 / 0 / 88 / 20

HEX #64CD18

RGB 100 205 24

HSL 94.81, 0.79%, 0.45%

LAB 73.83, -57.49, 69.77

 

CMYK 57 / 0 / 97 / 12

HEX #61E006

RGB 97 224 6

HSL 94.95, 0.95%, 0.45%

LAB 79.54, -65.35, 76.68

 

CMYK 51 / 0 / 88 / 20

HEX #64CD18

RGB 100 205 24

HSL 94.81, 0.79%, 0.45%

LAB 73.83, -57.49, 69.77

 

CMYK 45 / 0 / 77 / 27

HEX #67BB2B

RGB 103 187 43

HSL 95, 0.63%, 0.45%

LAB 68.46, -48.9, 60.21

 

CMYK 37 / 0 / 64 / 34

HEX #6AA83D

RGB 106 168 61

HSL 94.77, 0.47%, 0.45%

LAB 62.85, -38.61, 47.61

 

CMYK 27 / 0 / 47 / 41

HEX #6D9650

RGB 109 150 80

HSL 95.14, 0.3%, 0.45%

LAB 57.7, -27.05, 32.37

 

CMYK 15 / 0 / 25 / 49

HEX #708362

RGB 112 131 98

HSL 94.55, 0.14%, 0.45%

LAB 52.46, -13.37, 15.61

 

CMYK 3 / 0 / 88 / 20

HEX #C7CD18

RGB 199 205 24

HSL 61.99, 0.79%, 0.45%

LAB 79.54, -20.53, 76.81

 

CMYK 26 / 0 / 88 / 20

HEX #97CD18

RGB 151 205 24

HSL 77.9, 0.79%, 0.45%

LAB 76.26, -40.11, 72.78

 

CMYK 50 / 0 / 88 / 20

HEX #67CD18

RGB 103 205 24

HSL 93.81, 0.79%, 0.45%

LAB 73.94, -56.62, 69.91

 

CMYK 74 / 0 / 88 / 20

HEX #36CD18

RGB 54 205 24

HSL 110.06, 0.79%, 0.45%

LAB 72.57, -67.87, 68.19

 

CMYK 88 / 0 / 80 / 20

HEX #18CD2A

RGB 24 205 42

HSL 125.97, 0.79%, 0.45%

LAB 72.24, -70.49, 63.45

 

CMYK 52 / 0 / 89 / 48

HEX #40840F

RGB 64 132 15

HSL 94.87, 0.8%, 0.29%

LAB 49.04, -40.8, 49.76

 

CMYK 51 / 0 / 88 / 34

HEX #52A814

RGB 82 168 20

HSL 94.86, 0.79%, 0.37%

LAB 61.52, -49.12, 59.75

 

CMYK 51 / 0 / 88 / 20

HEX #64CD18

RGB 100 205 24

HSL 94.81, 0.79%, 0.45%

LAB 73.83, -57.49, 69.77

 

CMYK 48 / 0 / 82 / 10

HEX #78E629

RGB 120 230 41

HSL 94.92, 0.79%, 0.53%

LAB 82.24, -60.22, 73.75

 

CMYK 39 / 0 / 67 / 8

HEX #8FEA4E

RGB 143 234 78

HSL 95, 0.79%, 0.61%

LAB 84.6, -52.42, 64.55

 

CMYK 51 / 0 / 88 / 18

HEX #65D018

RGB 101 208 24

HSL 94.89, 0.79%, 0.45%

LAB 74.79, -58.3, 70.6

 

CMYK 88 / 0 / 20 / 20

HEX #18CDA3

RGB 24 205 163

HSL 166.08, 0.79%, 0.45%

LAB 73.87, -51.46, 9.24

 

CMYK 0 / 88 / 15 / 20

HEX #CD18AF

RGB 205 24 175

HSL 309.94, 0.79%, 0.45%

LAB 47.91, 76.78, -35.43

 

CMYK 51 / 0 / 88 / 18

HEX #65D018

RGB 101 208 24

HSL 94.89, 0.79%, 0.45%

LAB 74.79, -58.3, 70.6

 

CMYK 88 / 50 / 0 / 20

HEX #1867CD

RGB 24 103 205

HSL 213.81, 0.79%, 0.45%

LAB 44.66, 16.01, -59.07

 

CMYK 0 / 88 / 50 / 20

HEX #CD1867

RGB 205 24 103

HSL 333.81, 0.79%, 0.45%

LAB 45.1, 69.15, 3.97

 

CMYK 51 / 0 / 88 / 18

HEX #65D018

RGB 101 208 24

HSL 94.89, 0.79%, 0.45%

LAB 74.79, -58.3, 70.6

 

CMYK 88 / 0 / 20 / 20

HEX #18CDA3

RGB 24 205 163

HSL 166.08, 0.79%, 0.45%

LAB 73.87, -51.46, 9.24

 

CMYK 38 / 88 / 0 / 20

HEX #7F18CD

RGB 127 24 205

HSL 274.14, 0.79%, 0.45%

LAB 37.07, 69.15, -71.14

 

CMYK 0 / 88 / 68 / 20

HEX #CD1842

RGB 205 24 66

HSL 346.08, 0.79%, 0.45%

LAB 44.27, 66.8, 25.89

 

CMYK 51 / 0 / 88 / 18

HEX #65D018

RGB 101 208 24

HSL 94.89, 0.79%, 0.45%

LAB 74.79, -58.3, 70.6

 

CMYK 88 / 6 / 0 / 20

HEX #18C1CD

RGB 24 193 205

HSL 183.98, 0.79%, 0.45%

LAB 71.38, -34.45, -17.23

 

CMYK 38 / 88 / 0 / 20

HEX #7F18CD

RGB 127 24 205

HSL 274.14, 0.79%, 0.45%

LAB 37.07, 69.15, -71.14

 

CMYK 0 / 82 / 88 / 20

HEX #CD2418

RGB 205 36 24

HSL 3.98, 0.79%, 0.45%

LAB 44.67, 62.95, 49.67

 

Description

Color code: HEX #65D018 | qconv.com Color code: HEX #65D018 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 208 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 208 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 88 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 88% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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